Résultats Éditeur "Naxos AudioBooks" dans Poésie

Chaucer’s The Canterbury Tales, a collection of narratives written between 1387 and 1400, tells of a group of 30 people from all layers of society who pass the time along their pilgrimage to Canterbury by telling stories to one another, their interaction mediated (at times) by the affable host - Chaucer himself. Naxos AudioBooks’ third volume presents the tales of six people, here in an unabridged modern verse translation (by Frank Ernest Hill, 1935).

Purgatory is the second part of Dante's The Divine Comedy. The listener finds the Poet, with his guide Virgil, ascending the terraces of the Mount of Purgatory inhabited by those doing penance to expiate their sins on earth. There are the proud - forced to circle their terrace for eons bent double in humility; the slothful running around crying out examples of zeal and sloth; while the lustful are purged by fire.

Four more delightful tales from one of the most entertaining storytellers of all time. Though writing in the thirteenth century, Chaucer’s wit and observation comes down undiminished through the ages, especially in this accessible modern verse translation. The stories vary considerably from the uproarious Wife of Bath’s Tale, promoting the power of women to the sober account of patient Griselda in the Clerk’s Tale.

Samuel Taylor Coleridge, in collaboration with his friend, William Wordsworth, revolutionized English poetry. In 1798 they produced their Lyrical Ballads, poems of imagination and reflection using "the language of men" - pointing the way forward for a generation of Romantic poets.

This 14th-century Italian poet was a model for many who followed him. His passionate sonnets to Laura became the epitome for love poetry. Over some 40 years he wrote 366 sonnets to Laura, whom he probably never even spoke to, and they remain immediate and affecting even now. Called "Rime Sparse (Scattered Rhymes)", they influenced Chaucer and many others.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio

It is the year 778. The mighty French army, led by Emperor Charlemagne, confronts Saracen forces in the bloody Battle of Roncevaux Pass. In the course of this thrilling epic poem we follow the emperor’s hot-headed nephew Roland into battle. We are privy to the deal struck between the Saracen king Marsilie and Roland’s conniving stepfather Guene.

The quartercentenary of John Milton (1608-1674) is celebrated next year. This selection of his finest poetry includes sections from "Paradise Lost", "Samson Agonistes", the masque "Comus", as well as sonnets and other poems. They are read by two of Britain's leading classical actors.

The Rubáiyát of Omar Khayyam, in the famous translation by Edward Fitzgerald, remains one of the most popular poems. Here, it forms the main work on the first half of this program, along with other shorter poems by other leading Persian and Indian figures, including Rumi, Sa'di, and Rabindranath Tagore.

Longfellow's great narrative poem has been unjustly neglected in recent years though it gives a sympathetic portrait especially of Hiawatha, reared by Nokomis, daughter of the Moon, and his bride Minehaha.

John Donne, Andrew Marvell, George Herbert, Thomas Carew, and Henry Vaughan: these were some of the 17th-century writers who devised a new form of poetry full of wit, intellect and grace, which we now call Metaphysical poetry. They wrote about their deepest religious feelings and their carnal pleasures in a way that was radically new and challenging to their readers. Their work was largely misunderstood or ignored for two centuries, until 20th-century critics rediscovered it, finding in it a deep originality and a willingness to experiment.

Elizabeth Barrett Browning (1806-1861) and Christina Rossetti (1830-1894) were both regarded as the female poet laureates of their time, and between them their writings spanned almost the entire Victorian age, from the end of Romanticism to the beginnings of Modernism. This selection of their shorter works contains all the major themes that animated them - social justice, faith, love and mortality - and some of the best-loved poetry in English, including "In The Deep Midwinter" and "How Do I Love Thee?"

John Clare was the forgotten Romantic poet, until the late 20th century. Known by his contemporaries as the Peasant Poet, he recorded in his poems the natural landscape of rural England before the Industrial Revolution. His poems rival Wordsworth’s for their sensitivity to nature and pantheism: ‘I feel a beautiful providence ever about me,’ Clare wrote. But his life was a long struggle against poverty and mental collapse. Some of his finest poems were written in the local asylum

Dylan Thomas wrote "A Child's Christmas in Wales" in 1955, in which he recreated the atmosphere of Christmas Past as he remembered it. Each one of us will have similar memories of the glitter and the emotions of this time of innocence, plenty, fun, anticipation, and excitement.

Everyone knows something of Shakespeare's sonnets, even if only in memorable fragments like "the darling buds of May", or "remembrance of things past", or "the marriage of true minds". For centuries these wonderfully crafted, intense lyrics have stood for something valued about youth, love, and the emotional complexities belonging to that time of life. This new recording presents all 154 of Shakespeare's sonnets, using the New Cambridge Shakespeare texts.

Paradise Lost is the greatest epic poem in the English language. In words remarkable for their richness of rhythm and imagery, Milton tells the story of Man's creation, fall, and redemption to "justify the ways of God to men."

Evgenii Onegin is best known in the West through Tchaikovsky’s opera Eugene Onegin. But the original narrative poem (consisting of 389 stanzas, the form of which has become known as the "Pushkin sonnet") is one of the landmarks of Russian literature. In the poem, the eponymous hero repudiates love, only to later experience the pain of rejection himself. Pushkin’s unique style proves timeless in its exploration of love, life, passion, jealousy, and the consequences of social convention.

This is a story from the Canterbury Tales I: Modern Verse Translation collection. Chaucer's greatest work, written towards the end of the fourteenth century, paints a brilliant picture of medieval life, society and values. The stories range from the romantic, courtly idealism of "The Knight's Tale" to the joyous bawdy of the Miller's; all are told with a freshness and vigor in this modern verse translation that make them a delight to hear.

Idealist, atheist, outcast, political radical and, of course, poet - Percy Bysshe Shelley was, in many ways, the epitome of the Romantic artist. His poetry was an outlet for his passionately held and highly unpopular beliefs, beliefs which resulted in social exclusion, exile, and possibly even his premature death at the age of 29. His work is a monument to his convictions and to the power of the human spirit, and today it is recognized as a key contribution to Romantic literature.

Nearly 100 of the most popular and loved poems in the English language, this collection is one of the most comprehensive anthologies of its kind available. It covers a remarkable range, from the striking vision of Blake and Shelley and the insights of Keats to lighter but equally memorable verse by Tennyson, Donne, and Edward Lear.