Résultats de "John Keats" dans Toutes les catégories

The finest voices reading a wonderful selection of poetry accompanied by selected classical music.

Sir Ralph Richardson reads a selection of Keats' finest works, including 'To Autumn' and 'Ode To A Nightingale'.

The seas and oceans have a mystical power over us: From a playful day at the beach to the hysterical waves of a storm, this ever-changing element evokes both beauty and fear; its great mass, its shimmering beauty, its raging howl and all in colours from blue to grey to green and crystal clear. In these collections of verse our poets - including Tennyson, Swinburne, Keats, Shelley, and many others - explore the relationship between ourselves and the great mystical waters.

Sometimes we just want the best. But that involves choices, judgements, decisions. And that all depends on our feelings, our mood at the time. Even more so with poetry. Would we like a little more pathos, or love, or humour with that? Can we only choose one Keats? And ’If’? Surely Kipling wrote something else? So difficult to decide. This one or that? Is it easier to choose your 50 favourite poets or your 50 favourite poems?

Wordsworth, Keats, Shelley, Blake, Coleridge, and Byron. The poets of the Romantic Period celebrated with readings by Sir Ralph Richardson, Christopher Hassall, Margaretta Scott, and Tyrone Power.

A unique collection of classic poetry beautifully narrated with a musical accompaniment that enhances the power and emotion of the writing. Includes poems by Keats, Burns, Shelley, and Wordsworth.

Seien Sie, Hörer ohne Furcht und Tadel, herzlich eingeladen zu einer akustischen Erlebnisreise der besonderen Art, auf welcher Ihnen in einzigartigen Interpretationen Lyrik der weltberühmtesten Dichterinnen und Dichter präsentiert wird. Musikalisch untermalt mit semi-akustischen Instrumenten (Gitarren + Bass) und intuitiver Percussion. Fusionierende Harmonien aus dem lyrischen Wort und inspirierendem Sound kitzelt Ihren Geist, animiert Ihren Humor, erregt Ihren Verstand und versetzen Sie in das Universum unserer neuen Hörbuch-Reihe "Lyrikalische Lesung".

Seien Sie, Hörer ohne Furcht und Tadel, herzlich eingeladen zu einer akustischen Erlebnisreise der besonderen Art, auf welcher Ihnen in einzigartigen Interpretationen Lyrik der weltberühmtesten Dichterinnen und Dichter präsentiert wird. Musikalisch untermalt mit semi-akustischen Instrumenten (Gitarren + Bass) und intuitiver Percussion. Fusionierende Harmonien aus dem lyrischen Wort und inspirierendem Sound kitzelt Ihren Geist, animiert Ihren Humor, erregt Ihren Verstand und versetzen Sie in das Universum unserer neuen Hörbuch-Reihe "Lyrikalische Lesung".

Seien Sie, Hörer ohne Furcht und Tadel, herzlich eingeladen zu einer akustischen Erlebnisreise der besonderen Art, auf welcher Ihnen in einzigartigen Interpretationen Lyrik der weltberühmtesten Dichterinnen und Dichter präsentiert wird. Musikalisch untermalt mit semi-akustischen Instrumenten (Gitarren + Bass) und intuitiver Percussion. Fusionierende Harmonien aus dem lyrischen Wort und inspirierendem Sound kitzelt Ihren Geist, animiert Ihren Humor, erregt Ihren Verstand und versetzen Sie in das Universum unserer neuen Hörbuch-Reihe "Lyrikalische Lesung".

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.

Lamia is a tragic narrative poem in two parts. It was written in 1819 and first published in 1820 with "Isabella" and "The Eve of St. Agnes". The Greek god Hermes has left Olympus in search of a beautiful nymph. He comes across Lamia, a woman trapped in the form of a snake, who promises to reveal the nymph to him if he, in exchange, restores her human form so she may seek the love of Lycius, a youth of Corinth.

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

The Greek god Hermes descends from Olympus in search of an invisible nymph. He sees a snake who speaks with the voice of a woman named Lamia. She tells Hermes, that her spirit is trapped in this snake's body. She offers Hermes to help him find the nymph if he uses his divine powers to turn her into a human again. Lamia herself is searching for a charming young man named Lycius.

John Keats (31 October 1795 - 23 February 1821) was an English Romantic poet. He was one of the main figures of the second generation of Romantic poets, along with Lord Byron and Percy Bysshe Shelley, despite his works having been in publication for only four years before his death aged 25 in the year 1821. Although his poems were not generally well received by critics during his lifetime, his reputation grew after his death, and by the end of the 19th century, he had become one of the most beloved of all English poets.

Isabella, or the Pot of Basil is a Romantic narrative poem of 63 stanzas. Written in 1818 and first published in 1820, it is adapted from a story in Giovanni Boccaccio's Decameron. It tells the tragic tale of Isabella and her love for Lorenzo, an employee of her two brothers. John Keats (1795-1821) was one of the foremost English Romantic poets. Despite his early death from tuberculosis at the age of 25 he had a considerable poetic output.

Keats Gedichte bergen nicht nur eine unglaubliche Leichtigkeit und Unbeschwertheit in ihrem anmutigen voluminös-poetischen Klangbild, sondern laufen überdies vor Leidenschaft und Energie fast über und man fühlt sofort, dass hier ein überragender Künstler etwas reflektiert, was so manchen bereits in jungen Jahren verloren geht: Herz, Seele und eine unbändige Freude am Leben. Der Gedichte John Keats zweiter Teil (inkl. "Hyperion").

Keats Gedichte bergen nicht nur eine unglaubliche Leichtigkeit und Unbeschwertheit in ihrem anmutigen voluminös-poetischen Klangbild, sondern laufen überdies vor Leidenschaft und Energie fast über und man fühlt sofort, dass hier ein überragender Künstler etwas reflektiert, was so manchen bereits in jungen Jahren verloren geht: Herz, Seele und eine unbändige Freude am Leben. Der Gedichte John Keats erster Teil.