African American English

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

In her exciting debut A Good Excuse to Be Bad, rising star Miranda Parker offers a compelling tale of how quickly life can be turned on its head. To bail bond agent and single mom Evangeline “Angel” Crawford, life seems boring, and she’s beginning to get restless. But when a job goes terribly wrong at Club Night Candy, everything changes. Someone is murdered, and Angel’s twin stands accused. Now, Angel becomes her sister’s only chance for redemption. Fortunately, she’ll have some help—from the most unlikely of sources.

They say that good girls like bad boys, and this was especially true for Pearl Stone, a child born of privilege to a drug baron and reputed killer known in the streets as Big Stone. Although the flashy, fast-paced nature of the streets calls to Pearl, she's been brought up to look but not touch. Yet when a young hustler named Diamonds crawls up from the swamps of Louisiana and sets up shop in New York City, everything Pearl was taught flies out the window.

Ross Gay’s The Book of Delights is a genre-defying collection of essays that record the small joys that occurred in one year, from birthday to birthday, and that we often overlook in our busy lives. His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a Black man; the ecological and psychic violence of our consumer culture; the loss of those he loves.

Justin and Toni were friends. Besties, with a whole list of life rules developed over a friendship that started when they were kids. As long as they stuck to the rules, even when they blended a business relationship into the friendship, things went off without a hitch. But then one of them broke the rules - it was Justin. Justin broke the rules - and Toni has been mad about it ever since.

The Black household is swiftly deteriorating. Frustrated and angry at her prosperous preacher husband's obvious infidelities, Tanya cannot believe the man she once loved has been replaced by this pathological liar obsessed with material wealth.

Sixteen-year-old Diamond "Ray-Ray" Jenkins has it made in the shade, until one wrong move by her parents turns their lives upside down. Their secret of taking from the wrong street King in the Trap, Damien Orlando, has now put her in peril. The death of her parents signals an end to Diamond's semi-perfect life, putting her in the hands of evil. Her only salvation is to learn the game, and to put her trust in a kid wearing a hoodie.

Travel back to a small Southern town where, before there was Duncan Motors, there were the Duncan brothers: Louis, aka Sweet Lou, a lover of ladies and life and a man you did not want to cross; Lawrence, aka Larry, a screw-up as attracted to trouble as it was to him; and Lavernius, better known as LC, the soft-spoken college boy who simply wanted to sell cars.

Three friends. One slim chance to beat the streets. But even when you fight your way out by any means necessary, cold hard cash is still no guarantee you'll escape....

In Secrets of a Side Bitch 2, Simone is struggling to keep together the web of lies that she has woven, all in attempts to be the number one woman in Omari Sutton's life. She continues to pull one devious and demented trick after another to maintain her role as Omari's leading lady. Her tower of lies begins crashing down as intricate parts of her schemes begin to unfold. Chance reemerges, threatening Simone's connection to the murder.

Race and Reunion is a history of how the unity of white America was purchased through the increasing segregation of black and white memory of the Civil War. Blight delves deeply into the shifting meanings of death and sacrifice, Reconstruction, the romanticized South of literature, soldiers' reminiscences of battle, the idea of the Lost Cause, and the ritual of Memorial Day. He resurrects the variety of African-American voices and memories of the war and the efforts to preserve the emancipationist legacy in the midst of a culture built on its denial.

From its origins in the 1750s, the White-led American abolitionist movement adhered to principles of "moral suasion" and nonviolent resistance as both religious tenet and political strategy. Through tactical violence, argues Carter Jackson, Black abolitionist leaders accomplished what White nonviolent abolitionists could not: creating the conditions that necessitated the Civil War.

Yetu holds the memories for her people - water-dwelling descendants of pregnant African slave women thrown overboard by slave owners - who live idyllic lives in the deep. Their past, too traumatic to be remembered regularly, is forgotten by everyone, save one - the historian. This demanding role has been bestowed on Yetu. Yetu remembers for everyone, and the memories, painful and wonderful, traumatic and terrible and miraculous, are destroying her. And so, she flees to the surface, escaping the memories, the expectations, and the responsibilities.

Keita Ali has nothing: no bank account, no papers, no legal identity. A runner, he has fled home - a brutal dictatorship that produces the world's fastest marathoners - to live as an illegal refugee in a wealthy Western nation, surviving on winnings from local races. But the government is cracking down on illegal immigrants, so Keita - who will be executed if he is deported to his homeland - goes underground.

Americans have built an empire on the idea of “race”, a falsehood that damages us all but falls most heavily on the bodies of Black women and men - bodies exploited through slavery and segregation and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a Black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’ attempt to answer these questions in a letter to his adolescent son.

Persia Chandler doesn't know the meaning of the world struggle. After the arrest of her notorious father, she is whisked away from Harlem, the only place she has ever called home, to be raised in an affluent neighborhood in Long Island City. Her mother and stepfather shower her with the best that life has to offer. During her senior year in high school, she convinces her parents to let her transfer from Catholic school to attend public school. That is the start of her problems - but it's hardly the end.

Two children from Sierra Leone, Liberty and A’shai, are brought together by chance, only to be forced apart by the most inevitable and tragic fate. Ashley & JaQuavis bring us this classic love story set against modern life’s most horrifying realities.

How far would you go to see justice done? How far is too far? For Madisun, the answer is simple. There are people in this world who need killing, and she's just the woman for the job!

Cheyenne and Kelsi grew up together in the hood. They're best friends who've always had each other's backs - until Cheyenne' s father is released from prison and Kelsi can't resist his advances. Their scandalous affair might do more than just tear apart a friendship; it could destroy Cheyenne's whole world.

This searing audio documentary brings listeners deep inside the unforgettable story of MOVE, gaining unprecedented access to surviving MOVE members, elected officials from the era, eyewitnesses, and historians to create an indelible portrait of an American tragedy.