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What did he eat last? Whom did he eat, in fact? Lumbered with working alongside reptilian Chief Spy Anacrites, Falco has the perfect plan to make money - he will assist Vespasian in the Emperor's 'Great Census' of AD 73. His potential fee could finally allow him to join the middle ranks and be worthy of long-suffering Helena Justina. Unexpectedly confronted with the murder of a man-eating lion, Falco is distracted from his original task, uncovering a bitter rivalry between the gladiators' trainers.

One fine day, A.D. 70, Sosia Camillina quite literally runs into Marcus Didius Falco on the steps of the Forum. It seems Sosia is on the run from a couple of street toughs, and after a quick and dirty rescue, P.I. Falco wants to know why.

"All the problems I know about are family ones." A frightened child approaches Roman informer Falco, pleading for help. Nobody believes Gaia's story that a relation wants to kill her--and neither does he. Beset by his own family troubles, by his new responsibilities as procurator of the sacred poultry, and by the continuing search for a new partner, Falco turns her away. Immediately he regrets it. Gaia has been selected as the new Vestal Virgin, and when she disappears Falco is officially asked to investigate.

Rats are always bigger than you expect.' Falco, ancient Rome's hangdog investigator, hates sharing a cell with a rodent - though being bailed by his old mother is almost as embarrassing. His high-born girlfriend can't decide if she wants him, and Titus Caesar's reward for past services is a wet fish. Hoping for a better life, or at least a better apartment, he takes on new clients. On the elegant slopes of the Pincian Hill, three nouveau riche freedmen with two flashy wives are under siege by a clever redhead.

Marcus was hoping for a relaxed visit to Britannia. But things turn serious at the scene of a murder. King Togidubnus has been stuffed down a bar-room well - leading to a diplomatic situation which Marcus must resolve.

In the high summer of AD 77, Marcus Didius Falco is beset by personal problems. Newly bereaved and facing unexpected upheavals, it is a relief for him to consider someone else’s misfortunes. A middle-aged couple who supplied statues to his father, Geminus, have disappeared. They had a feud with a bunch of notorious freedmen, the Claudii, who live rough in the pestilential Pontine Marshes, terrorising the neighbourhood.

I was the new boy, so they saddled me with the worst jobs.' Rome, AD 71. Against his better judgement, Falco secretly disposes of a decayed corpse for the Emperor Vespasian, then heads for the beautiful Bay of Naples with his best friend Petronius. He conveniently forgets to mention to his companion that this will be no holiday. They have been sent to investigate the murderous members of a failed coup, now sunning themselves in luxurious villas and on fancy yachts.

Falco: the new generation - Introducing Flavia Albia.Flavia Albia is the adopted daughter of a famous investigating family. In defiance of tradition, she lives alone on the colourful Aventine Hill, and battles out a solo career in a male-dominated world. As a woman and an outsider, Albia has special insight into the best, and worst, of life in ancient Rome.A female client dies in mysterious circumstances. Albia investigates and discovers there have been many other strange deaths all over the city, yet she is warned off by the authorities.

Marcus Didius Falco discovers that rank brings problems, the most gruesome of which is a corpse buried under the tiles of his new bath house. The contractors have fled to Britain where, as the Fates have it, Falco is ordered. A local chief and ally of the Romans is having a Palace built by the Emperor Vespasian. However, the project is running late, and fatal accidents keep happening. Falco, troubleshooting for the Emperor, is without an ally and now next on the list for assassination.

"I’ve always wanted to see something of the Empire outside Rome." AD 71. Germania Libera: dark, dripping forests inhabited by bloodthirsty barbarians and legendary wild beasts, a furious prophetess who terrorises Rome, and the ghostly spirits of slaughtered Roman legionaries. Enter Falco, an Imperial agent on a special mission: to find the absconding commander of a legion whose loyalty is suspect.

It is the Roman holiday of Saturnalia. The days are short, the nights are for wild parties. A general has captured a famous enemy of Rome, and brings her home to adorn his Triumph as a ritual sacrifice. But the logistics go wrong.

Marcus Didius Falco and his friend Petronius find their local fountain has been blocked - by a severed human hand. Soon other body parts are being found in the aqueducts & sewers.

I was just a freelance hero doing his best in a hard world.' The spirit of adventure calls Falco on a new spying mission for the Emperor Vespasian to the untamed East. He's picking up extra fees from his old friend Thalia the snake dancer as he searches for Sophrona, her lost water organist. With the Chief Spy Anacrites paying his fare, Falco knows anything can go wrong. A dangerous brush with the Brother, the sinister ruler of Nabataean Petra, sends Falco and his girlfriend Helena on a fast camel-ride to Syria.

From renowned author Lindsey Davis, creator of the much-loved character, Marcus Didius Falco and his friends and family, comes the second novel in her all-new series set in Ancient Rome. We first met Flavia Albia, Falco's feisty adopted daughter, in The Ides of April. Albia is a remarkable woman in what is very much a man's world: Young, widowed and fiercely independent, she lives alone on the Aventine Hill in Rome and makes a good living as a hired investigator.

"The first concern of an author is to do down his colleagues." In the long, hot Roman summer of AD 74, Falco, private informer and spare-time poet, gives a reading for his family and friends. Things get out of hand, as usual. The event is taken over by Aurelius Chrysippus, a wealthy Greek banker and patron to a group of struggling writers, who offers to publish Falco's work.

In Roman times, the Seven Ancient Wonders of the World held a deep fascination. Two of them were in Egypt: the Great Pyramid of Giza and the Lighthouse at Alexandria. Marcus Didius Falco's wife Helena Justina is determined to see them before her next confinement. Conveniently, he has an uncle with a house in Alexandria. For this innocent reason (he says) they sail to Egypt. As soon as they arrive in Alexandria, a suspicious death occurs at the famous Great Library.

It is 73 AD in Ancient Rome and inimitable sleuth Marcus Didius Falco is back with a vengeance. In one night, a man is killed and Rome's Chief of Spies left for dead. Naturally there is no one except Falco to conduct the investigation. Soon he is plunged into the fiercely competitive world of olive oil production. Political intrigue, an exotic Spanish dancer and impending fatherhood, all add to Falco's troubles.

Decades earlier Appius Tranquillus Surus wrote his will: it freed his slaves and bequeathed his businesses to them. He left an orchard to the Prisci, a family he was friendly with, on the condition that his freedmen could still take its harvest. The convoluted arrangement has led to a feud between the two families, each of which has its own internal strife. Endless claims and counterclaims lead to violence and even death. Lawyers have given up in exasperation as the case limps on. The original will has disappeared, along with a falsified codicil - and might there be another one?

Greece, home of the ancient Olympic Games, is a favourite destination for Seven Sights Travel, a seedy company which provides escorted tours for wealthy travellers. When Marcus Didius Falco and Helena hear that a young girl and a newly-wed woman, both Roman visitors, have been murdered at Olympia, they both step in to investigate.

Rome, the very end of December. The Field of Mars is packed with monuments, none more beautiful than Domitian's new Odeon and Stadium. But the area has been overtaken by ugly events: elaborately staged murders. Someone bears a spectacular grudge against the theatrical community and intends to get revenge in the most spectacular way possible. The killer's method is to re-enact bloody scenes from the gruesome side of popular theatre, where characters in plays really die on stage.