Actors Art

Ted Swartz and his Ted & Company TheaterWorks team are known for blending Bible stories with comedy and poignancy, and pushing the envelope on issues of faith and social justice. But who is Ted Swartz? Follow along in this engaging memoir as Swartz finds his way as a middle child in an eastern Pennsylvania traditional Mennonite home to his early work in the family butcher shop. Journey with Ted through the decision of uprooting his young family to attend seminary and then embracing life as a writer and actor.

A powerful force in theatre since the 1970s, Williamson's plays have uniquely explored the pulse of our Australianness. After five decades of chronicling the blunders, mishaps and messes that he and his fellow Australians got themselves into, Williamson has penned his long-awaited memoir, Home Truths. It reveals the story of the man behind the work

An Actor's Business covers everything you need to know to market yourself as an actor, with thorough and concise information about the movie-making process, drama school, community theatre, acting on television and in commercials, unions, and agents. A thorough and well-written resource for anyone wanting to understand all facets of the acting business, this book presents an experienced perspective on the world of professional acting.

Geboren wurde er 1935 in Brooklyn: mit sechzehn begann Woody Allen seine lebenslange künstlerische Karriere, als Witzeschreiber für Zeitungen. Schreiben sollte er auch später: Drehbücher, Theaterstücke, Storys für den New Yorker. Dazu kam bald eine Karriere als Stand-up-Comedian, als Schauspieler und dann als einer der bedeutendsten Regisseure unserer Zeit. Seit sechs Jahrzehnten steht Woody Allen vor und hinter der Kamera, macht er Filme, mehr als fünfzig sind es geworden.

For two moviegoing generations, Cary Grant was class—an effortless embodiment of gentlemanly grace and humor. But Cary Grant’s greatest achievement was in creating himself and the irresistible character he became. In this savvy, fascinating portrait, McCann tracks the transformation of a life and looks closely at the sources of Cary Grant’s charms, which did not come easily. Generously filled with anecdotes about fellow actors and directors, a realistic portrait of a complicated man emerges.

Charming and classically handsome, John Gilbert (1897-1936) was among the world's most recognizable actors during the silent era. He was a wild, swashbuckling figure on screen and off, and accounts of his life have focused on his high-profile romances with Greta Garbo and Marlene Dietrich, his legendary conflicts with Louis B. Mayer, his four tumultuous marriages, and his swift decline after the introduction of talkies.

Rollyson fully explores Brennan's work with Hollywood's greatest directors, such as Howard Hawks, John Ford, and Fritz Lang. As a father and grandfather, Brennan instilled generations of his family with an outlook on the American Dream that remains a sustaining feature of their lives today. His conservative politics, which grew out of his New England upbringing and his devout Catholicism, receive meticulous attention and a balanced assessment in A Real American Character.

Ed Lowry joined the vaudeville circuit in 1910 at the age of 14. He never achieved stardom equal to the likes of Fred Allen, Jack Benny, George Burns, Buster Keaton, or Eddie Cantor, and he never considered himself an "artiste". Instead, he saw himself as a hoofer and comic simply trying to make a living on the vaude scene. My Life in Vaudeville recounts Lowry's long career in entertainment from the viewpoint of a foot soldier with a big dream.

From this comprehensive, yet critically measured wealth of material, Rollyson offers a distinctive and insightful portrait of Marilyn Monroe, highlighted by new perspectives that depict the central importance of acting to the authentic aspects of her being.

Young, cocksure, handsome and absurdly talented, Australian actor Heath Ledger shot to prominence with his first Hollywood film "10 Things I Hate About You": and a star was born. With huge charisma and smouldering looks lighting up the screen in a series of subsequent films, Heath was soon established as Hollywood A-list, dating a series of beauties such as Heather Graham and Naomi Watts, and living every young man's dream.

At the age of 17, in the glory days of moviemaking, Piper Laurie was living every little girl's dream. A contract star with Universal, Piper was elevated to the heights of Hollywood, her name emblazoned on 1950s marquees across America for hit movies like The Prince Who Was a Thief, The Mississippi Gambler, and Ain't Misbehavin'. Meanwhile, Piper's beauty was admired by the likes of Ronald Reagan, Howard Hughes, Paul Newman, and Tony Curtis as well as dozens of directors and legions of fans.

This is an engrossing and candid book, a beguiling exploration of what it means to be a producer, including purchasing rights, developing scripts, casting actors, managing directors, editing film, and winning awards. Filled with tales of legendary and beloved films, as well as some not-so-legendary and forgotten ones, A Life in Movies takes listeners behind the scenes and into the history of Hollywood.

Famed and acclaimed for his starring role as Admiral Firmus Piett in The Empire Strikes Back and Return of the Jedi, Ken Colley, who was born in Manchester, England, in 1937, knew from a very early age that he was already an actor. It was not until he had completed his mandatory two years with the National Service in the UK, when he was based in Cyprus during the Suez Crisis, that Ken, in his mid-20s, became an Assistant Stage Manager with a weekly repertory company in Bromley, Kent, England.

In this intimate and often surprising personal portrait, Joseph McBride challenges the conventional wisdom that Welles' career after Citizen Kane, widely regarded as the greatest film ever made, fell into a long decline. The author shows instead how Welles never stopped directing radical, adventurous films and was always breaking new artistic ground as a filmmaker. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet widely misunderstood later period in the United States (1970–1985).

Movie stars establish themselves as brands - and Taylor's brand, in its most memorable outings, repeatedly introduced a broad audience to feminist ideas. Drawing on unpublished letters and scripts as well as interviews with Kate Burton, Gore Vidal, Austin Pendleton, Kevin McCarthy, Liz Smith, and others, The Accidental Feminist will surprise Taylor and film fans with its originality and will add a startling dimension to the star's enduring mystique.

With compelling realism mixed with equal doses of self-deprecating wit, youthful bravado, and hard-earned humility, Symptoms of Withdrawal chronicles Lawford's deep and long descent into near-fatal drug and alcohol addiction, and his subsequent formidable path back to the sobriety he has preserved for the past 20 years.

Beverly Washburn was one of Hollywood's most familiar child actors during the 1950s and '60s, a consummate performer who excelled at both comedy and drama with equal ease. Renowned for her uncanny ability to cry on cue, she appeared in countless television shows during the medium's Golden Age, and many of the era's best-loved movies, including Walt Disney's Old Yeller, The Greatest Show on Earth, Shane, and Spider Baby, just to name a few.

Dana Andrews (1909-1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films.

Owen Gleiberman has spent his life watching movies-first at the drive-in, where his parents took him to see wildly inappropriate adult fare like Rosemary's Baby when he was a wide-eyed 9 year old, then as a possessed cinemaniac who became a film critic right out of college. In Movie Freak, his enthrallingly candid, funny, and eye-opening memoir, Gleiberman captures what it's like to live life through the movies, existing in thrall to a virtual reality that becomes, over time, more real than reality itself.

Warren Beatty guarded his privacy even before he became a movie star, when he burst onto the screen in 1961 as the earnestly handsome all-American boy in Splendor in the Grass. When he started acting, Beatty kept secret the fact that actress Shirley MacLaine, already a star, was his older sister. Over time, he has cultivated a mystique, giving few interviews and instructing others not to talk about him. Until now.