A for Andromeda is a BBC science fiction TV series that originally aired in 1961.

It was the first adult BBC science fiction series since the Quatermass trilogy of the Fifties. Created by reknown (and controversial) astronomer Fred Hoyle and television writer and producer John Elliot, and directed by Michael Hayes (Replaced by John Knight for the sequel). One of the earliest mainstream British TV dramas to explore the themes of artificial intelligence and realistic alien contact.

A for Andromeda follows a group of scientists who receive a radio signal from the Andromeda galaxy containing instructions for building a powerful computer. Once built, the computer reveals a formula for creating a new life. Meanwhile a multinational company called Intel are stealing information from the project via a mole. Shockingly, one of the team, Christine, is hypnotised and killed by the computer. Her body is then used as a blueprint for a newly grown beautiful woman who is christened Andromeda. However, as Andromeda grows more self-aware, she begins to be torn between the agenda of the alien AI and her own humanity.

The series was a great success at a time when the BBC had been losing audiences to its new rival ITV. Unsurprisingly a sequel was commissioned.

The Andromeda Breakthrough was originally broadcast in 1962. It picks up directly where the previous one left off, with Andromeda and Dr John Flemming, the scientist who has treated the computer with suspicion almost from the beginning, having escaped from the island where it was created. Soon they are abducted by Intel and taken to the Middle Eastern country of Azaran, where the alien computer has been recreated. Too late, the humans realise that the computer has a ruthless plan for human civilisation, and only the dying Andromeda can save them.

Both series were groundbreaking for television in mixing scientific concepts with contemporary politics and a more cynical view of business and political institutions.

For this episode I was delighted to be reunited with writers Nigel J Anderson and Brian M Clarke, who had been my very first guests when we covered Pathfinders in Space. We also take a few minutes to discuss the BBC4 remake in 2006. I must also mention Michael Thompson, who helped with the glossy production values on this particular podcast.

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Imagine Star Trek designed by Stanley Kubrick and inhabited by a plethora of familiar (or soon to be familiar) British actors, led by three American TV stars. It's a SF show that mixes big imaginative concepts with foam machines and alien babes in tight costumes. It looks amazing, with one of the most iconic spaceships that ever flew across the small screen. And for a while, it was one of the biggest SF series on TV.

The Moon has escaped orbit and gone warping across the galaxy. Each episode the survivors face new aliens and new terrors. The time, the place? Space: 1999!

Space: 1999 ran for 48 episodes across two seasons between 1975 and 1977. Made by ITC and produced by Gerry and Sylvia Anderson, although Star Trek producer Fred Freiberger took over day to day running of the second season. Brian Johnson headed the special effects modelwork and would later gain acclaim for The Empire Strikes Back and The Neverending Story.

Very British Futures host Gareth Preston invites nostalgic Ian Taylor and recent fan Kara Dennison to examine one of ITC's biggest undertakings. They'll be taking an especially close look at "Dragon's Domain", "Earthbound" and "The Beta Cloud".

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Find out more about Kara Dennison's work at https://karadennison.blogspot.com/

Find out more about Ian Taylor's horror anthologies at https://twitter.com/BHF_books

Seasons greetings! Stingray is the iconic children's television series that captured the imagination of Sixties viewers. Created by the legendary Gerry and Sylvia Andersonthis pioneering show set new standards for their Supermarionation process, as well as being their first in colour.

The series follows the adventures of the crew aboard the futuristic submarine known as Stingray, designed for undersea exploration and defense. Led by the valiant Captain Troy Tempest, his partner Lieutenant George Lee "Phones" Sheridan, and the enigmatic Marina, a mystical undersea woman, the trio works for WASP (the World Aquatic Security Patrol) and embark on daring missions to protect the ocean and humanity from various threats. They regularly battle King Titan, ruler of the Aquaphibians, and his cunning spy X-2-Zero.

Whilst definitely a children's show, Stingray has an unusual depth of character development, largely thanks to the romantic triangle between Troy, Marina, and Atlanta, a fellow WASP officer and daughter of the WASP's leader, Commander Shore. Shore himself had an interesting back story, having been crippled and left hoverchair bound by nameless underwater aliens.

For this special Christmas edition of Very British Futures, regular guest John Isles, and his daughter Amber, join Gareth Preston to watch "A Christmas to Remember", written by Dennis Spooner and directed by Alan Pattillo.

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