Résultats Éditeur "Tantor Audio" dans Littérature mondiale

Izzy Fineberg can take on any challenge - and she's had some big ones lately. After one fateful night with the hottest deaf man she'd ever met, Izzy found she was pregnant with his child. And she never caught his name. She's been doing the single-mom thing for nine months now, and surely, nothing could be more challenging than that. But her first day at her new job, she meets her supervisor...and recognizes him immediately.

Talk of impending war is a steady drumbeat throughout North Carolina, though Joetta McBride pays it little heed. She and her husband, Ennis, have built a modest but happy life for themselves, raising two sons, fifteen-year-old Henry, and eleven-year-old Robert, on their small subsistence farm. They do not support the Confederacy's position on slavery, but Joetta considers her family to be neutral, believing this is simply not their fight. Her opinion is not favored by many in their community, including Joetta's own father-in-law, Rudean.

In Suppose a Sentence, Brian Dillon, whom John Banville has called "a literary flâneur in the tradition of Baudelaire and Walter Benjamin", has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence - from Shakespeare to James Baldwin, John Ruskin to Joan Didion - this new book explores style, voice, and language, along with the subjectivity of reading.

Since her return home to Berlin, Goldie Schatzman has reconnected with her childhood friend, Leni, a free spirit who has swept Goldie into the Weimar lifestyle that is overflowing with artists and writers, but also with debauchery. Goldie had spent the last nineteen years living a dull life with a spiritless husband. And now she has been set free. As Goldie's daughter, Alma, is coming of marriageable age, her grandparents are determined to find her a suitable match. Will Goldie's life of depravity hurt Alma's chances to find a Jewish husband?

"Two roads diverged in a yellow wood..." One hundred years after its first publication in August 1915, Robert Frost's poem "The Road Not Taken" is so ubiquitous that it's easy to forget that it is, in fact, a poem. Yet poetry it is, and Frost's immortal lines remain unbelievably popular. And yet in spite of this devotion, almost everyone gets the poem hopelessly wrong. David Orr's The Road Not Taken dives directly into the controversy, illuminating the poem's enduring greatness while revealing its mystifying contradictions.

Reservation "bad boy" Thomas Begay is found dead drunk under the La Plata Bridge, which is not unusual for him. What is unusual, however, is that beautiful BIA investigator Patsy Greyhorse is found lying beside him, not drunk or even a Navajo but very dead nonetheless. Charlie Yazzie, fresh from law school, risks his career and even his life to help his old friend. The answer seems to lie with the Yeenaaldiooshii...should one choose to believe in such things.

In 1804, shortly before the Caribbean island of Saint Domingue is renamed Haiti, a group of women gather to bury a stillborn baby. Led by a lesbian healer and midwife named Mer, the women's lamentations inadvertently release the dead infant's "unused vitality" to draw Ezili - the Afro-Caribbean goddess of sexual desire and love - into the physical world. As Ezili explores her newfound powers, she travels across time and space to inhabit the midwife's body - as well as those of Jeanne, a mixed-race dancer and the mistress of Charles Baudelaire living in 1880s Paris, and Meritet.

Twenty-year-old Lilja is in love. As a young university student, she is quickly smitten with the intelligent, beautiful young man from school who quotes Derrida and reads Latin and cooks balanced vegetarian meals. Before she even realizes, she's moved in with him, living in his cramped apartment, surrounded by sour towels and flat Diet Cokes. As the newfound intimacy of sharing a shower and a bed fuels her desire to please her partner, his acts of nearly imperceptible abuse continue to mount undetected.

Thirty-three-year-old hijabi Sana Saeed has put away her childhood dream of ishq—an all-consuming, sweeping love. The arranged dates she's agreed to have failed time after time, and she has responsibilities to consider—namely her sweet, autistic younger brother, Zia. Sana and Zia are a package deal, and she wouldn't have it any other way. But their traditional mother won't allow Sana to be named as his future guardian . . . unless she's married.

Ritwik Ghosh, twenty-two and recently orphaned, finds the chance to start a new life when he arrives in England from Calcutta. But Oxford holds little of the salvation Ritwik is looking for. Instead, he moves to London, where he drops out of official existence into a shadowy hinterland of illegal immigrants. The story that Ritwik writes to stave off his loneliness begins to find ghostly echoes in his own life. And, as present and past of several lives collide, Ritwik's own goes into free fall.

In the 1970s, Lee Gutkind, a leather-clad hippie motorcyclist and former public relations writer, fought his way into the academy. His goal: to make creative nonfiction an accepted academic discipline, one as vital as poetry, drama, and fiction. In this book Gutkind tells the true story of how creative nonfiction became a leading genre for both audiences and writers.

This prodigiously rich collection suggests that Raymond Carver was not only America's finest writer of short fiction, but also one of its most large-hearted and affecting poets. Like Carver's stories, the more than 300 poems in All of Us are marked by a keen attention to the physical world; an uncanny ability to compress vast feeling into discreet moments; a voice of conversational intimacy, and an unstinting sympathy.

Scout Montgomery has made a career out of searching for her missing brother. Helping runaways gives meaning to her otherwise meaningless life. She hasn't spoken to her father in nearly two decades, and her crush on her sexy coworker is going nowhere.

"Bloom where you're planted," is the advice Christine Bolz receives from her beloved Oma. But 17-year-old domestic Christine knows there is a whole world waiting beyond her small German village. It's a world she's begun to glimpse through music, books - and through Isaac Bauerman, the cultured son of the wealthy Jewish family she works for.

Yet the future she and Isaac dream of sharing faces greater challenges than their difference in stations. In the fall of 1938, Germany is changing rapidly under Hitler's regime....

Throughout Proust's life, nine of his short stories remained unseen - the writer never spoke of them. Why did he choose not to publish them along with the others? One possible answer is that he was developing his themes in preparation for his masterpiece, In Search of Lost Time; another is that the stories were too audacious - too near to life - for the censorious society of the time. In these stories, published here for the first time, we find an intimate picture of a young author full of darkness and melancholy, longing to reveal his true self to the world.

As an only son, Kiran has obligations - to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud - standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group.

Trust Me tells the story of a turbulent year in the life of Lewis Nelson and his daughter Skye, who spend their time together at the edge of a fragile wilderness in Western Oregon.

After a security guard is found dead and another wounded at the Children's Museum of Science and History in Norman, Oklahoma, Detective Monique Blue Hawk and her partner Chris Pierson are summoned to investigate. They find no fingerprints, no footprints, and no obvious means to enter the locked building.

In the favelas of Porto Alegre, Brazil, marijuana is hard to come by. Supermarket stock clerks Pedro and Marques spend their days unloading trucks, restocking shelves, and dreaming of a better life, of breaking the cycle of poverty that has afflicted their families and their community. Well-acquainted with the drug dealers in their neighborhood and seeing an opportunity to earn a little extra cash, they decide to start a weed-dealing operation.

At eighteen, Soledad couldn't get away fast enough from her contentious family with their endless tragedies and petty fights. Two years later, she's an art student at Cooper Union with a gallery job and a hip East Village walk-up. But when Tia Gorda calls with the news that Soledad's mother has lapsed into an emotional coma, she insists that Soledad's return is the only cure. Fighting the memories of open hydrants, leering men, and slick-skinned teen girls with raunchy mouths and snapping gum, Soledad moves home to West 164th Street.