Résultats lu par "John Moffatt" dans Toutes les catégories

Carla Lemarchant was a child of five when her mother was accused and convicted of poisoning her father, the famous painter Amyas Crale. After Caroline Crale dies in prison, Carla is sent to live with her uncle and aunt in Canada. Only on her 21st birthday does Carla learn of her family history when she reads a letter written by Caroline before her death, in which she denies murdering her husband. But if her mother didn't kill Amyas Crale, who did?

The gruesome death of Mrs McGinty provokes Superintendent Spence to seek the help of his old ally Hercule Poirot. The victim’s young lodger has been found guilty and is due to hang. But Spence is not convinced by the circumstantial evidence which influenced the verdict. So, at considerable personal discomfort, Poirot goes down to the sleepy village where the old lady lived and where, by chance, his good friend Ariadne Oliver is also staying.

A BBC Radio 4 full-cast dramatisation starring John Moffatt as Hercule Poirot, the great Belgian detective. Elinor Carlisle and Roddy Welman are the model English couple, perfect companions set for a life of ease when they inherit Aunt Laura's considerable fortune. But a poison pen letter begins a chain of events which is to end in tragedy.

Following an otherwise-enjoyable literary luncheon, the celebrated crime novelist Ariadne Oliver is accosted by a particularly formidable woman who engages her in conversation about one of her many god-daughters, whom Ariadne hasn’t seen since she was a child. She lands a bombshell with the question ‘What I want to know is this: did her mother kill her father, or was it the father who killed the mother?’

Crime sleuth Hercule Poirot returns in a thrilling BBC Radio 4 dramatisation. Amy Leatheran has never felt the lure of the mysterious East, but when she travels to an ancient site deep in the Iraqi desert to nurse the wife of a celebrated archaeologist; events prove stranger than she could ever have imagined. Her patient’s bizzarre visions and nervous terror seem unfounded, but as the oppressive tension in the air thickens, events come to a terrible climax - in murder...

‘Monsieur Poirot, somehow or other I’ve just got to get rid of my husband!’ No sooner had she uttered the words than Lady Edgware’s husband was dead, brutally stabbed in the neck. The evidence against her is overwhelming, the case cut and dried. But what was the truth behind it all? What enemies lurked in the background of the victim’s life? Hercule Poirot is on the case, intrigued once more, ready to investigate murder in the library...

Ariadne Oliver, Queen of Crime Fiction, has been asked to devise a Murder Hunt for a fête at Nasse House, the home of Sir George Stubbs. But she begins to suspect that someone is manipulating the scenario of her game and fears that something very sinister is being planned. She sends for her old friend Hercule Poirot. At first, he is not inclined to take her very seriously, but soon a series of events propels him to change his mind.

A BBC Radio 4 full-cast dramatisation starring John Moffatt as the great Belgian detective. Hercule Poirot and his good friend Captain Hastings are enjoying a well-deserved break on the Cornish Riviera, in the idyllic village of St Loo. Wandering along the terrace of the Hotel Majestic on the first morning of their stay, Poirot literally falls at the feet of a pretty, dark-haired girl and, much to Hastings’ delight, insists that she join them for a cocktail.

Here are some of the finest narrative poems in the English language, dating from an age of rich inspiration.

This is the very first Poirot/Hastings story. Set in 1916, we meet Captain Hastings as he is invalided out of the Great War and goes to convalesce at Styles Court, the family home of his great friend, John Cavendish. By an extraordinary coincidence, billeted in the village is a brilliant little retired detective with an egg-shaped head, who made a considerable impression on the Captain when he was in Belgium. Styles is not a happy household and in the blistering summer heat, tensions mount.

Among the towering red cliffs of Petra, like some monstrous swollen Buddha, sat the corpse of Mrs Boynton. A tiny puncture mark on her wrist was the only sign of the fatal injection that had killed her. With only 24 hours available to solve the mystery, Hercule Poirot recalled a chance remark he'd overheard back in Jerusalem: 'You see, don't you, that she's got to be killed?' Mrs Boynton was, indeed, the most detestable woman he'd ever met.

BBC Radio 4 full-cast dramatisation starring John Moffatt as Hercule Poirot. When Poirot arrives in France, following an urgent appeal for help, he finds he is too late. His client, a South American millionaire, has been stabbed to death and his body flung into a freshly dug open grave on the golf course adjoining the property. Meanwhile the millionaire's wife is found bound and gagged in her room. Poirot launches an investigation and the baffling mystery begins to unfold.

John Moffatt stars as the great Belgian detective in a BBC Radio 4 full-cast dramatisation. Famous crime novelist Ariadne Oliver, visiting her friend Judith Butler in the little town of Woodleigh Common, is invited to a Hallowe'en Party put on by society hostess Mrs Rowena Drake for the local teenagers. During her preparations for the party, the conversation turns to Ariadne's grisly novels....

Maggie Smith and Jonathan Pryce star in William Wycherley’s raunchy Restoration comedy. Considered too obscene to be staged in its original form for nearly 200 years, William Wycherley’s bawdy comedy tells the tale of Mr Horner, a notorious rake who spreads the false rumour that he is impotent in order to gain free access to other men’s wives. When he meets the young, innocent Margery Pinchwife, the ‘country wife’ of the title, the scene is set for scandal.

Step into the exquisite miniature world of the mice of Brambly Hedge in this beautiful new edition of the classic book. It was summer and Primrose woke knowing that it was going to be a very special day. The sun was already warm and a light breeze stirred the leaves and branches of Brambly Hedge. It was a perfect day for an adventure. Leaving the hedge behind, Dusty, Poppy, Primrose, and Wilfred set off downstream in Dusty's boat, the Periwinkle, on a journey that would take them all the way down to the sea.

Four more delightful tales from one of the most entertaining storytellers of all time. Though writing in the thirteenth century, Chaucer’s wit and observation comes down undiminished through the ages, especially in this accessible modern verse translation. The stories vary considerably from the uproarious Wife of Bath’s Tale, promoting the power of women to the sober account of patient Griselda in the Clerk’s Tale.

These four works show Samuel Beckett at his most penetrating. Both Krapp's Last Tape (1958) and Not I (1972) are among the most striking pieces written for the theatre in the 20th century. An old man sits at a table, playing back old tapes made when he was younger, mixed glimpses of past feelings. In Not I, we have just a mouth expressing memories and torment in a torrent of words.

Long before he'd produced any of his great works, Oscar Wilde was already famous for being famous. Armed only with some witty epigrams, a carefully crafted persona and his genius for self-promotion, he had conquered America and transformed himself from nobody to star. This radio collection opens with four plays from Radio 4's Born to be Wilde season, offering a 21st-century perspective on the making of one of the first true celebrities. First up are two sparkling and surprising productions of his two most popular comedies, marking the peak of his theatrical career.

A haunting, magical fairy tale collection, in which Oscar Wilde beautifully evokes (amongst others) 'The Happy Prince', who was not so happy after all; 'The Selfish Giant', who learned to love little children; and 'The Star Child', who did not love his parents as much as he should.

Magical listening for young and old, narrated by John Moffatt.

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement: the first epic poem in modern English. The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error.