Actors Art

In this candid and empowering A to Z of being an actor, Julie Hesmondhalgh draws on her decades of experience on-stage and screen to lift the lid on the realities of life in today's industry, and show you how to navigate it. Written with refreshing honesty and self-deprecating humour, An Actor's Alphabet is an audiobook for anyone who dreams of becoming an actor, wants to be a better one, or just wants to learn what being one is really like.

Debra Wanger knows how difficult it can be to pursue your dream of acting without compromising your health or your sanity. She drew wisdom from decades of working as an actor, talent manager, and wellness coach to write The Resilient Actor and give emerging and experienced actors a holistic approach to their profession that marries mind, body, spirit, and craft. Sustaining a healthy and satisfying career requires more than just talent - go beyond the skills you learned in your BFA program.

A través de una fresca conversación, la autora Lilia Sixtos, con sus años de experiencia como artista y madre, aborda el tema de criar y apoyar de manera práctica a un joven artista. Holístico y específico, El Arte de Criar a un Artista: Ay Dios Mío, Mi Hijo Quiere Ser Actor es una maravillosa guía para los padres sobre cómo educar a un niño lleno de inspiración, ya sea que su interés se centre en las artes, los deportes, la ciencia o en cualquier otro nicho. Es un audiolibro acerca de abrazar sana y felizmente la pasión de un niño por su propio destino.

Ted Swartz and his Ted & Company TheaterWorks team are known for blending Bible stories with comedy and poignancy, and pushing the envelope on issues of faith and social justice. But who is Ted Swartz? Follow along in this engaging memoir as Swartz finds his way as a middle child in an eastern Pennsylvania traditional Mennonite home to his early work in the family butcher shop. Journey with Ted through the decision of uprooting his young family to attend seminary and then embracing life as a writer and actor.

For five decades, no American filmmaker has been as prolific or as paradoxical as Woody Allen. From Play It Again, Sam (1972) to Midnight in Paris (2011) and Blue Jasmine (2013), Allen has produced an average of one film a year; yet in many of these movies Allen reveals a progressively skeptical attitude toward both the value of art and the cultural contributions of artists.

Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass. When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now.

A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness. After five decades of chronicling the blunders, mishaps and messes that he and his fellow Australians got themselves into, Williamson has penned his long-awaited memoir, Home Truths. It reveals the story of the man behind the work

An Actor's Business covers everything you need to know to market yourself as an actor, with thorough and concise information about the movie-making process, drama school, community theatre, acting on television and in commercials, unions, and agents. A thorough and well-written resource for anyone wanting to understand all facets of the acting business, this book presents an experienced perspective on the world of professional acting.

Geboren wurde er 1935 in Brooklyn: mit sechzehn begann Woody Allen seine lebenslange künstlerische Karriere, als Witzeschreiber für Zeitungen. Schreiben sollte er auch später: Drehbücher, Theaterstücke, Storys für den New Yorker. Dazu kam bald eine Karriere als Stand-up-Comedian, als Schauspieler und dann als einer der bedeutendsten Regisseure unserer Zeit. Seit sechs Jahrzehnten steht Woody Allen vor und hinter der Kamera, macht er Filme, mehr als fünfzig sind es geworden.

Jeff Corey (1914-2002) made a name for himself in the 1940s as a character actor in films like The Killers (1946). Everything changed in 1951, when he was summoned before the House Un-American Activities Committee. Corey refused to name names and was promptly blacklisted, which forced him to walk away from a vibrant livelihood as an actor and embark on a career as one of the industry's most revered acting instructors. In Improvising Out Loud: My Life Teaching Hollywood How to Act, Corey recounts his extraordinary story.

Charming and classically handsome, John Gilbert (1897-1936) was among the world's most recognizable actors during the silent era. He was a wild, swashbuckling figure on screen and off, and accounts of his life have focused on his high-profile romances with Greta Garbo and Marlene Dietrich, his legendary conflicts with Louis B. Mayer, his four tumultuous marriages, and his swift decline after the introduction of talkies.

Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character.

Ed Lowry joined the vaudeville circuit in 1910 at the age of 14. He never achieved stardom equal to the likes of Fred Allen, Jack Benny, George Burns, Buster Keaton, or Eddie Cantor, and he never considered himself an "artiste". Instead, he saw himself as a hoofer and comic simply trying to make a living on the vaude scene. My Life in Vaudeville recounts Lowry's long career in entertainment from the viewpoint of a foot soldier with a big dream.

From this comprehensive, yet critically measured wealth of material, Rollyson offers a distinctive and insightful portrait of Marilyn Monroe, highlighted by new perspectives that depict the central importance of acting to the authentic aspects of her being.

Young, cocksure, handsome and absurdly talented, Australian actor Heath Ledger shot to prominence with his first Hollywood film "10 Things I Hate About You": and a star was born. With huge charisma and smouldering looks lighting up the screen in a series of subsequent films, Heath was soon established as Hollywood A-list, dating a series of beauties such as Heather Graham and Naomi Watts, and living every young man's dream.

At the age of 17, in the glory days of moviemaking, Piper Laurie was living every little girl's dream. A contract star with Universal, Piper was elevated to the heights of Hollywood, her name emblazoned on 1950s marquees across America for hit movies like The Prince Who Was a Thief, The Mississippi Gambler, and Ain't Misbehavin'. Meanwhile, Piper's beauty was admired by the likes of Ronald Reagan, Howard Hughes, Paul Newman, and Tony Curtis as well as dozens of directors and legions of fans.

This is an engrossing and candid book, a beguiling exploration of what it means to be a producer, including purchasing rights, developing scripts, casting actors, managing directors, editing film, and winning awards. Filled with tales of legendary and beloved films, as well as some not-so-legendary and forgotten ones, A Life in Movies takes listeners behind the scenes and into the history of Hollywood.

Famed and acclaimed for his starring role as Admiral Firmus Piett in The Empire Strikes Back and Return of the Jedi, Ken Colley, who was born in Manchester, England, in 1937, knew from a very early age that he was already an actor. It was not until he had completed his mandatory two years with the National Service in the UK, when he was based in Cyprus during the Suez Crisis, that Ken, in his mid-20s, became an Assistant Stage Manager with a weekly repertory company in Bromley, Kent, England.

In this intimate and often surprising personal portrait, Joseph McBride challenges the conventional wisdom that Welles' career after Citizen Kane, widely regarded as the greatest film ever made, fell into a long decline. The author shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet widely misunderstood later period in the United States (1970–1985).

Screenwriter Jeb Rosebrook presents a captivating behind-the-scenes memoir of the making of Junior Bonner, a 1972 Western classic starring Steve McQueen and directed by Sam Peckinpah.