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In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends.

It's the summer of 1994 in suburban Chicago: Forrest Gump is still in theaters, teens are reeling from the recent death of Kurt Cobain, and you can enter a sweepstakes for a spaceship from Jupiter to land in your backyard. Welcome to Margaret Wappler's slightly altered 90s. Everything's pretty much the way you remember it, except for the aliens. When a flying saucer lands in the Allens' backyard, family patriarch and environmental activist Ernest is up in arms.