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A Writer Prepares, an examination of the first quarter century of one writer's life, is arguably the work of two writers. There's the middle-aged fellow who wrote about half of it at a blistering pace in 1994, and there's the octogenarian who finished the job another quarter century later. The older fellow brought less raw energy to the task, and his memory is a long way from infallible, but one can only hope he's offset these losses with a slight edge in judgment, in perspective, in maturity.

For almost three years, novelist and short-story writer Lawrence Block's monthly column, "Generally Speaking," was one of the most popular features in Linn's Stamp News. A general collector of pre-1940 issues, Block had the entire world of stamps as his subject, and he turned in 33 columns before he decided it was time to stop. But Keller, the author's fictional character, never lost his enthusiasm for philately. A wistful and introspective killer for hire, Keller rekindled a boyhood passion for stamps at the end of Hit Man, the first of a series of books about him.

The city caught its collective breath when upscale couple Byrne and Susan Hollander were slaughtered in a brutal home invasion. Now, a few days later, the killers themselves have turned up dead behind the locked door of a Brooklyn hellhole - one apparently slain by his partner in crime, who then took his own life. There's something drawing Matthew Scudder to this case that the cops have quickly and eagerly closed.

For all those craving more adventures of their favorite bookseller-by-day and burglar-by-night, The Burglar in Short Order for the first time ever collects all of Bernie Rhodenbarr's short-form appearances in one complete volume. From the story in which a prototype of Bernie first appeared (“A Bad Night for Burglars”) to his appearances in Playboy and (maybe? It's kinda complicated) Cosmopolitan...from an essay discussing Bernie's misadventures in Hollywood to a piece commissioned by a European publisher for a tourist guide to New York....

Acclaimed New York Times best-selling author Lawrence Block returns with the extraordinary Bernie Rhodenbarr. Antiquarian bookseller by day, burglar by night, Bernie has an innate knack, a gift, for getting into places designed to keep him out.

Martin H. Ehrengraf, dapper and diabolical, may be Lawrence Block's darkest creation. He's the defense attorney who never sees the inside of a courtroom, because all his clients are innocent - no matter how guilty they may seem. Some even believe themselves to be guilty: They remember pulling the trigger, or wiring the dynamite to their spouse's car, or holding the bloody blade. But things have a way of working out when Martin Ehrengraf is on the case.

Since the 1970s, Lawrence Block has been writing award-winning novels and short fiction featuring Matthew Scudder. Now, with both himself and his detective half a century older, the author found himself charged with writing a book about his protagonist. And he decided he wasn’t the right person for the job.

To escape punishment for a murder he didn't mean to commit, insurance man Don Barshter has to take on a new identity: Nathaniel Crowley, ferocious up-and-comer in the New York mob. But can he find safety in the skin of another man...a worse man...a sinner man?

"Readers of Brooklyn Noir will recall that its contents were labeled by neighborhood - Bay Ridge, Canarsie, Greenpoint, etc. We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and Charles Ardai's Upper East Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village."

Here's the book that started it all: A Girl Called Honey - and if listening to the saga of Honor Mercy Bane brings you a small fraction of the fun we had writing it, you'll be back right away to scoop up So Willing and Sin Hellcat.

In this brand-new novella, Keller, everyone's favorite assassin for hire, is Chicago-bound on Amtrak's City of New Orleans, ready to do what he does best. But it's complicated. Usually there's someone ready to point him toward the target. Or he'll have a photo, say. Or, bare minimum, a name and address. Not this time. When he gets to Baker's Bluff, Illinois, he'll have to play private detective before he can get down to business. Well, okay. He knows how it works. So before he even packs his suitcase, Keller buys a fedora.

So this girl walks into a bar…and when she walks out there’s a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She’s been doing this for a while, and she’s good at it. And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her.

An ancient brotherhood meets annually in the back room of a swank Manhattan restaurant, a fraternity created in secret to celebrate life by celebrating its dead. But the past three decades have not been kind to the Club of 31. Matthew Scudder - ex-cop and ex-boozer - has known death in all its guises, which is why he has been asked to investigate a baffling thirty-year run of suicides and suspiciously random accidents that has thinned the ranks of this very select group of gentlemen.

Matthew Scudder is about to face every cop's worst nightmare: James Leo Motley, psychopath extraordinaire. Twelve years ago Matthew Scudder lied to a jury to put James Leo Motley behind bars. Now the ingenious psychopath is free, and the alcoholic ex-cop turned private investigator must pay dearly for his sins. Friends and former lovers - even strangers unfortunate enough to share Scudder's name - are turning up dead because a vengeful maniac is determined not to rest until he's driven his nemesis back to the bottle…and then to the boneyard.

Twenty-five years ago, Mystery Writers of America Grand Master Lawrence Block introduced his acclaimed unlicensed private investigator to the New York crime scene. Today, Matthew Scudder remains one of the most complex, richly human protagonists in noir fiction, as he pursues a faceless adversary with a unique talent and taste for murder.

While he is probably best known as a novelist and short-story writer, Lawrence Block has produced a rich trove of nonfiction over the course of a 60-year career. Over the years, Block has written extensively for magazines and periodicals. Generally Speaking collects his philatelic columns from Linn's Stamp News, while his extensive observations of crime fiction, along with personal glimpses of some of its foremost practitioners, have won wide acclaim in book form as The Crime of Our Lives. Hunting Buffalo with Bent Nails is what he's got left over.

Edgar Award-winning author Lawrence Block has been named a Mystery Writers of America Grand Master. A Drop of the Hard Stuff continues Block’s popular series starring New York private detective and recovering alcoholic Matthew Scudder. Scudder is already struggling with his sobriety when his friend and fellow AA member Jack Ellery is found murdered. Now the only thing keeping Scudder from the bottle is his obsession with finding the culprit.

You might as well know this going in: Lawrence Block's new novel is not for everyone. It's recounted in journal form by its protagonist, and begins when he walks into a roadhouse outside of Bakersfield, California, and walks out with a woman. And rapes and murders her. But, um, not in that order. Right. But it's what he does with the rest of his life that's really interesting....

In his 16th Matthew Scudder novel, All the Flowers Are Dying, New York Times best-selling author Lawrence Block takes the series to a new level of suspense and a new depth of characterization. Block puts Scudder, and the listener, at the very edge of the abyss.

By day, Bernie Rhodenbarr runs a respectable used book store in New York City. But by night, he gets his kicks gaining illegal entry into the posh residences of the wealthy. In this wacky mystery, the incorrigible burglar pulls off a low-risk burglary, only to find himself up against an eccentric kidnapper with a taste for abstract Dutch art. When Bernie is offered the chance to appraise a Manhattan millionaire's private library, he jumps at the opportunity.