The Short Fuse Podcast

Auteur(s): The Short Fuse
  • Résumé

  • The Short Fuse Podcasts, hosted by Elizabeth Howard, are conversations with artists, writers, musicians and others whose art reveals our communities through their lens and stirs us to seek change. "Artists are here to disturb the peace." James Baldwin The Short Fuse is produced by the Arts Fuse, the online journal of arts commentary and criticism.
    The Arts Fuse
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Épisodes
  • Reading and Talking Film: Sonya Chung, Film Forum
    Feb 26 2025

    Sonya Chung is the author of the novels The Loved Ones (Relegation Books, 2016) and Long for This World (Scribner, 2010). She is a staff writer for the The Millions and founding editor of Bloom, and is a recipient of a Pushcart Prize nomination, the Charles Johnson Fiction Award, the Bronx Council on the Arts Writers’ Residency, a MacDowell Colony Fellowship, a Key West Literary Seminars residency, a Studios of Key West residency, and an Escape to Create residency. Sonya’s stories, reviews, & essays have appeared in The Threepenny Review, Tin House, The Huffington Post, Buzzfeed, The Late American Novel: Writers on the Future of Books, Short: An International Anthology, and This is The Place: Women Writing About Home, among others. Sonya has taught fiction writing at Columbia University, NYU, and Gotham Writers’ Workshop. She is the Director of Film Forum.

    Film Forum

    Film Forum began in 1970 as an alternative screening space for independent films, with 50 folding chairs, one projector and a $19,000 annual budget. Karen Cooper became director in 1972 and under her leadership, Film Forum moved downtown to the Vandam Theater in 1975. In 1980, Cooper led the construction of a twin cinema on Watts Street. In 1990, Film Forum’s current Houston Street cinema was built at a cost of $3.2 million. In 2018, Film Forum raised $5 million to renovate and expand its Houston Street cinema, upgrading the seating, legroom, and sightlines in all theaters and adding a new, 4th screen. In 2023, Cooper stepped down as Director and was succeeded by Deputy Director Sonya Chung.

    We present two distinct, complementary film programs – NYC theatrical premieres of American independents and foreign art films, programmed by Cooper (Advisor to the Director as of 2023), Mike Maggiore, and Sonya Chung; and, since 1987, repertory selections including foreign and American classics, genre works, festivals and directors’ retrospectives, programmed by Bruce Goldstein. Our third and fourth screens are dedicated to extended runs of popular selections from both programs, as well as new films for longer engagements.

    Film Forum is open 365 days a year, with as many as 250,000 annual admissions, nearly 500 seats, approximately 60 employees (of which half are full time), 6,500+ members and a $7 million operating budget. Approximately 80% of our budget is spent directly on programs. As a non-profit, we raise approximately 50% of our operating income. Public funders include: The National Endowment for the Arts, The New York State Council for the Arts, and various NYC agencies including the NYC Department of Cultural Affairs. Private donors include individuals, foundations, and corporate entities. Additionally, our members contribute more than $500,000 annually. This allows us to take risks on emerging filmmakers and challenging films. Film Forum has a $6 million endowment, begun in 2000 with a $1.25 million gift from the Ford Foundation.

    Film Forum is the only autonomous nonprofit cinema in New York City and one of the few in the U.S. The success of our distinctive position is evidenced by our over 50-year tenure, during which our programs and fiscal resources have grown steadily. Sadly, since the 1970s, dozens of NYC art-house theaters (and a great number throughout the U.S.) have closed their doors.

    As a cinema of ideas, Film Forum is committed to presenting an international array of films that treat diverse social, political, historical and cultural realities. Unlike commercial cinemas that primarily “book” high-grossing, Hollywood films, Film Forum’s programs are thoughtfully selected, with attention to unique cinematic qualities, historical importance individually or within a genre and – particularly for documentaries – relevance to today’s world.

    Elizabeth Howard

    Elizabeth Howard is the Host of the Short Fuse Podcast.

    Arts Fuse

    The Arts Fuse was established in June, 2007 as a curated, independent online arts magazine dedicated to publishing in-depth criticism, along with high quality previews, interviews, and commentaries. The publication’s over 70 freelance critics (many of them with decades of experience) cover dance, film, food, literature, music, television, theater, video games, and visual arts. There is a robust readership for arts coverage that believes that culture matters.

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    37 min
  • The Museum of Other People
    Sep 4 2024

    Adam Kuper

    Professor Adam Kuper is an anthropologist and public intellectual. He has held positions at a number of universities and is a recipient of the Huxley Medal of the Royal Anthropological Institute. Kuper is the author or editor of 19 books and has published over 100 journal articles focusing on anthropological theory, the history of anthropology in the US and Britain, and southern African societies and cultures. He has made numerous appearances on BBC TV and radio, and reviewed regularly for the London Review of Books, the Times Literary Supplement, and the Wall Street Journal.

    The Museum of Other People

    Published by Penguin Random House, in this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics. Kuper reveals the politics and struggles of trying to build these museums in Germany, France, and England in the mid-19th century, and the dramatic encounters between the very colorful and eccentric collectors, curators, political figures, and high members of the church who founded them. He also details the creation of contemporary museums and exhibitions, including the Smithsonian, the Harvard’s Peabody Museum of American Archaeology and Ethnology, and the famous 1893 World’s Columbian Exposition in Chicago which was inspired by the Paris World Fair of 1889.

