Résultats pour "andi arndt" dans Femmes détectives

Molly Appleby is a young writer for Collector's Weekly, and when the attractive reporter isn't covering auctions and antique shows all over the South, she's trying to get her new relationship with a coworker off the ground. When her latest assignment takes her to North Carolina pottery country to cover an exclusive kiln opening, she's certain that the show promises surprising offerings and rare finds. What she doesn't expect to find is a dead body.

Like many old New England families, the Kellings live to die. Although their family vault is spacious and comfortable, it will not do for Sarah Kelling's great-uncle Frederick. In his will, he demands to be buried inside the ancient family tomb at Boston Common, which hasn't admitted a new member in more than a century. But when the Kellings crack the old vault's door, they find a recently built brick wall - and behind it lays a surprisingly fresh corpse, a skeleton with rubies in its teeth.

It has only been a few months since Sarah Kelling's elderly husband passed away, and she is struggling to adapt to life as a penniless young widow. To make ends meet, she converts her stately Boston home into a boardinghouse, a decision that brings something even better than money: the company of art-fraud-investigator Max Bittersohn. The budding couple is standing on a balcony, recovering from a second-rate concert at a third-rate museum, when something plummets past them. The museum has been robbed, and a guard has fallen to his death.

Recently ghosted and sick of watching her friends fade into the suburbs, thirty-something Hannah finds community in a true-crime forum that’s on a mission to solve the murders of four women in Atlanta. After William, a handsome lawyer, is arrested for the killings, Hannah begins writing him letters. It’s the perfect outlet for her pent-up frustration and rage. The exercise empowers her, and even feels healthy at first. Until William writes back.

Jillian Lowe seemed to have it all. Both beautiful and accomplished, she lit up any room that she walked into. All of that dramatically changed when her parents and two siblings were brutally murdered at her childhood home her second year in college. The crime shattered what was once a picture-perfect family and nearly derailed Jillian’s hopes for her future.

Molly Appleby has promised her new husband that their honeymoon will be trouble-free - specifically, no sleuthing. Unfortunately, trouble seems to follow Molly wherever she goes, even to England. After a glorious week in London, the newlyweds have escaped the city to visit Molly's great-aunt in the quaint English village of Marlow Crossing. The setting is idyllic, as beautiful and serene as Molly could hope for, but, as the senior staff writer for Collector's Weekly knows, appearances can be deceiving.

Molly Appleby loves her job at Collector's Weekly covering auctions and estate sales all over the South. When her latest assignment takes her to Richmond, Virginia, to interview the staff of the hit TV show Hidden Treasures, she's expecting a quick, fun trip. But when one of the show's appraisers is found murdered, Molly realizes that once again she'll have to put on her detective's cap until the culprit is captured.

When psychotherapist Helen Brunswick is murdered in her Park Slope office, the entire city suspects her estranged husband - until the District Attorney's office receives an anonymous letter. The letter's author knows a chilling detail that police have kept secret: The victim's bones were broken after she was killed. Her injuries were eerily similar to the signature used 20 years earlier by Anthony Amaro, a serial killer serving a life sentence for his crimes. Now, Amaro is asking to be released from prison, arguing that he was wrongly convicted, and that the true killer is still on the loose.

When the doddering patrons of the Wilkins Museum learned that dozens of their priceless masterworks had been stolen and replaced by forgeries, there was no one to turn to but Sarah Kelling and Max Bittersohn - the savviest art detectives of the Boston upper crust. Nabbing the crooks was easy, but finding the missing paintings has proven trickier. Years later, the collection's prized Titian is still lost, and the new director, loudmouthed cattle baron Elwyn Fleesom Turbot, is getting impatient.

Producing a Gilbert & Sullivan opera requires a special kind of madness, and the Kelling family is large enough and peculiar enough to undertake an entire company by themselves. For years now, Sarah Kelling's aunt Emma has supervised these annual productions - from The Pirates of Penzance to The Mikado - and this year she has invited her cast of relatives to rehearse The Sorcerer in her stately mansion. The show is nearly ready when a team of burglars drugs the cast and crew to make off with a priceless portrait.

