African American Biography

Born into slavery, Henrietta Wood was taken to Cincinnati and legally freed in 1848. In 1853, a Kentucky deputy sheriff named Zebulon Ward colluded with Wood's employer, abducted her, and sold her back into bondage. She remained enslaved throughout the Civil War, giving birth to a son in Mississippi and never forgetting who had put her in this position. By 1869, Wood had obtained her freedom for a second time and returned to Cincinnati, where she sued Ward for damages in 1870. Astonishingly, after eight years of litigation, Wood won her case: In 1878, a Federal jury awarded her $2,500.

In 1850s South Carolina, an enslaved woman named Rose faced a crisis: the imminent sale of her daughter Ashley. Thinking quickly, she packed a cotton bag for her with a few items, and, soon after, the nine-year-old girl was separated from her mother and sold. Decades later, Ashley’s granddaughter Ruth embroidered this family history on the sack in spare, haunting language. Historian Tiya Miles carefully traces these women’s faint presence in archival records, and, where archives fall short, she turns to objects, art, and the environment to write a singular history of slavery.

Uncovering a cold-blooded execution at the hands of a conspiring police force, this engaging account relentlessly pursues the murderers of Black Panther Fred Hampton. Documenting the entire 14-year process of bringing the killers to justice, this chronicle also depicts the 18-month court trial in detail. Revealing Hampton himself in a new light, this examination presents him as a dynamic community leader whose dedication to his people and to the truth inspired the young lawyers of the People's Law Office.

Martin Luther King Jr. may be America's most revered political figure, commemorated in statues, celebrations, and street names around the world. But despite his stature, the significance of King's writings and political thought remains underappreciated. In To Shape a New World, Tommie Shelby and Brandon Terry state that the marginalization of King's ideas reflects a romantic consensus history that renders the civil rights movement inherently conservative - an effort not at radical reform but at "living up to" enduring ideals laid down by the nation's founders.

This is the inspiring life and legacy of vocal artist and civil rights icon Paul Robeson - one of the most important public figures in the 20th century - adapted for young adults by the acclaimed Robeson biographer. Featuring a foreword by multiple award-winning author Jason Reynolds, Paul Robeson: No One Can Silence Me will introduce listeners in middle and high school to the inspiring and complicated life of one of America’s most fascinating figures, whose story of artistry, heroism, conviction, and conflict is newly relevant today.

In this powerful and passionate memoir - his final work - Cone describes the obstacles he overcame to find his voice, to respond to the signs of the times, and to offer a voice for those - like the parents who raised him in Bearden, Arkansas, in the era of lynching and Jim Crow - who had no voice. Recounting lessons learned both from critics and students, and the ongoing challenge of his models King, Malcolm X, and James Baldwin, he describes his efforts to use theology as a tool in the struggle against oppression and for a better world.

In Salvage: Readings from the Wreck, Dionne Brand's first major book of non-fiction since her classic A Map to the Door of No Return, the acclaimed poet and novelist offers a bracing look at the intersections of reading and life, and of what remains in the wreck of empire. Blending literary criticism and autobiography-as artifact, Brand reads Aphra Behn's Oroonoko, Daniel Defoe's Robinson Crusoe and Jane Austen's Mansfield Park, among other still-widely studied works, to explore encounters with colonial, imperialist and racist tropes from the seventeenth to the nineteenth century.

In December 2000, the Baltimore Sun ran a small piece about Wes Moore, a local student who had just received a Rhodes Scholarship. The same paper also ran a series of articles about four young men who had allegedly killed a police officer in a spectacularly botched armed robbery. The police were still hunting for two of the suspects who had gone on the lam, a pair of brothers. One was named Wes Moore.

There’s a story about Rich Paul that everyone knows: A twenty-one-year-old kid from Cleveland who sells sports jerseys out of his car meets a high school basketball phenom named LeBron James at an airport—the two become friends and forge a decades-long partnership that reinvents the business of sports. That random meeting might seem like the lucky break that changed Paul’s life. But a moment of good fortune means nothing without the struggle that gets you there. And the truth is, Paul had always been lucky.

