Résultats pour "bahni turpin" dans Art et littérature

Dust Tracks on a Road is the bold, poignant, and funny autobiography of novelist, folklorist, and anthropologist Zora Neale Hurston, one of American literature's most compelling and influential authors. Hurston's powerful novels of the South - including Jonah's Gourd Vine and, most famously, Their Eyes Were Watching God - continue to enthrall readers with their lyrical grace, sharp detail, and captivating emotionality.

I Always Knew is an intimate and vivid portrait of Chase-Riboud’s life as told through the letters she wrote to her mother, Vivian Mae, between 1957 and 1991. In candid detail, Chase-Riboud tells her mother about her life in Europe, her work as an artist, her romances, and her journeys around the world, from Western and Eastern Europe to the Middle East, Africa, the Soviet Union, China, and Mongolia.

In this startling group memoir, four friends - Black and White, gay and straight, immigrant and American-born - use Toni Morrison’s novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty. Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance.

Toni Morrison, born Chloe A Wofford, was a towering figure in the world of literature when she entered A.J. Verdelle’s life. Their literary friendship was a young writer’s dream—simultaneously exhilarating, intimidating, fulfilling, and challenging. The relationship crossed generations, spanned several cycles in life, exhibited high and low notes, reached and dipped and found its way. Like many women friends, these two writers imagined and built a relationship that was responsive, inventive, and engaged.

They were best friends. They were collaborators, literary gadflies, and champions of the common people. They were the leading lights of the Harlem Renaissance. Zora Neale Hurston, the author of Their Eyes Were Watching God, and Langston Hughes, the author of "The Negro Speaks of Rivers" and "Let America Be America Again", first met in 1925, at a great gathering of black and white literati, and they fascinated each other.