In this episode, we look at the music of the 2022 Netflix film of Persuasion with the music written by British composer Stuart Earl. We explore how it uses romantic melodies tinged with melancholy to express the emotions of the main couple, primarily the main heroine Anne. We also explore how the music spans musical genres from classical to jazz influences to minimalism to a pop song by Birdy. Along with that, we also see how this film follows many formulas for romantic comedies.

Host: Ruth Mudge, ruthmudge.com

Music included on this podcast:

"Clifftop Prelude" - Persuasion (Soundtrack from the Netflix Film), music by Stuart Earl, 2022.

"Journey to Uppercross" - Persuasion (Soundtrack from the Netflix Film), music by Stuart Earl, 2022.

"Lanterns" - Persuasion (Soundtrack from the Netflix Film), music by Stuart Earl, 2022.

"Sir Walter Elliot's theme" - Persuasion, music by Stuart Earl, performed by Ruth Mudge, 2024

"Mr. Elliot's theme" - Persuasion, music by Stuart Earl, performed by Ruth Mudge, 2024

"The Letter" - Persuasion (Soundtrack from the Netflix Film), music by Stuart Earl, 2022.

"Into the Sea" - Persuasion (Soundtrack from the Netflix Film), music by Stuart Earl, 2022.

"Orfeo ed Euridice: Act II - Ballo: Andante (Dance of the Blessed Spirits)" - 111 Opera Masterpieces, the Ultimate Collection, music by Christoph Willibald Gluck, performed by Southwest German Chamber Orchestra & Wilhelm Keitel, 1991

"Polifemo: Aria: Alto Giove" - Porpora: Arie d'Opera, music by Nicola Porpora, performed by Angelo Manzotti, Concordia Ensemble & Musici della Concordia, 2009

"Quietly Yours" - Persuasion (Soundtrack from the Netflix Film), music by Birdy, 2022.

"World of Soundtracks" - music by Edith Mudge, graphics by Lindsey Bergsma, 2022

In this episode, we look at the music of the TV film of Persuasion from 2007/2008 with the music written by British composer Martin Phipps. We explore how Phipps uses minimalism to express the emotions of the characters, primarily the main heroine Anne. Combined with her journal narration, the music tells her romantic journey of a second chance, aiding an introverted character to let the audience know what she feels. We explore looking at the instrumentation and style of this short, compact, and impactful adaptation.

Host: Ruth Mudge, ruthmudge.com

Music included on this podcast:

"Metamorphosis 2" - Glass Piano, music by Philip Glass, performed by Bruce Brubaker, 2015.

"Persuasion" - music by Martin Phipps, performed by Ruth Mudge, cello and piano.

"I Lived Here" - Woman in Gold (Original Motion Picture Soundtrack), music by Martin Phipps, 2015.

"Piano Sonata, No. 14 in C Sharp Minor, Op 27, No. 2, "Moonlight": I. Adagio Sostenuto." - Beethoven: Piano Sonatas Nos 14 "Moonlight", 21 "Waldstein" & 23 "Appassionata", music by Ludwig van Beethoven, performed by Vladimir Horowitz, 1973.

"Symphony No. 25 in G minor, K. 183: 1. Allegro con brio" - Mozart: Complete Symphonies, music by Wolfgang Amadeus Mozart, performed by Royal Concertgebauw Orchestra & Josef Krips, 1996.

"World of Soundtracks" - music by Edith Mudge, graphics by Lindsey Bergsma.

In this episode, we look at the music of Persuasion (1995) written by Jeremy Sams and featuring classical composers J.S. Bach and Frederick Chopin. We explore how Sams wrote s mostly transitional music as well as the concert music while much of the accompaniment of the story is classical music. We also look at how it features primarily solo piano, emphasizing Anne Elliott's instrument as well as her quietness and being alone in the background.

Host: Ruth Mudge, ruthmudge.com

Music Included in Podcast:

"The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity" - Holst: the Planets, Op. 32, music by Gustav Holst, performed by the Berlin Philharmonic and Herbert von Karajan, 1981.

"Persuasion, Tristesse" - Jane Austen's World, music by Jeremy Sams, arranged by Richard Harris, published by Faber Music Ltd, 1997. Performed by Ruth Mudge

"Persuasion Main Theme" - Jane Austen's World, music by Jeremy Sams, arranged by Richard Harris, published by Faber Music Ltd, 1997. Performed by Ruth Mudge

"Persuasion, Italian Aria" - Jane Austen's World, music by Jeremy Sams, arranged by Richard Harris, published by Faber Music Ltd, 1997. Performed by Ruth Mudge

"Zaide, K. 344: Ruhe Sanft, Mein Holdes Leben" - Renee Fleming, Mozart Arias, music by Wolfgang Amadeus Mozart, performed by Renee Fleming, Sir Charles Mackerras & The Orchestra of St. Luke's, 1996

"24 Preludes, Op. 28: 21 in B-flat major" - Chopin: Preludes & Piano Sonata No. 2, music by Frederic Chopin, performed by Martha Argerich, 1987.

"24 Preludes, Op. 28: No 3 in G major" - Chopin: Preludes & Piano Sonata No. 2, music by Frederic Chopin, performed by Evgeny Kissin, 1999.

"Nocturnes, Op. 9: No. 3 in B major" - Chopin: Nocturnes, music by Frederic Chopin, performed by Arthur Rubinstein, 1967.

"French Suite No. 1 in D Minor, BWV 812. III. Sarabande" - Bach: French Suites, BWV 812-817, music by Johann Sebastian Bach, performed by Vladimir Ashkenazy, 2017.

"French Suite No. 3 in B Minor, BWV 814. III. Sarabande" - Bach: French Suites, BWV 812-817, music by Johann Sebastian Bach, performed by Vladimir Ashkenazy, 2017.

"World of Soundtracks" - theme by Edith Mudge, graphics by Lindsey Bergsma