The Blind Rage Podcast is once again returning to the land down under for the 2000 slasher CUT, starring ‘80s teen icon Molly Ringwald and pop royalty Kylie Minogue.

It’s 1988 and during the making of a Z-grade horror movie, the actor playing the killer slaughters the director after being fired for his sheer ineptitude. He then sets his sights on the final girl, but she’s able to escape. Twelve years later, a group of students decide to finish the film, which was abandoned after the behind-the-scenes butchery.

Unfortunately, whenever a completion of the project is attempted, things come to an abrupt and gruesome end, as an unidentified killer picks off the cast and crew. Will the class of amateur filmmakers finally finish the cursed slice of celluloid, or will they meet the same fate as their predecessors?

The Blind Rage Podcast once again returns to the world of university elite with the 1986 cult classic KILLER PARTY!

Phoebe, Jennifer, and Vivia are best friends and sorority pledges willing to do anything to join Sigma Alpha Pi, one of the most popular houses on campus. They endure paddlings, public humiliation, and endless pranks, though nothing prepares them for the horrors of an April Fool’s Day masquerade party. The festivities are set for an abandoned frat house, where a fraternity pledge died during an initiation 20 years before.

Unbeknownst to the partygoers, his demonic spirit still lingers.

And he doesn’t like visitors.

I don’t think The Blind Rage Podcast has seen such blood and guts since Herschell Gordon Lewis month…

This week, we’re taking a look at James Riffel’s THE HOUSE ON TOMBSTONE HILL, a hidden gem about a group of five twentysomethings who arrive at a massive estate in the middle of nowhere intending to fix it up. The moment they pass the threshold, they discover they’ve got their work cut out for them. Not only is the place in an extreme state of disrepair, there’s a murderous old woman lurking the corridors.

With echoes of THE EVIL DEAD and early Peter Jackson, TOMBSTONE HILL is a fun and ultra bloody good time that is sadly more overlooked than it is appreciated.