Titres dans Tueurs en série

Korede is bitter. How could she not be? Her sister, Ayoola, is many things: the favorite child, the beautiful one, possibly sociopathic. And now Ayoola’s third boyfriend in a row is dead. Korede’s practicality is the sisters’ saving grace. She knows the best solutions for cleaning blood, the trunk of her car is big enough for a body, and she keeps Ayoola from posting pictures of her dinner to Instagram when she should be mourning her “missing” boyfriend. Not that she gets any credit. Korede has long been in love with a kind, handsome doctor at the hospital where she works.

In The Boy Who Followed Ripley, Highsmith explores Ripley's bizarrely paternal relationship with a troubled young runaway, whose abduction draws them into Berlin's seamy underworld. More than any other American literary character, Ripley provides "a lens to peer into the sinister machinations of human behavior." (John Freeman, Pittsburgh Gazette).

Les Dead Hunters ont une morale très personnelle. C'est la moindre des choses pour une confrérie de tueurs sanguinaires. Ils ont aussi quelques menus défauts, se croire invincibles, par exemple. Un démon va néanmoins vite les détromper. Malin, fort et intelligent comme seuls les démons savent parfois l'être, il va tranquillement les décimer les uns après les autres. À une exception près. Un des membres des Hunters reste en effet introuvable, et non des moindres : le "Bourbon Kid".

À l’origine du roman, des faits réels : entre 1968 et 1969, celui que la presse a surnommé Bible John tua trois jeunes femmes rencontrées dans une discothèque de Glasgow. Il ne fut jamais identifié. En 1983, Noah Scott Sherington, enquêteur écossais obsédé par le meurtrier, est sur le point de l’arrêter, sous une pluie torrentielle au bord du loch Katrine, quand il est foudroyé par une crise cardiaque. À peine remis, écoutant son intuition et résistant aux injonctions des médecins et de sa hiérarchie, il suit sa piste jusqu’à Bilbao.

Le classique du genre, qui a inspiré la série éponyme, enfin à l'audio et porté par le timbre profond de Jean-Christophe Acquaviva ! New York, 1896. Un meurtrier sème les cadavres d'adolescents atrocement mutilés sans provoquer la moindre réaction des pouvoirs publics... Révolté par tant d'indifférence, Theodore Roosevelt, alors préfet, fait appel à John Schuyler Moore, chroniqueur criminel, et Laszlo Kreizler, spécialiste des maladies mentales, pour élucider ces crimes atroces. En les étudiant, ils pensent pouvoir brosser le portrait psychologique de l'assassin et l'identifier.

What happens when, on a perfectly ordinary evening, all the things you believed in and took for granted are turned upside down? When her husband of more than 20 years is away on one of his business trips, Darcy Anderson looks for batteries in the garage. Her toe knocks up against a box under a worktable and she discovers the stranger inside her husband. It’s a horrifying discovery, rendered with bristling intensity, and it definitively ends a good marriage.

Hillary Greene has returned to Thames Valley Police HQ, acting as a cold-case consultant for the Crime Review Team, looking into murders which the police have never been able to solve. She wasn't sure she wanted to go back. But solving crimes is irresistible for Hillary Greene. And it doesn't hurt that her new boss is devastatingly handsome.

There are always stories told around the fire at summer camp—tall tales about gruesome murders and unhinged killers, concocted to scare new arrivals and lend an extra jolt of excitement to those hormone-charged nights. At Camp Luft-Shawk, nicknamed Camp Love Shack, there are stories about a creeping fog that brings death with it. But here, they're not just campfire tales. Here, the stories are real.

John Wayne Cleaver is dangerous, and he knows it. He's obsessed with serial killers, but really doesn't want to become one. So for his own sake, and the safety of those around him, he lives by rigid rules he's written for himself, practicing normal life as if it were a private religion that could save him from damnation. Dead bodies are normal to John. They don't demand or expect the empathy he's unable to offer. Perhaps that's what gives him the objectivity to recognize that there's something different about the body the police have just found behind the Wash-n-Dry Laundromat - and to appreciate what that difference means.

