Résultats Éditeur "Faber & Faber" dans Littérature et fiction

In the bedroom above her immense studio at Burntcoat, the celebrated sculptor Edith Harkness is making her final preparations. Her life will draw to an end in the coming days. Downstairs, the studio is a crucible glowing with memories and desire. It was here, when the first lockdown came, that she brought Halit. The lover she barely knew. A presence from another culture. A doorway into a new and feverish world.

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. Tales from Ovid, Ted Hughes' masterful versions of stories from Ovid's Metamorphoses, includes those of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe as well as many others.

Edmund Talbot is sailing to Australia in the early 19th century. In his journal, he records mounting tensions aboard the ancient, stinking warship, as officers, sailors, soldiers and emigrants jostle in the cramped darkness below decks. But when something happens to Reverend Colley that brings him into a 'hell of self-degradation', it seems that shame is a force deadlier than the sea itself....

From his remarkable debut The Hawk in the Rain (1957) to his death in 1998, Ted Hughes was a colossal presence in the English literary landscape. He was also admired as a performer of his own work. Crow is one of his most significant collections, focusing on the central figure of the crow - predatory, mocking and indestructible. Crow is read here by the author in its entirety and with narrative links not included in the published text.

Milan Kundera has established himself as one of the great novelists of our time with such books as The Unbearable Lightness of Being, Immortality and The Book of Laughter and Forgetting. In Testaments Betrayed, he proves himself a brilliant defender of the moral rights of the artist and the respect due to a work of art and its creator's wishes. The betrayal of both - often by their most passionate proponents - is the principal theme of this extraordinary work.

Dean Jocelin has a vision: that God has chosen him to erect a great spire on his cathedral. His mason anxiously advises against it, for the old cathedral was built without foundations. Nevertheless, the spire rises octagon upon octagon, pinnacle by pinnacle, until the stone pillars shriek and the ground beneath it swims. Its shadow falls ever darker on the world below, and on Dean Jocelin in particular.From the author of Lord of the Flies, The Spire is a dark and powerful portrait of one man's will, and the folly that he creates.

Welsey Cunningham grew up running barefoot through the orchards of his Quaker family farm, working with horses and dreaming of one day building himself a house on his own patch of ground above the river. The Second World War interrupted those dreams: it took Wes to New Guinea as a medic and then sent him home with healing bullet wounds in his legs. While Wes was away, life in Almond Tree continued but everyone's been changed by the war.

The fire is on, sherry poured, presents wrapped, and claws are being sharpened. In a seaside cottage perched on a cliff, one family reunites for Christmas. While snow falls, a tyrannical widowed matriarch presides over her unruly brood. Her niece tends to her whims, but fantasises about eloping; and as more guests arrive, each bringing their secret truths and dreams, the Christmas tree explodes, a brawl erupts, an escape occurs - and their 'midwinter madness' climaxes.

Morocco, 1968. As she stands at the window, Mathilde reflects on the opportunities before her. Looking out at her garden, the roses - brought in from Marrakech - have bloomed and their sweet, fresh scent pervades the garden. Anything feels possible, and she is determined to celebrate it. Don't they have the right to enjoy life, after dedicating their best years to the war and then to this farm?

In one unforgettable night, Max Spiegelman's life splits in two. As war looms and Nazism continues to rise, Max is forced into choices that place him and his alter ego on opposing sides of a divided world. Tethered by their dreams, the boys watch helplessly, haunted by visions of what could have been. But in each parallel universe, they share a magnetic bond with an enchanting, grey-eyed girl.

Milan Kundera's brilliant collection of essays is a passionate defence of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and ideas that characterises his best-selling novels, the internationally acclaimed author revisits the artists whose works help us better understand what it means to be human. Elegant, startlingly original, and provocative, Encounter combines many of the author's signature themes with personal reflections and stories.

It is a perfect spring day in Istanbul. Kemal, a wealthy heir, is about to become engaged to the aristocratic Sibel when he encounters Füsun, a beautiful shop girl. He falls in love and finds his established world of Westernized families, opulent parties, society gossip and dining room rituals is shattered.

On the last stretch of its epic voyage from England to Australia, a disintegrating warship inches towards land. But there are still trials ahead, as the vessel is smashed against an ice cliff and blasted by a great storm, while the claustrophobic passengers battle erotic desires, masculine rivalry and violent power struggles—all experiencing a sea change in their natures. And when an unseen fire begins to smoulder below decks, the other side of the world has never seemed further away.

A decrepit warship is becalmed halfway to Australia, stilled in an ocean wilderness of heat and sea mists. In this surreal, fête-like atmosphere, a ball is held with a passing ship: the passengers dance and flirt, while beneath them seaweed like green hair spreads ominously over the hull. Half-mad with fear, drink, love and opium, both vessel and passengers feel themselves going to pieces, and the very planks seem to twist themselves alive as the ship comes apart at the seams.

From Jamaica to Sheffield to the recently formed Premier League, Uri rises through the ranks as a referee, making it to the highest level of our national game. But along the way he is confronted with tensions and prejudices, old and new, which emerge as his every move is watched, analysed and commented on. Your Show is the thrilling story of one man's pioneering efforts to make it, against the odds, to the very top of his profession and beyond.

Feelings, messages, symbols, visions.... Emily Berry's latest collection takes shape in the half-light between the real and the imagined, where everything is lost and yet 'nothing goes away'. Here life's innumerable impressions, moods, seasons and déjà vus collect and disarrange themselves, while a glowing, companionable 'I' travels the mind's landscapes in hope of refuge and transformation amid these displaced moments in time.

Nidhi Zak/Aria Eipe's spellbinding debut poetry collection explores love and the wounds it makes. Its first half is composed of five sections, corresponding to the five arrows of Kama, the Hindu God of Love, Desire and Memory. Each arrow has its own effect on some body - a very real, contemporary body - and its particular journey of love. The second is a long narrative poem, 'A is for ????? [Arabs]', which follows a different kind of journey: a family of refugees who have fled to the West from conflict in an unspecified Middle Eastern country.

After Fame is a discursive rendering of the Roman epigrammatist Martial's Book I. Its 118 poems, on themes such as work, friendship and public life, are modelled after the source material through a variety of 'treatments' - most notably machine translation (for which Latin still presents near-insurmountable difficulties), employing the results as scaffolding for poems that quickly improvise their way clear of their originals.

Matthew Francis' latest collection celebrates the richness of nature and of our responses to it. The pleasures of summer are emblazoned in the colourful wings and evocative names of butterflies, while a nocturnal encounter with an earwig becomes a joyous incantation to the 'witchy-beetle, forkin-robin' of dialect. His love of history, embodied in his acclaimed Mandeville and The Mabinogi, gives rise to a sequence based on Robert Hooke's microscopic observations.

A man sits at a window through the dead hours of night, his sleep broken by troubling dreams of a figure in a white landscape. This fragmentary vigil anchors a series of narrative sections in which a dramatic voice - which might well be an interior monologue - gives, first, an account of the man, then addresses him directly. We learn of a conflicted childhood, of love lost to circumstance, of the press of death on the protagonist's waking thoughts. He is a man afflicted by personal loss, but also a man of his time, all too aware of the troubled world in which he lives.