One of five children, Pat watched as her alcoholic mother struggled to get by on charity, cons, and petty crimes. At age seven, Pat was taught to roll drunks for money. At 12, she was targeted for sex by a man eight years her senior; by 13, she was pregnant. By 15, Pat was a mother of two. Alone at 16, Pat was determined to make a better life for her children. But with no job skills and an eighth-grade education, her options were limited. She learned quickly that hustling and humor were the only tools she had to survive.

A booksmart kid from Toronto, Eternity Martis was excited to move away to Western University for her undergraduate degree. But as one of the few Black students there, she soon discovered that the campus experiences she'd seen in movies were far more complex in reality. Over the next four years, Eternity learned more about what someone like her brought out in other people than she did about herself. She was confronted by White students in blackface at parties, dealt with being the only person of colour in class and was tokenized by her romantic partners.

No one could have predicted even two years ago that an African American would take the oath of office as president of the United States in January of 2009. For many, the occasion marks the climax to the civil rights movement and the fulfillment of Martin Luther King, Jr.'s dream that Americans could be judged on the content of their character and not the color of their skin. This collection, with about 400 letters from Americans of all walks of life, is being created to stand as a symbol of this exciting moment in history.

Renowned as a diversity and inclusion strategist, Michelle Gadsden-Williams held C-Suite positions at major organizations for many years and then took the off-ramp to probe a different career path, launching Ceiling Breakers LLC, with the primary goal to help women and professionals of color reach their full potential. As a woman of color and corporate executive who has worked and traveled the world for several Fortune 500 companies - all while managing a chronic illness - she provides insight into overcoming the barriers facing professionals in today's workplace.

In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure: as a man, as a husband and a father, and as an actor.

Just as I Am is my truth. It is me, plain and unvarnished, with the glitter and garland set aside. Here, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and mother, a sister, and a friend. I am an observer of human nature and the dreamer of audacious dreams.

Tracing the birth of a revolutionary, Huey P. Newton's famous and oft-quoted autobiography is as much a manifesto as a portrait of the inner circle of America's Black Panther Party. From Newton's impoverished childhood on the streets of Oakland to his adolescence and struggles with the system, from his role in the Black Panthers to his solitary confinement in the Alameda County Jail, Revolutionary Suicide is unrepentant and thought-provoking in its portrayal of inspired radicalism.

This memoir written by writer, orator, and former slave Frederick Douglass describes, in gripping detail, the circumstances of his upbringing, his brutal treatment at the hands of slave-owners, and his narrow escape from Maryland to freedom. Written in 1845, this narrative is one of the most famous works of American literature and provided fuel for the abolitionist movement that began in the early 19th century.

Wanda Sykes, LeVar Burton, Leslie Odom, Jr., and Gabourey Sidibe head a cast of beloved actors performing 23 selections from the speeches, sermons, and essays of Dr. Martin Luther King, Jr.—many never recorded during his lifetime. For the first time, teachers, students, and thoughtful listeners can hear dramatic interpretations of Dr. King’s words, chosen and introduced by Cornel West.

A testament to the importance of imagination, trusting oneself, and making space for your creativity, Did Everyone Have an Imaginary Friend (or Just Me)? is a memoir of a '90s kid who confided in his imaginary sidekick to navigate everything from parallel pop culture universes, like watching Fresh Prince alongside John Hughes movies or listening to Ja Rule and Dave Matthews, to a lifetime of birthday disappointment (being a Christmas season Capricorn will do that to you) and hoop dreams gone bad.

Created by the founder of Breathing Space Creative Literary Studio, acclaimed writer and editor Chelene Knight, Let It Go draws on personal experience and the advice of leaders from various Black communities to share hard-won tools for joy-discovery—tools such as how to say no with love; how to call back activities that feel good; how to reshape communication with those closest to you; how to revise language; and most of all, how to learn to let go in order to redefine what we think joy is.