Officiellement mort, le Bourbon Kid pourrait en profiter pour couler des jours heureux en compagnie de Beth, son amour de jeunesse enfin retrouvé. Encore faudrait-il que sa nouvelle identité reste secrète, sans quoi ses nombreuses victimes et ses ennemis, plus nombreux encore, finiraient bien par s'unir pour se venger. Mais quand Beth est kidnappée, et qu'il s'avère aussi être le seul à pouvoir sauver Santa Mondega d'un terrible bain de sang, le Bourbon Kid n'a plus qu'une solution : revenir d'entre les morts. Plus sauvage et plus impitoyable que jamais. Un quatrième épisode des aventures du Bourbon Kid, encore plus déjanté et jubilatoire que les trois premiers.

He was clinically dead after the accident - but was miraculously revived. Now Hatch Harrison and his wife approach each day with a new appreciation for life. But something terrible has come back with Hatch from the other side.

Vous n'avez pas lu "Le Livre sans nom" ? Vous êtes donc encore de ce monde, et c'est tant mieux. Parce que vous allez pouvoir assister à un spectacle sans précédent, mettant en scène Judy Garland, James Brown, les Blues Brothers, Kurt Cobain, Elvis Presley, Janis Joplin, Freddie Mercury, Michael Jackson... et le Bourbon Kid. Les héros du "Livre sans nom" se retrouvent en effet dans un hôtel perdu au milieu du désert pour assister à un concours de chant au nom prometteur : "Back From The Dead". Imaginez un Dix petits nègres rock revu et corrigé par Quentin Tarantino... Vous y êtes ?

Outside the house where Wexford investigated his first murder case—a woman found strangled in her bedroom—he noticed a short, muscular man wearing a scarf and walking a dog. He gave Wexford an unnerving stare. Without any solid evidence, Wexford began to suspect that this man—Eric Targo—was the killer. Over the years there are more unsolved, apparently motiveless murders in the town of Kingsmarkham, and Wexford continues to quietly suspect that the increasingly prosperous Targo—van driver, property developer, kennel owner, and animal lover—is behind them.

My name is Jack Steen, and for those who arrive on my "death" ward at the Asylum, I'm the last face many will see before they die. I am the night nurse at an Asylum for the Criminally Insane, and most of my patients know me as their Angel of Death. I know them as mass murderers, rapists, and serial killers—among other things.

Twenty-five million dollars in cartel gold lies hidden beneath a mansion on the Miami Beach waterfront. Ruthless men have tracked it for years. Leading the pack is Hans-Peter Schneider. Driven by unspeakable appetites, he makes a living fleshing out the violent fantasies of other, richer men.

Though the cat-and-mouse chase between these two lethal adversaries has seemingly ended, the sophisticated, deadly thrill of Eve and Villanelle's relationship is far from over.

Leela’s enemies are dying. They appear to be unrelated suicides, but she refuses to believe in mere coincidence. Someone is targeting these victims. But why? A single clue emerges, leading her to believe these deaths are linked to a cover-up job she did when she worked PR for the tech goliath Jolvix. It involves a high-tech novelty weapon, shrouded in secrecy, one she’s legally forbidden from discussing with anyone—including the hungry writer publishing an exposé on Jolvix who’s itching to get the full scoop.

We last saw Eve and Villanelle in a spy-vs.-spy race around the world, crossing powerful criminal organizations and dangerous governments, each trying to come out on top. But they aren't finished yet. In this sequel, Eve, the former MI6 operative and the novel's heroine, reveals a new side to her strengths, while coming ever closer to a confrontation with Villanelle, the evasive and skilled assassin Eve is hunting.

Louise élève seule son fils Sam, ce « petit magicien » capable d’enchanter une vie qu’elle a reconstruite à grand-peine après un deuil terrible et des années de dérive. Harcelée et brutalisée par son ancien compagnon, elle va croiser la route du commandant de police Jourdan, un homme sombre, désemparé et révolté par l’état du monde. Jourdan enquête avec son groupe sur des meurtres de femmes particulièrement sauvages.

Set within the mysterious beauty of the Norfolk Broads, this fast-paced British detective series is a dark cozy Norfolk murder mystery with a slice of humor and a touch of romance, one that will have you guessing until the very end, when the last shocking twist is finally revealed.