Titres dans Littérature et fiction

Powerless witch Saika is ready to enact her sister's final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous, knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate's caretakers. Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika's been disconnected from her magic since her sister's death two years prior.

Having only recently ascended from your average nobody to what many would consider the pinnacle of humanity, the inexperienced Cat is overwhelmed, to say the least. She’s worried about how her girlfriend, Lucy, will react to the changes, and wonders whether she can use her newfound power and growing influence to care for her “kittens,” a group of orphans in her charge. Meanwhile, as if black-ops assassins and their corporate masters weren’t dangerous enough, the alien Antithesis have infiltrated the mining town of Black Bear.

When I first realized that I could see the dead, I never imagined that it would allow me to help save the lives of others, or pull me into Detective Maddox Booker’s path. Through my ability, ghosts have become some of my greatest friends and allies. But now, someone’s dead, and his ghost is gone. Ghosts have sought my help for my entire life, wanting to be heard. Now, something is keeping them quiet, almost hostile. as our search for the ghost of the dead man leads us to a small village. Everything looks normal on the outside, but I wonder what’s happening on the inside.

Winner of the Whitbread Prize for best first fiction. Oranges Are Not the Only Fruit is a coming-out novel from Winterson, the acclaimed author of The Passion and Sexing the Cherry. The narrator, Jeanette, cuts her teeth on the knowledge that she is one of God’s elect, but as this budding evangelical comes of age and comes to terms with her preference for her own sex, the peculiar balance of her God-fearing household crumbles.

Lago was only a child when the shapeshifter entrusted the wolf-like mask to his care—an artifact so powerful that it could come to shape the entire world of Noss. Now that he is coming of age, Lago is becoming ever more fearful of the ominous relics influence, of the empire who has scented its trail and is coming after it. Coming after him.

Wyvern Pack is waiting on a few last bites to make their family whole. When Lilah and Orion sync heats, it's finally time to put down that last baggage and solidify their bonds—with each other and with the alphas who've been waiting to give them everything they need.

Lorel has always dreamed of becoming a witch—learning magic, fighting monsters, and exploring the world beyond the small town where she and her mother run the stables. Even though a strange plague is killing the trees in the Kingdom of Cekon and witches are being blamed for it, Lorel wants nothing more than to join them. There’s only one problem: all witches are women, and she was born a boy. When the coven comes to claim her best friend, Lorel disguises herself in a dress and joins in her friend’s place, leaving home and her old self behind.

Yorkshire anatomy lecturer Ruby Clark considers her life low-maintenance. She teaches at the local university, has two well-behaved teenage daughters, and what she doesn't know about human anatomy isn't worth knowing. Being a paramedic doesn't do Melissa Jackson's joints any favors, so she's looking into university courses to try a less strenuous line of her work. But the brash, proudly out, down-to-earth woman's biggest challenge is keeping her dyslexia a secret. A university open day throws the two women into each other's orbits.

When Rachel falls in love with her married professor, Dr Byrne, her best friend James helps her devise a plan to seduce him. But what begins as a harmless crush soon pushes their friendship to its limits. Over the course of a year they will find their lives ever more entwined with the Byrnes' and be faced with impossible choices and a lie that can't be taken back...

In this breathtakingly inventive autobiographical novel, Eileen Myles transforms life into a work of art. Told in her audacious voice, made vivid and immediate in her lyrical language, Chelsea Girls cobbles together memories of Myles's 1960s Catholic upbringing with an alcoholic father, her volatile adolescence, her unabashed "lesbianity," and her riotous pursuit of survival as a poet in 1970s New York.

Selling my virginity wasn't how I saw my first week of college going. But after my parents cut me off, an offer from a gorgeous rich stranger doesn't sound so bad. It's only twenty-four hours and I'll never have to see him again. Wrong. Much to my horror, the stranger is Oliver Godfrey, the captain of my fencing team. As if that isn't bad enough, his parents own half the city. There is no escape from him or the way he makes me feel.

I hate Galaxy 6781. HATE it! One last job. The bounty of a lifetime. It wasn’t supposed to end with me on a slave planet and my entire crew dead. So, when the chance to escape presented itself, I took it. Had I known more about my fellow escapee, I might have reconsidered. When Grantham, crowned prince of Ditali, tried giving me some schpiel about how the universe has chosen us to be together, as in together ‘together’, I shot that theory down stat. I mean, I’m not even into males.

It’s the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) meets Sylvia, a tough-as-nails trans woman whose shameless swagger inspires Mel’s dawning self-awareness. But Sylvia’s presence sparks fury among her neighbors and throws Mel into conflict with her mother and best friend. Decades later, in 2019, Max (formerly Mel) is on probation from his teaching job for, ironically, defying speech codes around trans identity. Back in Swaffham, he must navigate life as part of a fractured family and face his own role in the disasters of the past.

The story of a truly galactic civilization with more than 6,000 inhabited worlds. Stars in My Pocket Like Grains of Sand is a science-fiction masterpiece, an essay on the inexplicability of sexual attractiveness, and an examination of interstellar politics among far-flung worlds. First published in 1984, the novel's central issues - technology, globalization, gender, sexuality, and multiculturalism - have only become more pressing with the passage of time.

Death Claims is the second in Joseph Hansen's acclaimed mystery series featuring the ruggedly masculine Dave Brandstetter, a gay insurance investigator. When John Oats' body is found washed up on a beach, his young lover April Stannard is sure it was no accident. Brandstetter agrees: Oats's college-age son, the beneficiary of the life insurance policy, has gone missing.

Jax has been my best friend since the day we met. We not only share our passion for baseball, but we train together, play on the same team, hang out together, and even sleep in the same bed half the time. I feel safe with him, and he gets me like no one else. Yeah, he's gay, and I'm straight, but that doesn't matter. Until it does. Until one stupid dare to kiss each other leads to the most amazing, epic kiss of my life. Until I suddenly can't stop thinking about him, about what he awakens in me. Until all I want is him.

In her electrifying debut, Julia Armfield explores women’s experiences in contemporary society, mapped through their bodies. As urban dwellers’ sleeps become disassociated from them, like Peter Pan’s shadow, a city turns insomniac. A teenager entering puberty finds her body transforming in ways very different than her classmates’. As a popular band gathers momentum, the fangirls following their tour turn into something monstrous. After their parents remarry, two step-sisters, one a girl and one a wolf, develop a dangerously close bond.

Tuyen is an aspiring artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends—each of whom is grappling with their own familial complexities and heartache. By turns thrilling and heartbreaking, Tuyen's lost brother—who has since become a criminal in the Thai underworld—journeys to Toronto to find his long-lost family.

Walker Remington hates the holiday season. He didn't always feel that way, but tragedy has a way of changing things and making a man bitter. Carols, lights, the sight of people with their packages and bags all tip him over into Bah Humbug mode, that is, until Ajay comes along. With his piercings and wildly colored hair, he is everything Walker is not. Young, fun-loving, and on the hunt for a Daddy, something Walker has been before, and longs to be again, if only he'll stop sabotaging every chance he's offered.

In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.