Titres dans Canadienne

Ellesmere... L'île la plus au nord de l'Arctique. Le théâtre d'une tragédie humaine. Au cours des années 1950, le gouvernement canadien y a sauvagement déporté une centaine d'Inuits pour assurer la souveraineté territoriale du pays. Bien plus tard, mon frère Jess sombre héros de mon histoire et de celle de ma sœur s'y est réfugié pour échapper aux conséquences de ses crimes. Le malheur des uns fait parfois le bonheur des autres... Je suis artiste. Peindre l'horreur d'Ellesmere, l'hostile terre des sacrifiés, m'a propulsé sur la scène du monde...

Like a series of Penthouse letters penned by Kathy Acker, Lie with Me recounts a woman's sexual escapades, picking up random men in bars for a series of increasingly extreme encounters, hoping to understand love from the far side of sluttiness. In The Way of the Whore, Mira, an introverted Jewish girl obsessed with Jean Genet, allows herself to be seduced by the sex industry, determined to find meaning in her tormented relationships with cruel men.

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

There are poems about a sparkle, about how to say light, about a scarecrow, a dung beetle, a fish without eyes. Known for her precision and elegance, for her small clear voice, for distilling meaning from details, for not wasting words, Thammavongsa confirms her gifts with these new poems. Light is a work that shines with rigour, humour, courage, and grit.

From the endangered Canadian boreal forest to the environmentally threatened Svalbard archipelago off the coast of Norway, Jenna Butler takes us on a sea voyage that connects continents and traces the impacts of climate change on northern lands. With a conservationist, female gaze, she questions explorer narratives and the mythic draw of the polar North. Blending travelogue and poetic meditation on place, Jenna Butler draws listeners to the beauty and power of threatened landscapes, asking why some stories in recorded history are privileged....

A sorrow has taken root in my heart, and although it hurts every day I know there is a place where we laugh together under an open sky. To that sanctuary, I am travelling. This is that story. Stanley Park is a collection of 35 poems from parables author Sapphira Olson charting the story of two lovers through history as they are separated and then reunited all within the island of Stanley Park in Vancouver. Olson weaves a beautiful and poignant narrative through a progression of emotional poetry taking the listener on a journey of hope driven by love.

Junior et Henrietta vivent dans une ferme isolée, semblant fuir leurs congénères. Lorsqu'un homme en costume-cravate frappe à leur porte, ils sont loin d'imaginer ce qu'il vient leur annoncer : Junior a été sélectionné par la société OuterMore pour un séjour expérimental dans une station spatiale. En son absence, un avatar biomécanique prendra sa place au sein du foyer.

This new and revised edition of poems about the men and women of the North features the most loved ballads by Robert Service, and is narrated by Michael Puttonen. While living in Whitehorse, Robert Service wrote The Cremation of Sam McGee, and other well-known poems. He wrote and published into his mid-eighties. He was quoted as saying, "I just go for a walk and come back with a poem in my pocket."

In Mi'kmaw, three similarly shaped words have drastically different meanings: kesalul means "I love you"; kesa'lul means "I hurt you"; and ke'sa'lul means "I put you into the fire." In spoken-word artist and critically acclaimed author (I'm Finding My Talk) Rebecca Thomas's first poetry collection, listeners will feel Thomas's deep love, pain, and frustration as she holds us all to task, along the way mourning the loss of her childhood magic, exploring the realities of growing up off reserve, and offering up a new Creation Story for Canada.

Dans cette époque matérialiste où nous vivons, pour sauvegarder notre capacité de rêve, d’enthousiasme et d’imagination, ne pourrions-nous pas nous réfugier dans un « Ailleurs » ? , celui du monde enchanté de l’harmonie poétique et musicale, l’une des formes d’expression les plus anciennes et les plus spontanées, indispensable à la pensée. humaine.

When her marriage suddenly ends, and a diary documenting her beloved Opa’s escape from Nazi-occupied Netherlands in the summer of 1942 is discovered, Naomi Lewis decides to retrace his journey to freedom. Travelling alone from Amsterdam to Lyon, she discovers family secrets and her own narrative as a second-generation Jewish Canadian. With vulnerability, humour, and wisdom, Lewis’s memoir asks tough questions about her identity as a secular Jew, the accuracy of family stories, and the impact of the Holocaust on subsequent generations.

While researching why Freud failed to win a Nobel Prize at the Nobel Archives in Sweden, a psychiatrist makes an unusual discovery. Among the piles of papers in the "Crackpot" file are letters addressed to the executor of Alfred Nobel's will, written by several notable Nobel laureates - including Rudyard Kipling and Marie Curie - each offering an explanation of why and how Stonehenge was constructed. Diligent research uncovers that Alfred Nobel added a secret codicil to his will, a prize for the Nobel laureate who solves the mystery of Stonehenge.

On a mangy beach in Key West, 16-year-old Myra meets Elijah, a Tanzanian musician twice her age. Trapped on a Spring Break family vacation, Myra longs to lose her virginity to Elijah, and is shocked to learn he lives with Gayl, a secretive, violent woman with a strange power over him. When Myra and her splitting-up family return home, she falls in with a pot-smoking anarchist crowd. But when Gayl and Elijah follow her north, she walks willingly into their world, engaging in more and more abject sexual games. As Myra enters unfamiliar worlds of sex, porn, race, and class, she explores territories unknown in herself.

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Zelda, 21 ans, n'est pas tout à fait comme les jeunes femmes de son âge, parce que sa mère buvait trop quand elle était enceinte. Qu'à cela ne tienne, elle mènera sa vie comme elle l'entend ! Zelda aime son grand frère Gert, son amoureux Marxy, son nouveau travail à la bibliothèque, faire des listes et, surtout, elle voue un culte immodéré aux Vikings. Mais, alors qu'elle rêve de combats à l'épée et de Valkyries, elle découvre que Gert s'est lié à de dangereux dealers pour payer les factures.

Rhymes of a Rolling Stone is the final installment in Service's trilogy of Yukon verse. Conceived while returning to the Yukon via the daunting Edmonton Trail, and completed in his little cabin in Dawson City, this volume contains 50 new poems of life, love, and hardship in the North.

Actor Matthew McConaughey descends into a surreal desert of the soul, an admirer of Miley Cyrus performs a 3,000-word sentence in defense of his passion, an aging porn star dons a dinosaur costume to film the sex scene of a lifetime, and Leonard Cohen shills for Subway: these mercurial and wildly varied stories explode the conventions of short fiction.

Ballads of a Cheechako is the sophomore volume of Yukon inspired verse from Scottish/Canadian poet Robert W. Service. Published in 1909, it was an immediate success and catapulted Robert W. Service to a household name around North America. This volume contains 22 verses exploring interesting characters and life in the early days of Canada's last frontier. From the man who staked the northern lights, to the Mounted Police, to hard-luck prospectors, and beyond, this book contains much of the framework for the collective vision we all share when we hear the word Klondike.

These poems pause for the spectacle - cloning technologies, super-slo-mo photography, narcotic cab rides - to describe a system of tripwires, pitfalls, and decoys that the notion of daily viewership entails. These poems are paeans to our facility for duplicity and self-deception, in which the act of living is like a movie we're not in.

Cap the narrator makes a deal with his pal Sam McGee that he will cremate him when he dies. Now the problem is where to do this deed in the frozen Yukon.