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After the publication of Atlas Shrugged in 1957, Ayn Rand occasionally lectured in order to bring her philosophy of Objectivism to a wider audience and apply it to current cultural and political issues. These taped lectures and the question-and-answer sessions that followed added not only an eloquent new dimension to Ayn Rand's ideas and beliefs, but a fresh and spontaneous insight into Ayn Rand herself.

In this eye-opening work of economic theory, Jane Jacobs argues that it is cities—not nations—that are the drivers of wealth. Challenging centuries of economic orthodoxy, in Cities and the Wealth of Nations the beloved author contends that healthy cities are constantly evolving to replace imported goods with locally produced alternatives, spurring a cycle of vibrant economic growth. Intelligently argued and drawing on examples from around the world and across the ages, here Jacobs radically changes the way we view our cities—and our entire economy.

When America entered World War II in 1941, we faced an enemy that had banned and burned over 100 million books and caused fearful citizens to hide or destroy many more. Outraged librarians launched a campaign to send free books to American troops and gathered 20 million hardcover donations. In 1943, the War Department and the publishing industry stepped in with an extraordinary program: 120 million small, lightweight paperbacks for troops to carry in their pockets and their rucksacks in every theater of war.

Val and Julie just want what’s best for their kids, David and Sophie. So when teenage son David comes home one day asking for a Pilot, a new brain implant to help with school, they reluctantly agree. This is the future, after all. Soon, Julie feels mounting pressure at work to get a Pilot to keep pace with her colleagues, leaving Val and Sophie part of the shrinking minority of people without the device. Before long, the implications are clear for the family and society: Get a Pilot or get left behind. With government subsidies and no downside, why would anyone refuse?

When Meg's grandmother, Cordelia, hosts a Renaissance Faire at her craft center, the whole family is put to work: Meg handles the blacksmithing, Michael and the boys will be performing, and no one misses the opportunity to dress up in full regalia. More exciting to Grandfather is the pair of rare falcons he discovers breeding at the fairgrounds. Concerned for their well-being amid all the activity, he appoints himself their protector. When one of the actors performing at the fair is found dead, Grandfather is a prime suspect.

After a year of secrets and scandal, will this Amish community finally find peace under the bright promise of Christmas? Beth Byler has a secret. Ever since she met Englischer Chris Ellis while helping out at the Yellow Bird Inn, she can't stop thinking about him. She knows a relationship could never go anywhere Chris was working undercover in Crittenden County as a DEA agent. That meant he faced danger daily and carried a gun, making him completely unsuitable for an Amish woman like herself.

In a world where malices, remnants of ancient magic, can erupt with life-destroying power, only the soldier-sorcerer Lakewalkers have mastered the ability to kill them. But Lakewalkers keep their uncanny secrets - and themselves - from the farmers they protect. So when patroller Dag rescued farm girl Fawn, neither expected to fall in love, marry, and defy both their kin to seek new solutions to the split between their peoples.

Laura Caxton vowed never to face them again. The horror of what the vampires did is too close, the wounds too fresh. But when Jameson Arkeley, broken and barely recognizable, comes to her with an unfathomable, unholy discovery, her resolve crumbles.

Meg Langslow and Michael's house is serving as the marshalling point for the annual Caerphilly holiday parade. The theme is the 12 Days of Christmas, and it features 12 drummers from the school's marching band, 11 bagpipers, 10 leaping lords costumed in medieval finery from the college's drama department, and so on. There are also assorted floats, a live nativity scene on a flatbed truck, the three wise men on Caerphilly Zoo camels, and Santa in a bright-red horse-drawn sleigh.

Middle age doesn't have to be about hot flashes, irritable tempers, and no sex drive. Rigorously researched and engagingly written, Suzanne Somers' The Sexy Years is women's indispensable guide to life after 50. Making the case that the key to happiness lies in the replacement of lost hormones, Somers shares some of the benefits she had first-handedly experienced as a result: increased energy levels, improved sex drive, better weight management, and much more.

Joe and Rose Kennedy's strikingly beautiful daughter, Rosemary, attended exclusive schools, was presented as a debutante to the queen of England, and traveled the world with her high-spirited sisters. And yet Rosemary was intellectually disabled - a secret fiercely guarded by her powerful and glamorous family.

From New York Times best-selling author Marie Bostwick comes a beautiful novel of sisterhood lost and found - and of the ways we create the rich tapestries that encompass the past and the future. The economic downturn has hit New Bern, Connecticut, and Tessa Woodruff’s herbal apothecary shop, For the Love of Lavender, is suffering. So is her once-happy 34-year marriage to Lee. They’d given up everything to come back to New Bern from Boston and start their business, but now they’re wondering if they made the right decision.

When crime reporter Mia Hale is discovered on a Florida beach, she is bloodied and disoriented but alive. She remembers nothing, but her wounds bear the signature of a sadistic serial killer: The Collector, who has resumed his grim hobby of abducting women and taking gruesome souvenirs before dumping their bodies. None of his victims has ever escaped - and he desperately wants Mia back. FBI agent Eric MacFarlane has pursued The Collector for a long time and now Mia holds the key.

If F. Scott Fitzgerald was the hero of the Jazz Age, Edna St. Vincent Millay, as flamboyant in her love affairs as she was in her art, was its heroine. A winner of the Pulitzer Prize, Millay was dazzling in the performance of herself. Her voice was likened to an instrument of seduction, and her impact on crowds and on men was legendary. Yet beneath her studied act, all was not well.

When vampire hunter Laura Caxton is locked up in a maximum-security prison, the cop-turned-con finds herself surrounded by countless murderers and death-row inmates with nothing to lose and plenty of time to kill. Caxton’s always been able to watch her own back—even when it’s against a cell-block wall.

May finds herself in a world that most certainly does not feel like a fuzzy mitten. In fact it is a place few living people have ever seen. Here, towns glow blue beneath zipping stars and the people walk through walls. Here the Book of the Dead holds the answers to everything in the universe. And here, if May is discovered, the horrifyingly evil Bo Cleevil will turn her into nothing.

Japan, 1701. A woman is brutally attacked within a bamboo prison as clouds swirl around her head. Meanwhile, at Edo Castle, samurai detective turned chamberlain Sano Ichiro is suspicious of his old rival, Yanagisawa, who has been oddly cooperative since returning from exile.

Americans have always loved guns. This special bond was forged during the American Revolution and sanctified by the Second Amendment. It is because of this exceptional relationship that American civilians are more heavily armed than the citizens of any other nation. Or so we're told. In The Gunning of America, historian Pamela Haag overturns this conventional wisdom. American gun culture, she argues, developed not because the gun was exceptional but precisely because it was not.

Ayn Rand is the author of two phenomenally best-selling ideological novels, The Fountainhead and Atlas Shrugged, which have sold over 12 million copies in the United States alone. Through them, she built a right-wing cult following in the late 1950s and became the guiding light of Libertarianism and of White House economic policy in the 1960s and '70s. Her defenses of radical individualism and of selfishness as a "capitalist virtue" have permanently altered the American cultural landscape.

Raised in genteel poverty after the First World War, Maria Magdalena Dietrich dreams of a life on the stage. When a budding career as a violinist is cut short, the willful teenager vows to become a singer, trading her family's proper middle-class society for the free-spirited, louche world of Weimar Berlin's cabarets and drag balls.