Résultats de "Colette" dans Toutes les catégories

"C'est folie de croire que les périodes vides d'amour sont les 'blancs' d'une existence de femme", écrivait Colette, en 1937. Car c'est le temps où peut fleurir sa vie propre, saison de poèmes comme l'atteste La Naissance du jour, composée l'été de ses cinquante-quatre ans. "L'âge où s'offre, en coupe d'oubli, le dernier amour n'est-il pas plutôt celui d'inventer, hors des dépendances, sa maturité au pays du soleil ?"

Largely autobiographical, La Vagabonde recalls Colette's own years as a dance hall performer in turn of the century Paris, where she takes the listener backstage and into the demimonde of Renée Néré, an aging dancer, mime, and failed writer. Successfully evoking the excitement, the sounds, smells, tastes, textures, and colors of the Parisian dance hall, Renée describes her romance with her admirer, Maxime, and the downward slide of a young Piaf type singer named Jadin.

"Sido" et "Les Vrilles de la vigne" sont deux textes distincts de l’œuvre de Colette, tous deux d’inspiration autobiographique. Dans "Sido" (1930), Colette évoque le souvenir de sa mère tant aimée, puis son père, l’amour qui unissait ses parents et raconte son enfance heureuse au sein d’une campagne bourguignonne idyllique. Cette éducation harmonieuse a profondément marqué sa manière de vivre. Sous le personnage de l’écrivaine parisienne affleure la jeune fille qui apprit à vivre au rythme des saisons et à goûter la sensualité de la vie.

Léa de Lonval, une courtisane de près de cinquante ans, est la maîtresse de Fred Peloux, surnommé Chéri. À mesure qu’elle constate le manque de conviction croissant de son jeune amant, Léa ressent, avec autant émerveillement que d’amertume, les effets d’une passion qui sera la dernière. Pourtant, il suffira à Chéri d’épouser la jeune Edmée pour comprendre que la rupture avec Léa n’irait pas sans regrets.

I don't believe in Prince Charming, but when I met a handsome stranger on a rooftop his words intrigued me and his dares left nothing but temptation. Then I learned the truth. His name is Bryce Sexton. Media mogul, workaholic, and a heart of stone. He's broody AF and yet every woman in San Francisco wants him. So why won't he leave me alone? Wherever I go, he's there, trying to force his way into my world. What he doesn't know is I already have a man in my life. A tiny redhead who loves Legos and superheroes.

An Austenprose "Readers' Choice" for Top 5 Books of 2012. In this thrilling and sensual adaptation of the classic love story Pride and Prejudice, Elizabeth Bennet and the citizens of Hertfordshire know Fitzwilliam Darcy to be a proud, unpleasant sort of man, but they never suspect the dark secret of his true nature. He is not a man at all - but a vampire.

Intuitive counselor Colette Baron-Reid is renowned for helping people create the purposeful and authentic lives they desire. In this inspirational book, Colette hands you the “magic wand” of your own awareness so that you can see yourself as an enchanted mapmaker.

Claudine, 15 ans, vit à Montigny avec son père, homme distrait, plus préoccupé par les mollusques que par l'éducation de sa fille. Celle-ci fréquente la petite école du village, cadre principal des aventures décrites dans ce livre, présenté comme le journal intime de la jeune fille. Son quotidien est rythmé par les promenades avec sa sœur de lait Claire, qui lui raconte sa vie amoureuse, et les leçons de musique avec Antonin Rabastens qui lui fait la cour.

« Je veux faire ce que je veux. Je veux jouer la pantomime, même la comédie. » Précédemment parus dans divers journaux, ces textes de nature diverse – confidences, dialogues, textes courts, scénettes, poèmes en prose – ont été écrits lorsque Colette se sépare de son premier époux, Willy, et tombe amoureuse de Mathilde de Morny, dite Missy. C’est également l’époque où Colette monte sur scène et devient mime, des choix de vie osés au début du 20e siècle.

THE EARLY 2000s conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all. The internet had arrived, and technology was shiny and fun. For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999, we are still living in the shadows of the Y2K Era.

