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Young Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's squatting with anarchists in Oakland, and that her relationship with her mother - her only family - is hazardous. But she doesn't have a clue who her father is, why her mother chose to live as a recluse with an invented name, or how she'll ever have a normal life.

Patty and Walter Berglund were the new pioneers of old St. Paul - the gentrifiers, the hands-on parents, the avant-garde of the Whole Foods generation. Patty was the ideal sort of neighbor who could tell you where to recycle your batteries and how to get the local cops to actually do their job. But now, in the new millennium, the Berglunds have become a mystery. Why has their teenage son moved in with the aggressively Republican family next door? Why has Walter taken a job working with Big Coal? Most of all, what has happened to Patty?

Jonathan Franzen’s novels are celebrated for their unforgettably vivid characters and for their keen-eyed take on contemporary America. Now, in Crossroads, Franzen ventures back into the past and explores the history of two generations. With characteristic humor and complexity, and with even greater warmth, he conjures a world that resonates powerfully with our own.

The Corrections is a grandly entertaining novel for the new century--a comic, tragic masterpiece about a family breaking down in an age of easy fixes. After almost 50 years as a wife and mother, Enid Lambert is ready to have some fun. Unfortunately, her husband, Alfred, is losing his sanity to Parkinson's disease, and their children have long since flown the family nest to the catastrophes of their own lives. Enid has set her heart on an elusive goal: bringing her family together for one last Christmas at home.

Jonathan Franzen's The Corrections was the best-loved and most-written-about novel of 2001. Nearly every in-depth review of it discussed what became known as "The Harper's Essay," Franzen's controversial 1996 investigation of the fate of the American novel. This essay is reprinted for the first time in How to be Alone, along with the personal essays and the dead-on reportage that earned Franzen a wide readership before the success of The Corrections.

Louis Holland arrives in Boston in a spring of ecological upheaval (a rash of earthquakes on the North Shore) and odd luck: the first one kills his grandmother. Louis tries to maintain his independence, but falls in love with a Harvard seismologist whose discoveries about the earthquakes' cause complicate everything.

It's December 23, 1971, and the Hildebrandt family is at a crossroads. The patriarch, Russ, the associate pastor of a suburban Chicago church, is poised to break free of a marriage he finds joyless - unless his brilliant and unstable wife, Marion, breaks free of it first. Their eldest child, Clem, is coming home from college afire with moral absolutism, having taken an action that will shatter his father.

The Corrections is a grandly entertaining novel for the new century - a comic, tragic masterpiece about a family breaking down in an age of easy fixes. Richly realistic, darkly hilarious, deeply humane, it confirms Jonathan Franzen as one of our most brilliant interpreters of American society and the American soul.

Anatomie d'un mariage et d'une famille - les Berglund -, ce livre analyse les illusions, les déceptions et les compromis d'une génération de baby-boomers qui avaient rêvé un jour de changer le monde. Mais c'est aussi un acte d'accusation implacable à l'égard d'une nation qui a cessé depuis longtemps d'incarner ses propres valeurs. Qu'avons-nous fait de notre liberté ?, se demandent les personnages de Jonathan Franzen.

This dramatisation of Jonathan Franzen's acclaimed, epic, award-winning novel revolves around the troubles of an elderly Midwestern couple and their three adult children, tracing their lives from the mid-20th century to 'one last Christmas' together near the turn of the millennium. A family saga, that sits against the backdrop of this century's changing face of America, the novel was published 10 days before 9/11 but is widely considered an observation of what happened to the American psyche after 9/11.

St. Louis, Missouri, is a quietly dying river city until it hires a new police chief: a charismatic young woman from Bombay, India, named S. Jammu. No sooner has Jammu been installed, though, than the city's leading citizens become embroiled in an all-pervasive political conspiracy. A classic of contemporary fiction, The Twenty-Seventh City shows us an ordinary metropolis turned inside out, and the American dream unraveling into terror and dark comedy.

The End of the End of the Earth is a collection of Jonathan Franzen's essays and speeches from the past five years, in which he grapples with the most important and heated ethical subjects of the day: environmentalism, capitalism, wealth inequality, race, technology, and the role of art. He challenges us to ask difficult questions: What is our civic responsibility in the face of climate change, the greatest ever threat to our planet and species? Does technology give us a sense of control or community or is it stripping these from us?

Jonathan Franzen arrived late, and last, in a family of boys in Webster Groves, Missouri. The Discomfort Zone is his intimate memoir of his development from a "small and fundamentally ridiculous person", through an adolescence both excruciating and strangely happy, into an adult with embarrassing and unexpected passions.

A partir de las vidas entrecruzadas de un puñado de personajes retratados con un grado de realismo que hipnotiza al lector, el relato gira en torno a una joven de nombre dickensiano, Purity «Pip» Tyler, que tras su paso por la universidad se afana en encarrilar su vida acorde con unos principios que considera irrenunciables.

Esta variada serie de artículos, publicados en los más prestigiosos medios norteamericanos, reúne dieciséis piezas que muestran la amplitud de miras de Franzen, en algún caso con claros tintes autobiográficos.

En vísperas de las Navidades del año 1971, en Chicago se anuncia una gran nevada. Russ Hildebrandt, pastor en una iglesia progresista de un barrio residencial, está a punto de liberarse de un matrimonio que considera desdichado, salvo que su esposa, Marion, que también tiene sus secretos, se le anticipe.

Patty y Walter Berglund son miembros de una nueva y floreciente clase urbana, pioneros en la recuperación de un barrio degradado. Además de madre modélica y esposa perfecta, Patty es la vecina ideal, la que sabe dónde se reciclan las pilas y cómo escoger un colegio adecuado para los niños. Junto con su marido Walter, abogado ecologista y ferviente defensor de la bicicleta, aportan su grano de arena a la construcción de un mundo mejor.

Der größte Roman, den Jonathan Franzen seit den Korrekturen geschrieben hat. Sein Meisterwerk! Es ist der 23. Dezember 1971, und die Familie Hildebrandt steht an einem Scheideweg. Der Vater Russ, zweiter Pastor an einer Vorstadtkirche in Chicago, ist bereit, sich aus seiner Ehe zu lösen, die ihm freudlos erscheint - vorausgesetzt, seine patente, aber labile Frau Marion löst sich zuerst. Ihr ältester Sohn, Clem, kommt über die Feiertage aus dem College nach Hause, nachdem er eine moralische Entscheidung gefällt hat, die seinen Vater erschüttern wird.

Alfred Lambert es un ingeniero de ferrocarril jubilado cuya percepción de la realidad empieza a resquebrajarse a causa de la enfermedad de Parkinson. Su esposa Enid, tras cincuenta años de matrimonio, sigue obsesionada con mantener el orden en su enorme casa de un próspero barrio residencial. Los tres hijos se establecieron en la costa Este años atrás, lejos del hogar familiar.

Der Nr. 1 SPIEGEL-Bestseller jetzt als Hörbuch: Wir müssen der Wahrheit ins Gesicht sehen, sagt Jonathan Franzen, der sich seit vielen Jahren mit Themen des Umweltschutzes beschäftigt: Das Spiel ist aus, wir werden den Klimawandel nicht mehr kontrollieren, die Katastrophe nicht verhindern können. Das Pariser Abkommen, das ZweiGradZiel, "Fridays for Future", die Bepreisung von CO2 - alles zu spät, nachdem 30 Jahre lang vergeblich versucht wurde, die globale Erwärmung zu reduzieren. Aber das ist kein Grund zum Aufhören und schon gar nicht das Ende von allem.