African American Anthology

A young Black girl watches as her aunt’s multiple suitors disrupt her family’s privacy. The same girl, now on the cusp of adulthood, shares her family’s growing fears that her father has disappeared. Acclaimed author Ann Petry penned these and the other unforgettable narratives in Miss Muriel and Other Stories more than 70 years ago, yet in them, contemporary listeners recognize characters who exist today and dilemmas that recur again and again.

With its lush settings and a taste for the unknown, Another Time, Another Place is a treat for the adventurous soul. This delicious collection, featuring five of the hottest African-American authors today, brings whole new worlds to life. Led and edited by New York Times best-selling author Zane, Another Time, Another Place transports sensuous and steamy encounters across the world and through history.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.

A civil rights activist and key figure in African American literary history, Alice Dunbar-Nelson made her mark during the emerging Harlem Renaissance. Violets and Other Tales is her debut (included here in full, save for three stories later updated in The Goodness of St. Rocque). The collection includes poetry, short stories, and essays offering a varied examination of class differences, racial identity, oppression, intolerance, and women’s societal roles. The Goodness of St. Rocque and Other Stories assembles 14 of Dunbar’s short works of fiction.

In Kenan's fictional territory of Tims Creek, North Carolina, an old man rages in his nursing home, a parson beats up an adulterer, a rich man is haunted by a hog, and an elderly woman turns unwitting miracle worker. A retired plumber travels to Manhattan, where Billy Idol sweeps him into his entourage. An architect who lost his famous lover to AIDS reconnects with a high school fling. Howard Hughes seeks out the woman who once cooked him butter beans.

In his sharply crafted, unnerving first collection of speculative short stories, Courttia Newland envisages an alternate future as lived by the African diaspora. Robots driven by all-too-human urges set out to colonize space; Kill Parties roam the streets of a postapocalyptic world; a matriarchal race of mer creatures depends on interbreeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity.

A girl who believes in UFOs; a boy who might have finally found his Prince Charming; a hopeful performer who dreams of being cast in her school’s production of The Sound of Music; a misunderstood magician of sorts with a power she doesn’t quite understand. These plotlines and many more compose the eclectic stories found within the pages of this dynamic, exciting, and expansive collection featuring exclusively Black characters.

As scholars of African American literature and cultural history, Bennett and McCarthy repeatedly find themselves struck by the number of exciting poets they come across in long-out-of-print collections and forgotten journals, whose work has been neglected and, in some cases, entirely ignored, even by those academic circles devoted to the study of Black poetry. Minor Notes is an excavation initiative that addresses this problem by recovering archival materials from these understudied, though supremely gifted, African American poets of the 19th and 20th centuries.