Justifiable American Tails is a bold and hilarious stand-up comedy by Trey Knowles that exposes the irony of modern justification—where claiming to be “without sin” becomes permission for the American Justice League to act without restraint. Through sharp satire, Knowles likens this mindset to modern-day Roman or German systems dressed in the language of Christianity, where Jesus is spoken of, but His spirit and actions are nowhere to be found. This comedy feels like witnessing a modern Barabbas moment, not among ancient crowds, but within the citizens of America themselves. The audience is confronted with a powerful question: what do we choose—true moral righteousness or a system elevated into a personal religion, justified for some and condemning to others? With fearless humor, Trey Knowles contrasts Constitution versus conscience, delivering a stand-up performance that is both laugh-out-loud funny and uncomfortably revealing.

Trey Knowles' The American Esau is a funny stand-up piece in which Trey travels to Arkansas to visit his friend Esau—a redheaded lawyer who loves guns and blowing things up. Esau takes Trey hunting to introduce him to his way of life, proudly showing off his passion for destruction. As the trip unfolds, Trey tries to understand why Esau kills animals he has no intention of eating. The mystery deepens when Trey reveals that Esau once possessed a special birthright—the Book of Truth—but traded it away for a gun so he could continue destroying things.

Trey Knowles' The Real John Wayne is a hilarious stand-up special in which he recounts a trip to Texas to visit his white Uncle Bobby, a Constitution-loving gun enthusiast. Through stories about Uncle Bobby and his friends, Knowles takes a sharp and insightful look at human behavior—especially their racial attitudes.

He compares these gun-worshipping personalities to their idol, John Wayne: people who glorify violence and seem ready to shed blood at any moment. The irony, and much of the comedy, comes from the fact that they proudly call themselves Christians. With humor that feels uncomfortably real, Knowles exposes the contradictions and behavior of Uncle Bobby's circle, touching on experiences as tense and revealing as driving through a sundown town.

Trey Knowles' The Justice League is a short, comedic satire about “superhero Christians” who compromise with the world—even though God the Father tells us not to love the world. Instead of following Him, the Justice League Christians do the opposite, claiming “liberty for some and justice for all.”

Trey jokingly portrays them as flag-waving, gun-worshippers. When the Justice League becomes offended and asks, “Why are you judging me?” Trey humorously responds, “I don't even know you—and why are you pointing your guns at me?”

He then walks away, ending with the reminder that whoever wants to be a disciple of Jesus must deny themselves.

In “Higher Education of America,” Trey Knowles delivers a sharp, funny comedy set aimed at college students, calling out the hypocrisy of their parents—many of whom are now judges and lawyers. Knowles humorously reminds students of their parents' own wild behavior during their college years, especially at fraternity parties, and contrasts it with the moral judgment those same parents now pass on others. With playful embarrassment and a memorable joke about “casting the first stone,” Knowles exposes the double standards behind authority, respectability, and self-righteousness, turning laughter into a pointed critique of hypocrisy.

In “Woe to You, Teachers of the Law,” Trey Knowles delivers a short comedic message aimed at college students studying to become attorneys. Using humor and satire, Trey challenges them not to imitate the hypocrisy he sees in past generations of lawyers and judges who present themselves as morally superior while judging others. He points out the contradiction of enforcing the law unevenly—punishing some harshly while excusing the same offenses in others—and exposes the pretense of appearing holy without acknowledging personal wrongdoing. Beneath the comedy, the message carries a serious critique of hypocrisy, urging future attorneys to pursue honesty, humility, and integrity rather than self-righteous judgment.

The Papacy Psychosis is a stand-up allegory comedy special by Trey Knowles that blends sharp satire with deliberately unhinged humor. Throughout the performance, Knowles playfully challenges the Vatican's claim to moral and spiritual dominance, joking that it seeks to control the world by positioning itself as Earth's ultimate authority. A standout bit riffs on the Pope's claim to hold the “keys to heaven,” with Knowles quipping that they're borrowed from Peter—who, he argues, would never call himself “Pope” because he recognizes only one Father in Heaven. From there, the jokes escalate: if they can “steal” Peter from Jesus, Knowles warns, they'll steal from you too—your money, your identity, even your citizenship. Through bold punchlines and absurdist logic, Knowles turns paranoia into parody, bringing the idea of psychosis to life in a provocative, laugh-forward comedy special.

Trey Knowles' “Members of Your Own House Is Your Enemy” is a short, confrontational comedy built on satire, scripture, and sharp irony. In the set, Trey jokes about refusing to waste his time arguing with people who only mock faith instead of seeking truth, saying he won't cast “pearls” to audiences who have already made up their minds.

He then turns his focus inward, humorously criticizing churches and religious institutions that, in his view, compromise their convictions and selectively follow God's will. Through exaggerated contrasts and blunt punchlines, Trey explores the frustration of spiritual hypocrisy and the idea that opposition often comes not from outsiders, but from those who claim to share the same faith.

The comedy lands on a recurring, tongue-in-cheek refrain that captures the heart of the set: sometimes the biggest enemies aren't strangers—but members of your own house.