Résultats Éditeur "Tantor Audio" dans Divertissement et arts de la scène

A must-listen new audio book about filmmakers Ted and Leo Wharton, whose serials become popular in the 1910s.

The opening decades of the 20th century witnessed a profound transformation in the history of modern sound media, with workers in US film, radio, and record industries developing pioneering production methods and performance styles. Focusing on broadcasting's initial expansion during the 1920s, Making Radio explores the forms of creative labor pursued for the medium in the period prior to the better-known network era, assessing their role in shaping radio's identity and identifying affinities with parallel practices pursued for conversion-era film and phonography.

Female writers, directors, and producers have radically transformed the television industry in recent years. Shonda Rhimes, Lena Dunham, Tina Fey, Amy Schumer, Mindy Kaling: These extraordinary women have shaken up the entertainment landscape, making it look like an equal opportunity dream factory. But things weren't always this rosy. It took decades of determination in the face of preconceived ideas and outright prejudice to reach this new era.

Bill Kimberlin may refer to himself as "one of those names on the endless list of credits at the close of blockbuster movies." In reality though, he's a true insider on some of the most celebrated and popular movies and franchises of the past century. Jurassic Park. Jumanji. Even Forrest Gump. And perhaps most notably, Star Wars. Inside the Star Wars Empire is the very funny and insightful tell-all about the two decades Kimberlin spent as a department director at LucasFilm Industrial Light and Magic (ILM), the special effects studio founded by the legendary filmmaker George Lucas.

All his life, journalist Walter Shapiro assumed that the outlandish stories about his great-uncle Freeman were exaggerated family lore; some cockamamie Jewish revenge fantasies dreamt up to entertain the kids and venerate their larger-than-life relative. Only when he started researching Freeman Bernstein's life did he realize that his family was actually holding back.

Alternating between personal anecdote, hilarious insight, and smart analysis, Luke Skywalker Can't Read contends that Barbarella is good for you, that monster movies are just romantic comedies with commitment issues, and that Dracula and Sherlock Holmes are total hipsters and, most shockingly, shows how virtually everyone in the Star Wars universe is functionally illiterate.

Ever since Johnny Carson first popularized the late-night talk show in 1962 with The Tonight Show, the 11:00 p.m. to 2:00 a.m. comedy time slot on network television has remained an indelible part of our national culture. More than six popular late-night shows air every night of the week, and with recent major shake-ups in the industry, late-night television has never been more relevant to our public consciousness than it is today.

Animal House, the film adaptation of stories Chris Miller published in National Lampoon about his experiences at a Dartmouth fraternity, is among the most beloved and successful comedies of all time. In fact, its portrayal of college party life is still imitated on campuses across the country: toga party, anyone? Now Chris Miller can finally answer the fans who all want to know one thing: was it really like that? The answer: yes, but much, much more out of control!

Every day brings new headlines about the decline of traditional media powerhouses like Time Inc. and the triumph of digital native media like Buzzfeed and Politico. Old media giants like the New York Times are betting everything on their digital offerings to replace the shrinking revenue from traditional advertising. But the ugly truth, argues Michael Wolff, is that digital media isn't working for any content creator, old or new.

Enthusiastic, spunky, and positive, Punky Brewster was the quintessential eighties kid. Nearly thirty years later, Soleil Moon Frye---the adorable girl who played her on TV---is all grown up. Now she's a married mom of two, an entrepreneur who parlayed her successful kids' clothing line into a partnership with Target, and a social media whiz with millions of followers.

Born Julius Marx in 1890, the brilliant comic actor who would later be known as Groucho was the most verbal of the famed comedy team the Marx Brothers, his broad slapstick portrayals elevated by ingenious wordplay and double entendre. In his spirited biography of this beloved American iconoclast, Lee Siegel views the life of Groucho through the lens of his work on stage, screen, and television.

Lauren Weedman is not okay. She's living what should be the good life in sunny Los Angeles. After a gig as a correspondent with The Daily Show with Jon Stewart, she scored parts in blockbuster movies, which led to memorable recurring roles on HBO's Hung and Looking. She had a loving husband and an adorable baby boy. In these comedic essays, she turns a piercingly observant, darkly funny lens on the ways her life is actually not okay.

April 14, 1865. A famous actor pulls a trigger in the presidential balcony, leaps to the stage, and escapes, as the president lies fatally wounded. In the panic that follows, forty-six terrified people scatter in and around Ford's Theater as soldiers take up stations by the doors and the audience surges into the streets chanting, "Burn the place down!" This is the untold story of Lincoln's assassination: The forty-six stage hands, actors, and theater workers on hand for the bewildering events in the theater that night.

Kenneth Turan discovered film as a child left undisturbed to watch Million Dollar Movie on WOR-TV Channel 9 in New York, a daily showcase for older Hollywood features. It was then that he developed a love of cinema that never left him and honed his eye for the most acute details and the grandest of scenes. Not to Be Missed blends cultural criticism, historical anecdotes, and inside-Hollywood controversy. Turan's selection of favorites ranges across all genres.

In 2014, the UK science-fiction television series Black Mirror was released on Netflix worldwide, quickly becoming a hit with US audiences. Like other beloved British imports, this series piqued Americans' interest with hints of dark comedy, clever plotlines, and six-episode seasons that left audiences frantic for more. In Transatlantic Television Drama, volume editors Michele Hilmes, Matt Hills, and Roberta Pearson team up with leading scholars in TV studies and transnational television to look at how dramas like Black Mirror captivate US audiences....

During the Cold War, stories of espionage became popular on both sides of the Iron Curtain, capturing the imagination of readers and filmgoers alike as secret police quietly engaged in surveillance under the shroud of impenetrable secrecy. And curiously, in the post-Cold War period there are no signs of this enthusiasm diminishing.

In their third and final screen teaming, Judy Garland and Gene Kelly starred together in the MGM musical Summer Stock. In C'mon, Get Happy, authors David Fantle and Tom Johnson present a comprehensive study of this 1950 motion picture. The production coincided at a critical point in the careers of Kelly and an emotionally spent Garland. Kelly, who starred in An American in Paris just one year later, was at the peak of his abilities.

Supporting Staged Intimacy: A Practical Guide for Theatre Creatives, Managers, and Crew examines the relationship between staged intimacy, intimacy direction, and those supporting the process during pre-production, rehearsal, and performance. Supporting Staged Intimacy is written for every pre-professional and professional artist working behind the scenes who wish to better support consensual workplaces, physically intimate stories, and the individuals telling those stories.

It is often claimed that the French invented cinema. Dominating the production and distribution of cinema until WWI, when they were supplanted by Hollywood, the French cinema industry encompassed all genres, from popular entertainment to avant-garde practice. This Very Short Introduction opens up French cinema through focusing on some of its most notable works, using the lens of the New Wave decade (1958-1968) that changed cinema worldwide.

Produced during the height of the post-World War II film noir movement, Blood on the Moon is a classic Western immersed in the film noir netherworld of double crosses, government corruption, shabby barrooms, gun-toting goons, and romantic betrayals. With this volume, biographer and noir expert Alan K. Rode brings the film to life for a new generation of listeners and film lovers.