Résultats Éditeur "Charles River Editors" dans Mexique

Esta es la historia de la Santa Muerte, culto de crisis; remix de catolicismo, kermesse y New Age; un culto hedonista pero también de sacrificio corporal; reflejo de fuerzas económicas, psicológicas y sociales más amplias de lo que tal vez ninguno de sus acólitos sospecha.

“Pancho Villa,” people whispered at the beginning of the 20th century, "can march 100 miles without stopping, live 100 days without food, go 100 nights without sleep, and kill 100 men without remorse." The legend of Francisco Villa is full of heroism, tragedy and romance. It is the story of a poor farmer boy who became a bandit out of necessity, after avenging an injustice on his family; a military genius who flew from an oppressive government to lead the largest revolutionary army in his country's history, and defeated dictatorship to become Mexico´s liberator, only to fall again in disgrace when his troops abandoned him or were massacred by the enemy. Pancho Villa and his cavalry, Mexicans point out with a certain amount of pride, invaded the United States, and although they came and tried to capture him, they never found him. This is, at least, the version that most of them know, but it's certainly not the same as in their textbooks. The story of Francisco Villa bypassed official censorship from generation to generation, like leaves sailing at full speed on the surface of a stream.

Throughout history, warfare has played an important role in the development of many cultures around the world, and Mesoamerica is no exception. As J.M. Francis and T.M. Leonard noted, “The history of pre-Columbian Mesoamerica was one of violence, though no more so than that of any other region of the ancient world. It was a universe of shifting alliances and mutual antagonisms, in which increasingly strong political entities forged themselves and then broke apart". In fact, warfare played an essential role in the formation of Mesoamerica as a cultural area.

The Cristero War in Mexico is the last great armed movement in a country that for a hundred years suffered revolution after revolution, in an apparently endless cycle. Ignored for decades, the war was long seen simply as an unwanted corollary of the Mexican Revolution, a kind of anomaly in the official narrative.

La política del “destino manifiesto” aumentó las tensiones con México en la década de 1840. La mitad norte de México formaba la frontera occidental del territorio que había sido adquirido en la Compra de Luisiana. Naturalmente, la noción de que los Estados Unidos se expandieran hacia el Océano Pacífico alarmaba a México, que para entonces comprendía lo que hoy es la costa oeste de los Estados Unidos.

During the two major wars of the 20th century, America and Germany did indeed clash against each other, and in both cases, American entry into the war was a decisive factor in the defeat of the Germans. In World War I, it was the discovery of a German plan to attack the US through Mexico that overturned public opinion against neutrality, and in World War II, it wasn't until Pearl Harbor. For the Kaiser in the First World War and the Führer in the Second World War, utilizing Mexico as a strategic base to importune and hold back the US was a priority in the Americas.

To the Aztecs, Huitzilopochtli wore a blue-green hummingbird helmet and was draped in pure white heron feathers. He carried a smoking mirror, an obsidian mirror, a shield, darts, and the serpent Xiuhcoatl that carried with it the fury and might of the sun. Everything about him - from his clothes to his weapons - emanated and defined royalty.

There are two great misconceptions about Cinco de Mayo in the United States, despite the fact it has become one of the country’s most beloved days. The first misconception is that the date marks the Independence of Mexico, and the second is that the celebration was imported in relatively recent times by Mexican immigrants. In fact, May 5 does not mark Mexico's independence (which is celebrated on September 16) but the day of the most important battle in the history of the country, fought against the French.

Hace poco más de cien años un campesino mexicano llamado Emiliano Zapata reclutó un ejército rural de las plantaciones y pueblos del sur de México, tomó por la fuerza las tierras de los haciendas y comenzó a repartirlas entre los habitantes de Anenecuilco, su pueblo natal en Morelos. Indignado y encolerizado por el despojo que los terratenientes habían venido efectuando durante años contra los pueblos indígenas, había decidido tomar la impartición de la justicia en sus propias manos.

La leyenda de Francisco "Pancho" Villa está saturada de heroísmo, tragedia y romanticismo; es la historia de un campesino pobre que se convierte en bandolero por necesidad, por haber vengado una injusticia sobre su familia; la del genio militar que primero huye del gobierno opresor, y después, frente al ejército revolucionario más grande en la historia de su país, lo derrota y se convierte en el liberador de México, sólo para volver a caer en la desgracia cuando sus tropas lo abandonan o son liquidadas por el enemigo.

A little more than 100 years ago a Mexican peasant named Emiliano Zapata gathered a rural army from the plantations and villages of southern Mexico, seized the lands of the haciendas, and began to distribute them among the peasants of Anenecuilco, his hometown, in the state of Morelos. Outraged and impatient with the ceaseless destitution of the indigenous peoples at the hands of the landowners, he had decided to take justice in his hands.

The legend of Francisco Villa is full of heroism, tragedy and romance. It is the story of a poor farmer boy who became a bandit out of necessity, after avenging an injustice on his family; a military genius who flew from an oppressive government to lead the largest revolutionary army in his country's history, and defeated dictatorship to become Mexico's liberator, only to fall again in disgrace when his troops abandoned him or were massacred by the enemy.

The legend of Francisco Villa is full of heroism, tragedy, and romance. It is the story of a poor farmer boy who became a bandit out of necessity, after avenging an injustice on his family; a military genius who flew from an oppressive government to lead the largest revolutionary army in his country's history, and defeated dictatorship to become Mexico's liberator, only to fall again in disgrace when his troops abandoned him or were massacred by the enemy.

No other artwork in the world is comparable to the Virgin of Guadalupe. What makes this painting unique - located in the Basilica of Guadalupe, north of Mexico City - is not precisely its artistic quality, as is the case with the Mona Lisa by Leonardo or The Kiss by Gustav Klimt, nor its place in the evolution of painting.

La península de Yucatán, una de las pocas penínsulas del mundo en proyectarse hacia el norte fue, ya desde su formación, lugar de hechos extraordinarios. Considerada hoy como un lugar de extraordinaria belleza natural, fue descrita como “un país muy triste” por los primeros visitantes españoles.