Titres dans Essais

Singapore appears to be transitioning gradually to a more competitive and contentious democracy. For now, though, the People's Action Party still controls all the levers of power. The PAP's internal dynamics will be the primary determinant of its continued viability. This anthology of essays expands on one dimension of this inner struggle: between a conservative attachment to what worked in the past, and a boldly progressive vision for the future.

“This is one of those stories that begins with a female body. Hers was crumpled, roadside, in the ash-colored slush between asphalt and snowbank.” So begins Erica Berry’s kaleidoscopic exploration of wolves, both real and symbolic. At the center of this lyrical inquiry is the legendary OR-7, who roams away from his familial pack in northeastern Oregon. While charting OR-7’s record-breaking journey out of the Wallowa Mountains, Erica simultaneously details her own coming-of-age as she moves away from home and wrestles with inherited beliefs about fear, danger, femininity, and the body.

Upon becoming a new mother, Vanessa Angélica Villarreal was called to Mexico to reconnect with her ancestors and recover her grandmother’s story, only to return to the sudden loss of her marriage, home, and reality. In Magical/Realism, Villarreal crosses into the erasure of memory and self, fragmented by migration, borders, and colonial and intimate violence, reconstructing her story with pieces of American pop culture, and the music, video games, and fantasy that have helped her make sense of it all.

Join Leslie Means, founder of the popular website Her View From Home, as she weaves together a powerful, emotional collection of essays from women of all ages and stages. These real-life, straight-to-the-heart stories will make you laugh, cry, and nod along. No two mothers are alike. No two experiences in motherhood mirror each other. But something powerful happens when our stories come together: they speak love, worth, value, and beauty. They take the undefinable experience of motherhood and give it shape and substance and strength. They speak to us all.

Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.

First given as a series of lectures at Cambridge University, Aspects of the Novel is Forster's analysis of this great literary form. Here he rejects the 'pseudoscholarship' of historical criticism - 'that great demon of chronology' - that considers writers in terms of the period in which they wrote and instead asks us to imagine the great novelists working together in a single room. He discusses aspects of people, plot, fantasy and rhythm, making illuminating comparisons between novelists, the features shared by their books and the ways in which they differ.

Since the publication of the groundbreaking Bad Feminist and Hunger, Roxane Gay has continued to tackle big issues embroiling society—state-sponsored violence and mass shootings, women’s rights post-Dobbs, online disinformation, and the limits of empathy—alongside more individually personalized matters: can I tell my co-worker her perfume makes me sneeze? Is it acceptable to schedule a daily 8 am meeting? In her role as a New York Times opinion section contributor and the publication’s “Work Friend” columnist, she reaches millions of readers with her wise voice and sharp insights.

Jorge Luis Borges immersed himself and his readers in metaphysical fantasies—playing reason against faith, belief against logic. His profound knowledge of eastern religions was an endless source of inspiration for his writing. On Mysticism—edited by Borges’s widow, Maria Kodama—brings together a stunning group of prose pieces and poems that speak to this signature theme of his writing, from some of his most celebrated works to others that appear here in English for the first time.

This personal, philosophical narrative surveys the panorama of our world past and present. Dillard poses questions of natural evil, God, and individual existence. Can one individual really matter? If so, how? Compassionate, enthralling, and always surprising, For the Time Being is the latest work by one of our most original writers - her breadth of knowledge matched by keenness of observation- at her best.

Isaac Fitzgerald has lived many lives. He's been an altar boy, a bartender, a fat kid, a smuggler, a biker, a prince of New England. But before all that, he was a bomb that exploded his parents' lives—or so he was told. In Dirtbag, Massachusetts, Fitzgerald, with warmth and humor, recounts his ongoing search for forgiveness, a more far-reaching vision of masculinity, and a more expansive definition of family and self.

In this essay, Orwell describes his personal journey to becoming a writer and offers some important motives for writing. Moving from his experience of writing his first completed poems to trying his hand at short stories, to finding fame as a fully fledged writer, Orwell discusses the importance of writing, his continuous technique and sets out some important motives for becoming a writer yourself.

Capturing the beauty of a mother-daughter relationship, Divya Dutta, in this moving memoir, celebrates her mother’s struggles to turn her into the woman she is today. Divya walks us through the most intimate memories of her life, those that strengthened her relationship with her mother. The incredible bond she forged with her mother helped her through tragedies and difficulties, discouragements and failures, and led her to become an award-winning actor of stature, both in the Hindi as well as the Punjabi film industry.

Jenny Diski was a fearless writer, for whom no subject was too difficult, even her own cancer diagnosis. Her columns in the London Review of Books - selected here by her editor and friend Mary-Kay Wilmers, on subjects as various as death, motherhood, sexual politics and the joys of solitude - have been described as ‘virtuoso performances’ and ‘small masterpieces'. Why Didn’t You Just Do What You Were Told? is a collective interrogation of the universal experience from a very particular psyche.

When Brian Doyle passed away at the age of 60 after a bout with brain cancer, he left behind a cult-like following of devoted listeners who regard his writing as one of the best-kept secrets of the 21st century. Doyle writes with a delightful sense of wonder about the sanctity of everyday things, and about love and connection in all their forms: spiritual love, brotherly love, romantic love, and even the love of a nine-foot sturgeon.

Tracing 25 centuries of human history, from the fourth century BC to the present day, Manguel dedicates each of his chapters to a single character - ranging from our best-known thinkers, scientists, and artists to seemingly minor figures of whom we know little more than one inspired utterance - in whom he identifies a particular way of asking the question "why?"

Fun, bright, and playful, power pop is a sometimes adored, sometimes maligned, often misunderstood genre of music. From its heyday in the '70s and '80s to its resurgence in the '90s and '00s, power pop has meant many things to many people. In Go All the Way, today's best and brightest writers go deep on what certain power pop bands and songs mean and have meant to them. Whether they love or hate it, Go All the Way is a dive into the Beatles-inspired pop rock of the last five decades.

Our homes are more than an assemblage of bricks and glass, wood and nails. They are the keepers of our childhood memories, our milestones, and heartaches. They evolve as we do. As a family grows and eventually retracts, a home can change hands and begin again. We are the chapters in the book of a house. From Erin Napier, coauthor with her husband, Ben, of their memoir Make Something Good Today, comes a collection of essays walking us through every room in her home, telling the story of a family’s life, of the days that made their home the place she longs for when she’s away.

Culture and Anarchy is a series of periodical essays by Matthew Arnold, first published in Cornhill Magazine 1867-68 and collected as a book in 1869. Arnold's famous piece of writing on culture established his High Victorian cultural agenda which remained dominant in debate from the 1860s until the 1950s. According to his view advanced in the book, ‘Culture [...] is a study of perfection’.

Leo Tolstoy wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These culminated in What Is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered and rejected the idea that art reveals and reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire, and even his own novels are condemned in the course of Tolstoy's impassioned and iconoclastic redefinition of art as a force for good; for the improvement of humankind.

L'histoire de l'humanité, jusqu'à très récemment, a été une vaste entreprise d'archivage - une lutte contre la faillibilité de la mémoire humaine et les mâchoires oblitératrices de l'Histoire. Or, depuis quelques décennies, nous nous sommes dotés de technologies nous permettant de ne plus jamais oublier, voire de ne plus pouvoir oublier. Pourtant, notre mémoire collective semble de plus en plus dispersée, de moins en moins enracinée. Et si nous avions perdu quelque chose en route ?