Like Rodney Dangerfield, the viola is often an instrument that “gets no respect“ — so no viola jokes, today, folks. Quite the opposite, in fact.

For its 150th Anniversary celebration, the New York Philharmonic commissioned a number of new orchestral works. One of them premiered at New York’s Avery Fisher Hall on today’s date in 1993: American composer Ellen Taaffe Zwilich’s Symphony No. 3.

It’s no exaggeration to suggest Zwilich knows the symphony orchestra from inside out: for seven years she was a violinist in the American Symphony Orchestra, a New York-based ensemble conducted by Leopold Stokowski when she was a player.

For her Symphony No. 3, Zwilich confessed she had an often-neglected section of the orchestra in mind:

“I had noticed over the years the rising quality of viola playing, and I thought that the Philharmonic’s section was absolutely amazing,” she said in an interview. “So when I had this commission … I really wanted to put the spotlight on the viola section and give them a great deal to do, not only in terms of virtuosity, but of importance and centrality to the piece. This symphony really grew out of my love for this section of the orchestra.”

Ellen Taaffe Zwilich (b. 1939): Symphony No. 3; Louisville Orchestra; James Sedares, conductor; Koch 7278