Absurdist Comedy

Societal commentary just got interesting. Listen to this funny, racy, exaggerated take on a man running for office and the woman chosen to help him. Peppered with satire of the elite and commentary on class warfare, this quirky political humor story explores power struggles between the sexes. Perfect if you want to chuckle and think. This tale is one helluva ride - a sexy little snicker.

Skipper Matthews has an obsession - burgers. It’s all he ever eats. And not just any burgers, Burger Flip burgers - the most famous burger franchise in the world. For the last 11 years, Skip has only eaten at Burger Flip. He even has a life-sized figure of Harry B, the Burger Flip mascot in his living room, not to mention walls of memorabilia and vintage Funny Meal toys. On the heels of his girlfriend Sophia leaving him over his passion and his mom threatening to send him to a shrink, he finally has a choice to make.

Leading sacred cows to the slaughter, peeling the pun for its extra daughter, crafting sinister grams and sly fun, Bob Macaulay reveals his skill in distilling Scottish humours, in whimsical surgical tellings for listeners’ drop-in pleasure. Prankster, funster, language doctor, he re-stages Scotland in satire. A surgeon of his native tongue, as spoken by the living and the never were, he offers a forensic dozen herein, counting the missing organs, of course.

"'Io non so com'è la gente!' soleva ripetere don Marchino per lo meno una ventina di volte al giorno, insaccandosi nelle spalle e aprendo le mani a ventaglio davanti al petto, con gli angoli della bocca contratti in giù: 'Io non so com'è la gente!'".

"Benedizione" inizia così, con le parole di Don Marchino, parroco di campagna che sembra vivere in un mondo tutto suo, completamente indifferente a tutto quello che lo circonda. Ancora una volta Pirandello ci regala un piccolo grande gioiello, una novella che che ci mette di fronte all'assurdità della vita e della morte.

Tre racconti fra i più conosciuti di Calvino. Divertenti e ironici tutti, ma pregni di elementi di riflessione sulle moderne idiosincrasie, tic e tabù. Con L'ultimo canale del 1984 la televisione e la confusione fra realtà ed apparenza entrano decisamente da protagonisti nella letteratura italiana.