Absurdist Fiction

Zebra is the last in a line of anarchists, atheists, and autodidacts. When war came, her family didn't fight; they took refuge in books. Now alone and in exile, Zebra leaves New York for Barcelona, retracing the journey she and her father made from Iran to the United States years ago. Books are Zebra's only companions - until she meets Ludo. Their connection is magnetic; their time together fraught. Zebra overwhelms him with her complex literary theories, her concern with death, and her obsession with history. He thinks she's unhinged; she thinks he's pedantic.

With Life Ceremony, the incomparable Sayaka Murata is back with her first collection of short stories ever to be translated into English. In Japan, Murata is particularly admired for her short stories, which are sometimes sweet, sometimes shocking, and always imbued with an otherworldly imagination and uncanniness.

Erin is a plastic girl living in a plastic world. Every day she eats a breakfast of boiled chicken, then conveys her articulated body to Tablet Town, where she sells other figurines Smartbodies: wearable tech that allows full physical immersion in a virtual world, a refuge from real life’s brutal wars, oppressive governmental monitoring, and omnipresent eco-terrorist insurgency. If you cut her, she will not bleed—but she and her fellow figurines can still be cracked or blown apart by gunfire or bombs, or crumble away from nuclear fallout.

In his first novel, A Happy Death, written when he was in his early 20s and retrieved from his private papers following his death in 1960, Albert Camus laid the foundation for The Stranger, focusing in both works on an Algerian clerk who kills a man in cold blood. But he also revealed himself to an extent that he never would in his later fiction. For if A Happy Death is the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man.

Philip Horkman is a happy man - the owner of a pet store called The Wine Shop, and on Sundays a referee for kids' soccer. Jeffrey Peckerman is the sole sane person in a world filled with goddamned jerks and morons, and he's having a really bad day. The two of them are about to collide in a swiftly escalating series of events that will send them running for their lives, pursued by the police, soldiers, terrorists, subversives, bears, and a man dressed as Chuck E. Cheese.

Ein Blaubär entführt den Hörer in eine Welt, in der Phantasie und Humor auf abenteuerliche Weise außer Kontrolle geraten sind. Dem Hörer geht es in dieser akustischen Neufassung wie der Hauptfigur: Gepackt vom Sog der Lesung Dirk Bachs geht es über sparsam, aber effektvoll eingesetzte Musik zu Zwergpiraten, Klabautergeistern und Gimpeln. Dramatische Klangbilder machen die Reise so plastisch, dass Finsterberge, der Große Wald, der Ewige Tornado, Atlantis u.v.m.

Voilà un coin de campagne où l'on a de drôles de façons... La foire aux vieux, par exemple. Curieuse institution ! On sait bien que tous les enfants peuvent voler comme des oiseaux dès qu'ils étendent leurs bras - mais est-ce une raison suffisante pour les enfermer derrière des murs de plus en plus hauts de plus en plus clos ?

It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boy band, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic.

A member of the landed gentry, with a seemingly guaranteed income from his estate in the country, Oblomov lives in Petersburg, uninterested in the business that provides his living and barely aware that the revenue is diminishing. Not that he leads a dissolute life of extravagance, balls and entertainment. Instead he is a dreamer, a sybarite, content above all to spend most of the day supine, in bed. The novel opens with Oblomov thus ensconced, attended only by his dirty, grumbling, indolent servant Zahar, who has looked after him since childhood, catering to his every need.

This ingenious novel is presented as a chronicle of an island from medieval to modern times. The island is not on the map, but it is real beyond doubt. It cannot be found in history books, yet the events are painfully recognizable. The monastic chroniclers dutifully narrate events they witness. The entries mostly seem objective, but at least one monk simultaneously drafts and hides a "true" history, to be discovered centuries later. And why has someone snipped out a key prophesy about the island's fate?

Like Kafka's The Castle, Invitation to a Beheading embodies a vision of a bizarre and irrational world. In an unnamed dream country, the young man Cincinnatus C. is condemned to death by beheading for "gnostical turpitude", an imaginary crime that defies definition.

Bonnie Lincoln just wants to be left alone. To come home from work, shut out the voice that reminds her of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three's Company. When Bonnie wins the lottery, a more grandiose vision—to completely shuck off her own troublesome identity—takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three's Company and slip into the lives of its main characters.

Alan Blair, the hero of Wake Up, Sir!, is a young, loony writer with numerous problems of the mental, emotional, sexual, spiritual, and physical variety. He's very good at problems. But luckily for Alan, he has a personal valet named Jeeves, who does his best to sort things out for his troubled master. And Alan does find trouble wherever he goes.

Bob Honey, the disillusioned divorcee with a penchant for murder by mallet, weaves his way toward Washington DC, for the ultimate showdown with a certain nefarious "landlord", but nothing is as it seems, and Bob will have more than just the government working against him. Part comedy and part thriller, Bob Honey Sings Jimmy Crack Corn establishes Sean Penn as a fixture of the literary landscape for years to come.

Benjamin was never the sharpest tool in the shed. For as long as he can remember, he’s longed for adventure in far-away lands. But every day he wakes up in the same boring suburb, where nothing ever happens.

"Nous avions deux sacoches d'herbe, soixante-quinze pastilles de mescaline, cinq feuilles d'acide-buvard carabiné, une demi-salière de cocaïne, et une galaxie complète et multicolore de remontants, tranquillisants, hurlants, désopilants... sans oublier un litre de tequila, un litre de rhum."

Mr. Quark is a down-on-his-luck pot smuggler hiding out in the mountains of Columbia with his dog, High Pockets, and a small band of banditos led by the irascible José. Times are lean, and to liven up their exile, José decides to mug a family of American tourists. Among the spoils are physics texts, which launch Mr. Quark on a sidesplitting, boisterous adventure north to California, where he confronts the owner of the books with his own theories.

Gregor Samsa, el protagonista, se despierta una mañana sintiendo extraños dolores. Asustado, se percata de que sus miembros no le responden, y además nota que su cuerpo pesa en exceso. Gregor vive con sus padres y hermana, y piensa en ellos y en su trabajo, cuando aquella mañana descubre que ha dejado de ser humano para convertirse en un bicho.

Botanist Alfred Homer, ever hopeful and constantly surprised, is invited on a road trip by his parents’ friend, Professor Morgan Bruno, who wants company as he tries to unearth the story of the mysterious poet John Skennen. But this is no ordinary road trip. Alfred and the Professor encounter towns where Black residents speak only in sign language and towns that hold indigenous parades; it is a land of house burnings, werewolves, and witches.

In the final year of the 19th century, Peter Winceworth is toiling away at the letter S for Swansby’s multivolume Encyclopaedic Dictionary. Increasingly uneasy that his colleagues are attempting to corral language and regiment facts, Winceworth feels compelled to assert some sense of individual purpose and artistic freedom, and begins inserting unauthorized, fictitious entries into the dictionary.