    Listen to an excerpt from The Museum of Other People

    Elizabeth Howard

    The Short Fuse Podcasts, hosted and produced by Elizabeth Howard, are conversations with artists, writers, musicians, and others who have a lens on contemporary thought and stir us to seek change. With their art, their music, their performances, and their vision they lead us through the social and environmental transformations sweeping across the globe.

    “Artists are here to disturb the peace.” James Baldwin.

    The Short Fuse is distributed through the Arts Fuse, a journal of arts criticism and commentary.

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    34 min
  • The Swans of Harlem
    Jul 9 2024
    The Swans of Harlem: Five Black Ballerinas, Fifty Years of Sisterhood, and the Reclamation of Their Groundbreaking History By: Karen ValbyThe forgotten story of a pioneering group of five Black ballerinas, the first principals in the Dance Theatre of Harlem, who traveled the world as highly celebrated stars in their field and whose legacy was erased from history until now.At the height of the Civil Rights movement, Lydia Abarça was a Black prima ballerina with a major international dance company—the Dance Theatre of Harlem. She was the first Black ballerina on the cover of Dance magazine, an Essence cover star, cast in The Wiz and on Broadway with Bob Fosse. She performed in some of ballet’s most iconic works with her closest friends—founding members of the company, the Swans of Harlem, Gayle McKinney, Sheila Rohan, Marcia Sells, and Karlya Shelton—for the Queen of England and Mick Jagger, with Josephine Baker, at the White House, and beyond.Some forty years later, when Lydia’s granddaughter wanted to show her own ballet class evidence of her grandmother’s success, she found almost none, but for some yellowing photographs and programs in the family basement. Lydia had struggled for years to reckon with the erasure of her success, as all the Swans had. Still united as sisters in the present, they decided it was time to share their story themselves.Captivating, rich in vivid detail and character, and steeped in the glamor and grit of professional ballet, The Swans of Harlem is a riveting account of five extraordinarily accomplished women, a celebration of their historic careers, and a window into the robust history of Black ballet, hidden for too long. During Covid, five ballerinas met weekly on Zoom and formed the 152nd Street Black Ballet Legacy Council. Karen Valby joined them and wrote their story “Karen Valby’s The Swans of Harlem brings to life the stories of Black dancers whose contributions to the world of ballet were silenced, marginalized, and otherwise erased. Karen introduces readers to important figures of our past, while inspiring us to courageously chase our dreams.”Misty Copeland“These five original Dance Theatre of Harlem ballerinas fell in love with an art form that most of America believed was white and should remain so. Upon Arthur Mitchell’s founding of an all-Black company in 1969, they eagerly took their places at the barre and challenged themselves to the utmost. They triumphed. They showed that Blacks could not only excel at classical ballet but could also shape the art in their own vibrant image. Karen Valby weaves their stories together as a choreographer would: the women form an ensemble, yet each gets her own riveting solo. It’s thrilling to watch as they join forces at last and claim their unique place in American ballet’s past, present and future.”—Margo Jefferson152nd Street Black Ballet Legacy FoundationThe 152nd St. Black Ballet Legacy is an independent non-profit organization created by five trailblazing Black ballerinas. Their professional careers began at the founding of Dance Theatre of Harlem, where their sisterhood was born. They have enjoyed and nurtured their sisterhood for over 50 years and continue to thrive for the sake of preserving our their rich history.Lydia Abarca Mitchell is a founding member of the Dance Theatre of Harlem and their first prima ballerina. She danced leading roles in George Balanchine’s Agon, Bugaku, Concerto Barocco, Allegro Brillante, Tchaikovsky Pas de Deux, and Swan Lake, Jerome Robbins’ Afternoon of a Faun, Ruth Page’s Carmen and Jose, William Dollar’s Le Combat, and Arthur Mitchell’s Ode to Otis, Holberg Suite, and Biosfera. She was featured on the cover of DanceMagazine, in the movie The Wiz, and on Broadway in Bob Fosse’s Dancin’. It was a stunning career on the world stage.Karen Valby Author of Welcome to Utopia, and contributor to The New York Times; O, The Oprah Magazine; Glamour; Fast Company; and Entertainment WeeklyDance Theater of HarlemThe Dance Theater of Harlem was founded in 1969, during the Civil Rights movement by Arthur Mitchell and Karel Shook.Harlem School of the ArtsElizabeth Howard, Producer and Host of the Short Fuse Podcast Elizabeth Howard is the producer and host of the Short Fuse Podcast, conversations with artists, writers, musicians, and others whose art reveals our communities through their lens and stirs us to seek change. Her articles related to communication and marketing have appeared in European Communications, Investor Relations, Law Firm Marketing & Profit Report, Communication World, The Strategist, and the New York Law Journal, among others. Her books include Queen Anne’s Lace and Wild Blackberry Pie, (Thornwillow Press, 2011), A Day with Bonefish Joe (David Godine, 2015) and Ned O’Gorman: A Glance Back (Easton Studio Press, 2016). She leads reading groups at the Center for Fiction ...
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    38 min

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