African America Revolution

On October 3, 1807, Thomas Jefferson was contacted by an unknown traveler urgently pleading for a private "interview" with the president, promising to disclose "a matter of momentous importance". By the next day, Jefferson held in his hands two astonishing manuscripts whose history has been lost for over two centuries. Authored by Muslims fleeing captivity in rural Kentucky, these documents delivered to the president in 1807 were penned by literate African slaves, and written entirely in Arabic.

The half-century before the Civil War was beset with conflict over equality as well as freedom. Beginning in 1803, many free states, claiming the authority to maintain the domestic peace, enacted laws that discouraged free African Americans from settling their boundaries and restricted the rights to testify in court, move freely from place to place, work, vote, and attend public school. But over time, African American activists and their white allies, often facing mob violence, courageously built a movement to fight these racist laws.

Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyonce exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers.

Black Country Music tells the story of how Black musicians have changed the country music landscape and brought light to Black creativity and innovation. After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

"You know what our party thinks? 'We're good people with good ideas. That's enough, isn't it?' Being tough enough, mean enough, and vicious enough is just not what they want." Well, tough, mean, and vicious isn't just for Karl Rove anymore. In the 2006 midterm elections, the Democratic party decisively ended 12 years of electoral humiliation by seizing back Congress and putting an end to Republican rule. The Thumpin' is the story of that historic victory, and the one man at the center on whom everything hinged: Congressman Rahm Emanuel.

Dos manuscritos completos en un audiolibro: Historia Afroamericana y Revolución Haitiana. La historia de los Afroamericanos es una larga crónica de eventos trágicos. Aquellos que tuvieron el coraje de rebelarse en contra de esta crueldad del sistema y de esta opresión eran normalmente brutalmente asesinados por este motivo. Este hecho ha creado una larga tradición de atrevidos líderes y seguidores que han sido los verdaderos motores de la evolución del pensamiento en los Estados Unidos de América.

The Revolutionary War encompassed at least two struggles: one for freedom from British rule, and another, quieter but no less significant fight for the liberty of African Americans, thousands of whom fought in the Continental Army. Standing in Their Own Light restores these African American patriots to their rightful place in the historical struggle for independence and the end of racial oppression.

In Black Psychedelic Revolution, Dr. Nick Powers charts how psychedelics can heal historical, intergenerational, and racialized trauma. He shows how these medicines unlock a return to one’s self, facilitating an embodied experience of safety, peace, and beingness otherwise disrupted by whiteness—and explores psychedelics’ ability to transform individual wellness even as they transcend it. Drugs taken with therapy can heal. But drugs taken with a social movement can heal a nation.

Un-American is Bill Mullen’s revisionist account of renowned author and activist W.E.B. Du Bois’ political thought toward the end of his life, a period largely dismissed and neglected by scholars. He describes Du Bois’ support for what the Communist International called “world revolution” as the primary objective of this aged radical’s activism.

In Madison’s Militia, Carl T. Bogus illuminates why James Madison and the First Congress included the right to bear arms in the Bill of Rights. Linking together dramatic accounts of slave uprisings and electric debates over whether the Constitution should be ratified, Bogus shows that—contrary to conventional wisdom—the fitting symbol of the Second Amendment is not the musket in the hands of the minuteman on Lexington Green but the musket wielded by a slave patrol member in the South.

During the pitched battle over slavery in the United States, Black writers - enslaved and free - allied themselves with the cause of abolition and used their art to advocate for emancipation and to envision the end of slavery as a world-historical moment of possibility.

Although many have written about the BPP in memoirs and polemics, Survival Pending Revolution contributes to a new generation of objective, analytical BPP studies that are sorely needed. Alkebulan displays the entire movement's history, drawing a description that both understands the inner workings of the BPP and its role in the greater society.

Running from Bondage, Karen Cook Bell's enlightening and original contribution to the study of slave resistance in eighteenth-century America, explores the individual and collective lives of these women and girls of diverse circumstances, while also providing details about what led them to escape. She demonstrates that there were in fact two wars being waged during the Revolutionary Era: a political revolution for independence from Great Britain and a social revolution for emancipation and equality in which Black women played an active role.