Résultats de "Henry James" dans Toutes les catégories

Daisy Miller is one of James' most haunting characters. In this reading, Mullen brings her to life in all her innocent playfulness and melancholic yearning.

The Turn of the Screw is a fireside tale of evil and mystery. Filled with extraordinary drama, Henry James' story has been widely popular ever since its publication in 1898. It also inspired a film, a play, and an opera. A governess has been hired to care for two orphaned young children in their uncle's English country home. But soon after she meets the boy and his sister, the governess begins to see fearful apparitions.

Milly Theale is a young, beautiful, and fabulously wealthy American. When she arrives in London and meets the equally beautiful but impoverished Kate Croy, they form an intimate friendship. But nothing is as it seems; materialism, romance, self-delusion, and ultimately fatal illness, insidiously contaminate the glamorous social whirl.

The story of aging George Stransom, who is obsessed with observing the anniversary of his fiancée Mary Antrim's death, a fact that leads him to expand his commemorative pantheon to include all the other departed friends who live on in his memory. As in life, if we live long enough, the departed outnumber the living. When Stransom becomes the last of the living, who will light a candle for him?

A country governess is hired to raise two orphaned children in a lonely estate in Essex. But mystery surrounds the house, the grounds, and the children. Haunting questions arise, and Henry James pens one of the most famous ghost stories.

The St. Charles Players present a unique telling of Henry James' classic tale of relationships and their imperfections, in a new multi-cast dramatization performed in exciting Radio Theatre style.

John Lennox gibt beim Maler Baxter ein Portrait seiner Verlobten in Auftrag, allerdings ist er mit dem Resultat alles andere als zufrieden, da die Gesichtszüge seiner Liebsten einen Ausdruck in sich bergen bzw. charakterliche Eigenschaften offenbaren, welche er nach anfänglichen Formulierungsschwierigkeiten nicht als die positivsten ausmacht. Schließlich kenne Baxter seine Fast-Ehefrau nicht persönlich und das Gemälde erscheine ihm verbesserungswürdig.

Here is Henry James' dark comedic masterpiece, written in the final period of his life. Lambert Strether goes to Paris to bring back Chad, son of the wealthy New England widow he plans to marry. But he gradually comes to feel that life in Paris may hold more for him than in Woollett, Massachusetts.

A BBC Radio 4 Book at Bedtime recording of Samuel West reading from the novella The Aspern Papers by Henry James, set against the decaying grandeur of Venice. Originally broadcast 26 April - 4 May 2010. Henry James took as inspiration for this tale the story of a mistress of Byron's who outlived the poet into lonely old age. He transposed the setting to Venice and cast the city he loved as a character in a taut narrative of literary theft and deception.

Adapted by Graham White from the Henry James novel that centres on the predicament of Lambert Strether, a 50-something New Englander lately arrived in Paris. Henry Goodman stars as the hapless protagonist in a novel many critics find James' finest.

Kate and Merton need money. Milly needs love. How far will they go to get what they want? Kate Croy is in love with Merton Densher; a poor writer. Her rich aunt Maud disapproves. Maud has offered Kate a wealthy existence but if Kate chooses to marry Merton she risks losing it all. When American Heiress Milly Theale steps into her London society, Kate sees a way out. Milly confides in Kate that she believes herself to be gravely ill and Kate begins to see a way for her and Merton to have a future. When Merton returns to London, Kate sets out to bring her lover and her friend together.

Una giovane istitutrice viene assunta per prendersi cura di due orfani in una antica dimora della campagna inglese: Flora, una bambina di 8 anni, e Miles, un ragazzino poco più grande. I bambini sono adorabili ma l'istitutrice ha il cosiddetto "sesto senso" cioè vede aggirarsi attorno alla dimora di campagna i fantasmi di due persone defunte che hanno lavorato l'anno prima per quella stessa famiglia.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Laurence Olivier. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Roderick Hudson and Rowland Mallet are like two sides of the same coin: while the whimsical and egotistical Roderick recklessly follows his passions in the name of art, altruistic Rowland lives with restraint and measure. The two are bound together almost immediately when Rowland is shown a striking bronze statuette in his cousin's garden, which moves him to meet and support its creator, Roderick. They abandon their provincial New England lives for Rome, where the young sculptor perfects his craft and flourishes among Italy's great masters.

Contrasts in British and American manners and customs are cleverly drawn in this novella. We are thrown headfirst into the middle of an erupting marriage and an emerging love match. And we are introduced to the marvelous Lady Davenant.

Eugenia, a baroness divorced from a German prince, and her bohemian brother, Felix, are coming back to America. Raised and cultured in Europe, they are returning destitute to New England to seek out their rich and innocent cousins. In a bungle of culture clash and love triangles, the Europeans hang their fortunes upon their ability to adapt. Where their scheming leads them is the last place they expect.

If you are looking for advice on money, health, or happy living, look no further than this collection of wisdom from the sages. An extensive gathering of advice from learned men and women throughout the ages.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.