Résultats lu par "Dana" dans Toutes les catégories

Dann muss es wohl Liebe sein ... Nach ihren großen Bestsellererfolgen "Ich hatte mich jünger in Erinnerung" und "Ich will so bleiben, wie ich war", die sich um das Älterwerden drehen, nimmt sich Monika Bittl nun die Paarbeziehung vor. In herrlich unterhaltsamen Alltagsgeschichten beleuchtet sie die liebenswerten wie absurden Seiten, die ein Eheleben mit sich bringt. Sie geht der Frage auf den Grund, ob der häufigere Scheidungsgrund eine Affäre oder die ewig herumliegenden dreckigen Socken des Partners sind - und sucht die Formel für eine erfüllte, lange Ehe.

Luke Martelli had been hours away from working his dream job with a pit crew when a freak accident took that chance away. Then Ellison Carlisle, a rich girl from Kentucky, has the nerve to tell him to accept his fate. What does she know about pain? For Ellie, moving to Brooklyn was supposed to be a fresh start. She's homesick, but getting away from painful memories in Lexington is worth the change. Until she meets Luke, who's entirely too sexy for his attitude. Her track record for boyfriends is 0-for-3. Is it worth the risk to try to break that big chip on Luke's shoulder?

In this sequel to Light as a Feather, Stiff as a Board, 16-year-old McKenna Brady returns home to Weeping Willow, Wisconsin, after being sent to reform school. McKenna still believes that Violet, the new girl who arrived in her town earlier that fall, cast an evil spell on her friends which resulted in two of them dying exactly how Violet predicted they would. Although McKenna has missed her mom and boyfriend, Trey, while she's been off at school, she doesn't mind the punishment she's been issued.

The Empire of Lucent has stood for centuries as a beacon of strength and light. But now an otherworldly realm has unleashed an army of nightmarish creatures upon the peaceful empire, spreading a lethal plague called The Decay that consumes its victims mercilessly from the inside out. The king of the Empire of Lucent calls upon "Lady of Death" Zephera Travelle - an infamous assassin with a weakness for braided cinnamon bread and a striking aptitude for murder and mayhem. He sends her on an impossible quest to find the one person who can concoct a cure and save the realm from total annihilation.

The one thing that obsesses, captivates, and seduces me? Money. I'm a self-made billionaire, and running my business empire means I've got better things to do than bother with women. They can throw themselves at me all they want - I can't be tempted. Until my newest executive secretary's first day on the job. One glance at her and I forget about spreadsheets and quarterly earnings, because her curves are pure sin. Her mouth is the wickedest distraction I've ever seen.

My real estate empire is my life. I don't have time for women and their games. What's the point? They'll be out of my bed before they know it. Except Isabella Gabriel....

I'm in the business of hunting down and acquiring the planet's most coveted objects. Nothing thrills me more than finding and buying pieces with unbelievable value...and selling them for a massive profit. Nothing...until she bursts onto the scene. She might have the world's most tantalizing body and a smoldering look in her eyes, but she's made it clear that I have no chance. It's a challenge I can't turn down.

I'm an adrenaline junkie, always searching for my next hit. Skydiving, cliff jumping, surfing massive waves - I'll do anything to get my pulse racing. But even freediving the ocean's most deadly sinkholes pales in comparison to the rush I get when I meet Kennedy. And if there's a bet involved? I'm all in. I never turn down a challenge. Especially when the target is prim, proper, buttoned-up...and jaw-droppingly gorgeous. It's enough to make any man want to unbutton her and make her scream all night long.

Interview recorded with Rachel Howard at the artist's studio in July 2011. Explores her childhood and upbringing, awareness of "God", and experience of a Quaker schooling. Attendance at Goldsmiths and work for Damien Hirst on pharmacy cabinets and the Spot Paintings. Recent exhibition in Italy, the "Via Dolorosa"; discussion of her paintings and drawings; the desired effect of her work.

Interview with painter Anthea Holmes, recorded in April 1988 at her Whitechapel Studio. She describes her training at Kingston University and at The Pratt Institute New York; with the development of an intricate play between figure, ground and light in an intimate process of accumulation and elision of elements.

Interview conducted with Christiane Baumgartner in 2010, by emailed questions and replies, in which she describes the process of her graphic and video work; incorporating ideas of stop-motion time frames applied to subjects of landscape, travelling, traffic, highways, and military installations.

Painter Claudia Carr describes her surreal landscapes, composed from reflections of found objects that suggest imaginative scenarios of play and dreams.

Artist Louise Sheridan interviewed at her exhibition at The Cafe Gallery Southwark in 1993. She describes her travels in Nepal and Thailand, and the works produced from a fellowship in Barcelona, Spain. She focuses on "The Envelope Series", votive objects made with wax and encaustic, and works made with Nepalese bark paper.

Renowned artist Thérèse Oulton describes her series, Territory, detailed aerial views in small-scale paintings, exhibited at Marlborough Fine Art London. She considers their source and her excursions in London and elsewhere, and their bearing on her work.

For 16-year-old Tiffany Sly, life hasn’t been safe or normal for a while. Losing her mom to cancer has her a little bit traumatized and now she has to leave her hometown of Chicago to live with the biological dad she’s never known. Anthony Stone is a rich man with four other daughters - and rules for every second of the day. Tiffany tries to make the best of things, but she doesn’t fit into her new luxurious, but super-strict, home - or get along with her standoffish sister London. The only thing that makes her new life even remotely bearable is the strange boy across the street.

Spring Etienne is a pretty, charming 15-year-old psychopath who will do anything to bring herself out of poverty - including seducing a lonely older man. Hank is indeed a lonely older man - but he is also an incubus who feeds on the dreams of his victims. Together, they form a bizarrely functional, darkly comedic couple. When a murder forces the couple to flee to Hank's homeland in Germany, they are drawn deep into the world of the incubi - a world where Spring fits in very, very well.

An interview recorded with the leading ceramic designer and studio potter Janice Tchalenko explores her development, from training with Mick Casson at Harrow Schoolo of Art to growing her own practice, leading to a major commission of supply to the Next retail chain. Tchalenko describes her appointment to renew China's ceramic industry and her activity as the chief designer of the Dartington pottery.

Interview recorded with Brazilian artist Lara Viana at Domobaal Gallery in January 2010. She describes her interest in souvenirs and votive settings found in the Catholic Church, and acknowledges an influence from the art of Velazquez and Zurbaran in her refined and ethereal paintings. The conversation revolves around a recent set of still life studies; tableaux of nature morte, that carry implications of transient existence in their subtle conception.

Interview with leading British sculptor Alison Wilding, RA, recorded at Tannery Street Studio, Bermondsey, in 1995. She describes the making of Harbour, in alabaster and pvc moulding, and Echo, a stainless steel sculpture exhibited at Karsten Schubert. Sourcing materials, the levels of the work; assistant Adam Kershaw; and its relation to other contemporary works.

Morag Ballard describers her studio in Penzance, Cornwall, and the strategies of her work; paintings which create perspectives and settings referring to certain interiors.