Résultats pour "Samanta Schweblin" dans Anthologies et nouvelles

Once a decade a story collection rips a hole in the sky and we remember how it feels to have a spell cast upon us. From Jamaica Kincaid’s At the Bottom of the River to Denis Johnson’s Jesus’s Son to the earthquake stories of Haruki Murakami, these books are often short, but unforgettable. Samanta Schweblin’s Good and Evil is such a book. Sculpted and lucid, strange and uncanny, here is a masterpiece of suggestiveness. Step by step these six stories lure us into the shadows to confront the monsters of everyday life—ourselves.

A powerful, eerily unsettling story collection from a major international literary star. Unearthly and unexpected, the stories in Mouthful of Birds burrow their way into your psyche and don't let go. Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection. Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

The seven houses in these seven stories are empty. Some are devoid of love or life or furniture, of people or the truth or of memories. But in Samanta Schweblin’s tense, visionary tales, something always creeps back in: a ghost, a fight, trespassers, a list of things to do before you die, a child’s first encounter with a dark choice or the fallibility of parents.

La presente compilación incluye veinte relatos ya publicados en ediciones anteriores de sus libros de cuentos y en ediciones internacionales, así como un relato inédito publicado por la revista Granta. La selección, llevada a cabo por la propia autora, configura una antología de su mejor prosa breve hasta la fecha, así como una pieza indispensable de la literatura contemporánea argentina.

Las casas son siete, y están vacías. La narradora, según Rodrigo Fresán, es "una científica cuerda contemplando locos, o gente que está pensando seriamente en volverse loca". Y la cordura, como siempre, es superficial.