From the legacy of Kevin Samuels, to the rise of the Passport Bros Movement, to the viral dominance of platforms like the Fresh and Fit podcast, the Brown Pill represents a unique blend of cultural commentary, relationship dynamics, and reactionary politics.

While most of us are familiar with the "Red Pill" — often associated with traditional gender roles, hyper-masculinity, and critiques of feminism — and the "Black Pill," which leans toward nihilism and defeatism in dating, the Brown Pill is something a little different. Rooted in the realities of racial identity, structural inequality, and the perceived disempowerment of men of color, this ideology is gaining traction online and influencing how Black masculinity — and by extension, Black womanhood — is being discussed. And yet — much of the conversation happens without critically engaging how these ideas affect or reflect Black women.

Kellen Sharp (he/him), a Doctoral student in the Department of Communication at the University of Maryland, College Park guides today's discussion. Sharp’s research examines toxic technocultures, disinformation, and digital platforms, with a focus on how race, gender, and health are shaped by algorithmic systems and online communities.

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The beauty industry has undergone major shifts over the last decade, with increasing demands for inclusivity, clean ingredients, and science-backed solutions. Yet, many mainstream products still fail to meet the unique needs of Black women. Spelman College's Cosmetic Science program answers that need by preparing women of color to lead the next wave of change. It is more than a response to industry trends—it’s a declaration that Black women belong at the forefront of science, beauty, and innovation. Students learn cosmetic chemistry, dermatology, and product formulation, all while examining the cultural, social, and economic impact of beauty standards on communities of color. With graduates entering roles in research, product development, and corporate leadership, Spelman is building a pipeline of Black women who will shape the beauty industry from the inside out.

This episode feature the Director of the Cosmetic Science Program, Dr. Leyte Winfield, Ph.D., a distinguished Professor of Chemistry and Biochemistry at Spelman College.

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Camming is a form of digital sex work where performers livestream themselves—often engaging in erotic or sexual acts—for viewers who can interact and tip in real time. It blends elements of performance, intimacy, and entrepreneurship, with workers operating largely on their own terms but within platform-driven systems shaped by visibility algorithms and audience demand. As camming culture becomes more mainstream, more Black women are choosing to participate — not just as performers, but as entrepreneurs reclaiming agency over their labor and visibility.

But what does this choice really cost for Black women? Research has shown that performers may find pleasure and connection in camming, but risks—including harassment, emotional labor, racialized scripts, and mental health strain—are significant. For example, models of color, especially Black women, consistently register lower camscores—a platform metric tied to earnings—relative to white counterparts. This disparity reflects entrenched racialized labor inequalities

In this episode, we sit down with sociologist and cultural critic Dr. Angela Jones to unpack the multiple dimensions of camming culture Black women must negotiate. Dr. Jones is Professor of Women, Gender, and Sexuality Studies at Stony Brook University, State University of New York. Their research interests include African American political thought and protest, sex work, race, gender, sexuality, Black feminisms, and Black feminist and queer methodologies. Jones is the author of eleven books and countless articles published in academic journals and mainstream press.

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