After taking early retirement from the police force, Liam is happy avoiding people and tending to his roses. Or he was, until Felix moves in next door. Felix is taking a break from his acting career, even though he's on the cusp of stardom. With his cheeky, persistent, and very naughty behavior, he gets under Liam’s skin instantly. Felix needs someone who can set him boundaries - man who can handle him firmly, but with love. Liam doesn't think he needs anyone, until Felix brings much needed sunshine into his life.

Claudine et son père ont quitté leur village de Montigny pour s'installer à Paris, où la jeune fille va découvrir la vie parisienne avec le soutien de son cousin Marcel, son ami, son confident et son complice. Elle finit par s'habituer à la vie dans cette ville qu'elle trouvait dure au début, et commence à sortir et à mener une vie mondaine. Elle ne tarde pas de tomber amoureuse de Renaud, chroniqueur de la vie mondaine, un grand séducteur aux tempes grisonnantes. Malgré l'hostilité de Marcel dont c'est... le père, elle finit par épouser Renaud.

Adrian is my best friend. We live together, hang out, and he’s the best cake taste tester I could want. Hugs are the norm, along with cuddles while watching horror films. I need someone to protect me during the scary bits, so why not Adrian? He’s almost a foot taller than me, so he makes a good armchair too. Life is exactly the way I like it until Adrian’s sister drops a bombshell that leaves me questioning everything I think I know about myself and my straight best friend. Can one kiss change everything? I’m about to find out.

Three wishes. Seb wants to be happy. Matt wants to find "the one." Connor wants them. Two drunken kisses. Seb didn’t plan to kiss Matt and Connor, but he doesn’t regret it, even if it has changed their friendship forever. Matt has never considered dating a man before, let alone two. Despite his confusion, being with Seb and Connor feels right. One uncertain future. Connor’s potential fate has stopped him living and loving. Can he face his fears to be with the men he loves?

A year of messaging on the Cuffd app has led me to understand one thing: Troy is the one meaningful relationship I’ve ever had. Two things are stopping it from being more: I’m an adult film star, and there’s also an ocean between us. To claim my geek boy, I’m going to have to pull out all the stops and lay my heart on the line as I’ve never done before.

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Ma mère et les bêtes, écrite en 1922, est l'une des nouvelles de La maison de Claudine. En 1947, Colette en fait une lecture, et c'est par cet enregistrement que commence le livre audio. Sa voix porte les couleurs de sa terre, aux "r" voluptueusement roulés. Les nouvelles du recueil racontent le temps où, petite fille, elle goûtait "la condition d'être une enfant de son village et d'avoir une mère au rire aigu de jeune fille".

Every night of her life, I've visited my Amazing Grace in her dreams. Every morning, she wakes up with zero recollection of it. Does it hurt? Well, a little, honestly. But that doesn't matter because the time has come for us to meet in real life. This is our moment. I'm ready to show her all the reasons why I'm her best soul bond—sorry not sorry, Riot. But it seems the Goddess of Night doesn't love me and my girl as much as I thought she did because just when everything was starting to work out, things get complicated.

Flying the friendly skies has been more than just a job to me. It’s my home. Ten years ago I ran away from everything I’ve known and vowed never to return. That is, until my flight is cancelled due to weather, and I’m stuck in San Francisco. Fate is not on my side when I end up in an Uber ride share with the one man I thought I’d never see again. Zack Hunt was my high school sweetheart, and the boy I walked away from without a note saying goodbye. Except, he’s no longer a boy. No, this man is gorgeous, intense, and heated at the sight of me.

It's a simple fact that the people who make policy and oversee government, sports, business, and the arts and entertainment are most commonly white men. Another fact: We cannot achieve meaningful progress if we exclude the very people who have the power to make systemic change. This handbook is free of any attempts to shame, blame, or guilt leaders for the choices they made in the past or privileges they were born with. Instead, listeners will learn to view the work they do through a racial equity lens so they can easily and immediately begin making changes.