Though a few years past 60, Sarah Kelling's aunt Emma is as vigorous as a girl of 22. She sings, she dances, and when the local fire department needs a fundraising boost, she's happy to jump out a window for charity. This summer, she decamps to Maine, to beat the heat at an island retreat for artists and great thinkers. There are writers, painters, a psychic, and a historian, and their company promises to be great fun - until a few of them go treasure-crazy.

Still haunted by his wife's murder - and stained by the blood of avenging it - FBI special agent Hatcher McGee can't believe he's being teamed up with rookie agent Korine Davenport. She is his most guilty secret - the one-night stand who almost cost him everything. Korine has her own demons. As a child, she witnessed her father's murder, and she's spent her life waiting for the killer's return. She and Hatcher are both looking for closure, but the disturbing case that draws them together could be their last.

In the grips of a cold and drab autumn, Collector's Weekly reporter Molly Appleby is thrilled to be attending a festive black-tie fundraiser hosted by the very private Natasha Gordon, an heiress known for her charitable events and aversion to the limelight. It's Molly first chance to see the stunning interior of the Gordon estate, but when a rare book dealer is pushed from a high window to his death, she's confronted with a sight that's become all too common for her.

Sarah Kelling and her husband, Max Bittersohn, have made names for themselves tracking down stolen paintings, sculptures, and, when necessary, the occasional murderer. But this is the first time they have been asked to find a missing Rolls Royce. When Bill Billingsgate's prize 1927 New Phantom disappears, they head for his estate on the Massachusetts coast, arriving - to their horror - just in time for Billingsgate's annual Renaissance fair.

For all the Kellings' quirks, no other family in Boston is more adept at throwing a wedding. So when Max Bittersohn's wife, Sarah Kelling, offers to organize his nephew's nuptials, Max is smart enough to stay out of her way. But when the art-fraud investigator stumbles onto a family mystery, he is drawn into something far more serious than the question of who will catch the bouquet. Stolen years earlier, the priceless Kelling jewels were last seen in Amsterdam, so how did they end up among the wedding gifts?

Boston and its suburbs are stuffed with Kellings, and the city is about to get one more. Sarah Kelling and her husband, Max Bittersohn - a pair of amateur sleuths equally at home in back alleys as they are at black-tie balls - are about to have a baby. And if the child takes after his parents, he will be one of the cleverest infants in New England. But while Sarah is a month away from giving birth, she cannot let pregnancy slow her down - she has a murder to solve.

Molly Appleby is on cloud nine. The talented reporter and senior staff writer for Collector's Weekly just got engaged to the man she loves. When she takes time off to plan her wedding and shop for a vintage gown, the spunky writer with a growing reputation for finding corpses and solving murders vows to her family and fiancé to avoid trouble at all costs - until the wedding photographer she visits turns up dead in his home, the victim of foul play.

In the world of antiques and collectibles, it helps to have a sharp eye for quality, a good ear for gossip, and a nose for murder. When the female antiques dealer she was meant to interview turns up dead, Collector's Weekly reporter Molly Appleby can't help but wonder why anyone would kill a woman so new to the area. Before she can spend much time pondering means or motive, Molly discovers that the father she never knew is keen on a reconciliation. And while it seems unlikely that his sudden interest and the death of the dealer are connected, Molly soon learns otherwise.

When star reporter Molly Appleby exchanged vows with her new husband, she also made a promise to give up sleuthing. But given her knack for stumbling onto murders, and murderers, she's realizing she never should have made a promise she couldn't keep. Molly's just finished an article on the Forget Me Not Doll Club for Collector's Weekly, but before the magazine even hits the newsstands, one of the club members is found murdered, and a stolen antique doll - purportedly haunted - is found in the victim's house. Police enlist Molly's help to solve this very odd case.

If she weren't so fabulous, the Countess Lydia Ouspenska might be considered a gangster's moll. The last time she met Max Bittersohn, Boston's famed art-fraud investigator, she was forging minute Byzantine masterpieces to make ends meet. But when Max bumps into her on the Common, the Countess is back on her feet. She has taken up with Bartolo Arbalest, a master forger currently masquerading as an art restorer. And as Bittersohn knows all too well, even the most genteel fraudster cannot be trusted.