In Death

She calls herself Lady Justice. And once she has chosen a man as her target, she turns herself into a tall blonde or a curvaceous redhead, makes herself as alluring and seductive as possible to them. Once they are in her grasp, they are powerless. The first victim is wealthy businessman Nigel McEnroy. His company’s human resources department has already paid out settlements to a couple of his young victims - but they don’t know that his crimes go far beyond workplace harassment. Lady Justice knows. And in one shocking night of brutality, she makes him pay a much steeper price.

Pediatrician Kent Abner received the package on a beautiful April morning. Inside was a cheap trinket, a golden egg that could be opened into two halves. When he pried it apart, highly toxic airborne fumes entered his body - and killed him. After Eve Dallas calls the hazmat team - and undergoes testing to reassure both her and her husband that she hasn’t been exposed - it’s time to look into Dr. Abner’s past and relationships. Not every victim Eve encounters is an angel, but it seems that Abner came pretty close.

While Eve examines a fresh body in Washington Square Park, her husband, Roarke, spots a man among the onlookers he’s known since his younger days on the streets of Dublin. A man who claims to be his half brother. A man who kills for a living - and who burns with hatred for him. Eve is quick to suspect that the victim’s spouse - resentful over his wife’s affair and poised to inherit her fortune - would have happily paid an assassin to do his dirty work. Roarke is just as quick to warn her that if Lorcan Cobbe is the hitman, she needs to be careful.

The scene in the West Village studio appears to be classic crime-of-passion: two wineglasses by the bed, music playing, and a young sculptor named Ariel Byrd with the back of her head bashed in. But when Dallas tracks down the wealthy Upper East Side woman who called 911, the details don’t add up. Gwen Huffman is wealthy, elegant, comforted by her handsome fiancé as she sheds tears over the trauma of finding the body - but why did it take an hour to report it? And why is she lying about little things?

The body was left in a dumpster like so much trash, the victim a woman of no fixed address, known for offering paper flowers in return for spare change - and for keeping the cops informed of any infractions she witnessed on the street. But the notebook where she scribbled her intel on litterers and other such offenders is nowhere to be found. Then Eve is summoned away to a nearby building site to view more remains - in this case decades old, adorned with gold jewelry and fine clothing - unearthed by recent construction work.

The woman’s body was found in the early morning, on a bench in a New York City playground. She was clean, her hair neatly arranged, her makeup carefully applied. But other things were very wrong—like the tattoo and piercings, clearly new. The clothes, decades out of date. The fatal wound hidden beneath a ribbon around her neck. And the note: Bad Mommy, written in crayon as if by a child.

New York, 2061: The place called the Pleasure Academy is a living nightmare where abducted girls are trapped, trained for a life of abject service while their souls are slowly but surely destroyed. Dorian, a thirteen-year-old runaway who’d been imprisoned there, might never have made it out if not for her fellow inmate Mina, who’d hatched the escape plan. Mina was the more daring of the two—but they’d been equally desperate.

It was a glittering event full of A-listers, hosted by Eliza Lane and Brant Fitzhugh, a celebrity couple who’d conquered both Hollywood and Broadway. And now Eve Dallas has made her entrance—but not as a guest. After raising a toast, Fitzhugh fell to the floor and died, with physical symptoms pointing to cyanide, and the police have crashed the party. From all accounts, he wasn’t the kind of star who made enemies. Everyone loved him—even his ex-wife. And since the champagne cocktail that killed him was originally intended for Eliza, it’s possible she was the real target.

Lt. Eve Dallas is just home from a long overdue vacation when she responds to a call of an unattended death. The victim is Martin Greenleaf, retired Internal Affairs Captain. At first glance, the scene appears to be suicide, but the closer Eve examines the body, the more suspicious she becomes. An unlocked open window, a loving wife and family, a too-perfect suicide note—Eve's gut says it's a homicide. After all, Greenleaf put a lot of dirty cops away during his forty-seven years in Internal Affairs. It could very well be payback—and she will not rest until the case is closed.

Jenna’s parents had finally given in, and there she was, at a New York club with her best friends, watching the legendary band Avenue A, carrying her demo in hopes of slipping it to the guitarist, Jake Kincade. Then, from the stage, Jake catches her eye, and smiles. It’s the best night of her life. It’s the last night of her life. Minutes later, Jake’s in the alley getting some fresh air, and the girl from the dance floor comes stumbling out, sick and confused and deathly pale. He tries to help, but it’s no use. He doesn’t know that someone in the crowd has jabbed her with a needle.

On a hot August night, Lt. Eve Dallas and her husband, Roarke, speed through the streets of Manhattan to the Down and Dirty club, where a joyful, boisterous pre-wedding girls’ night out has turned into a murder scene. One of the brides lies in a pool of blood, garroted in a private room where she was preparing a surprise for her fiancée—two scrimped and saved-for tickets to Hawaii. Despite the dozens of people present, useful witnesses are hard to come by. It all brings back some bad memories for Eve.

His passport read Giovanni Rossi. But decades ago, during the Urban Wars, he was part of a small, secret organization called The Twelve. Responding to an urgent summons from an old compatriot, he landed in New York and eased into the waiting car. And died within minutes… Lieutenant Eve Dallas finds the Rossi case frustrating. She’s got an elderly victim who’d just arrived from Rome; a widow who knows nothing about why he’d left; an as-yet unidentifiable weapon; and zero results on facial recognition.