African American English

It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, 17-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is 21, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth.

“I was a devil in other countries, and I was a little devil in America, too.” Inspired by these few words, spoken by Josephine Baker at the 1963 March on Washington, MacArthur “Genius Grant” Fellow and best-selling author Hanif Abdurraqib has written a profound and lasting reflection on how Black performance is inextricably woven into the fabric of American culture. Filled with sharp insight, humor, and heart, A Little Devil in America exalts the Black performance that unfolds in specific moments in time and space

Texas Ranger Darren Mathews isn’t sure he’s been a good cop, but believes he’s got a shot at being a good man—if he manages to dodge the potential indictment hanging over his head and if he, from here on out, pledges allegiance to the truth. It’s a virtue the country appears to have wholly lost its grip on, but one Darren sees as his salvation. He is in the midst of remaking his life with the woman he loves when he is visited by his mother armed with a tall tale about a missing Black college student, Sera (whose white sorority sisters insist she isn’t missing at all).

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery - in all its political, intellectual, and cultural forms - continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.

Nola is a city full of wonders. A place of sky trolleys and dead cabs, where haints dance the night away and Wise Women help keep the order. To those from Away, Nola might seem strange. To Perilous Graves, it’s simply home. Perry knows Nola’s rhythm as intimately as his own heartbeat. So when the city’s Great Magician starts appearing in odd places and essential songs are forgotten, Perry knows trouble is afoot.

Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the night of the wedding, somewhere between dancing and dessert, the newlyweds’ daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young Black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes.

Meet extraordinary black heroes throughout history—biographies for kids ages 8 to 12. You’re invited to meet ancient Egyptian rulers, brilliant scientists, legendary musicians, and civil rights activists—all in the same book! Black Heroes introduces you to 51 black leaders and role models from both history and modern times. This black history book for kids features inspirational biographies of trailblazers from the United States, Egypt, Britain, and more.

The first African men, women, and children in colonial America did not arrive with dreams of freedom or hopes of a new, better life. They arrived after a torturous 90-day journey called the Middle Passage. And they arrived as slaves. Since that time, African-Americans have suffered, triumphed, despaired,and dreamed.

In this landmark work of emerging African American womanist theology, Delores Williams finds in the biblical figure of Hagar-mother of Ishmael, cast into the desert by Abraham and Sarah, but protected by God - a prototype for the struggle of African-American women. African slave, homeless exile, surrogate mother, Hagar's story provides an image of survival and defiance appropriate to black women today.

Three years after narrowly escaping a one way trip to the gas chamber, the fugitive known only as Animal finds himself drawn back to the scene of the crime: Harlem. Throughout his entire time in exile, the only thing that kept Animal going was the thought that he would one day be reunited with his soul mate, Gucci - but one bullet changed everything. When his enemies tried to murder Gucci, they crossed the line, so he vowed to cross them all.

First published in 1789, this autobiography of Olaudah Equiano comprises a variety of styles, such as a slavery narrative, travel tale, and spiritual journey. It recounts Equiano's time as a slave, and chronicles his attempts at becoming an independent man through his study of the Bible, and his eventual success in gaining his freedom.

This is a no-holds-barred response to the liberal and conservative retreat from an assertive, activist, and socially transformative civil rights agenda of recent years - using a Black feminist lens and the issue of the impact of recent legislation, social policy, and welfare "reform" on Black women's - especially poor Black women's - control over their bodies' autonomy and their freedom to bear and raise children with respect and dignity in a society whose white mainstream is determined to demonize, even criminalize their lives.

Ady, a curious, sharp-witted girl, and her fierce mother, Sanite, are inseparable. Enslaved to a businessman in the French Quarter of New Orleans, the pair spend their days reminiscing about their family’s rebellious and storied history and dreaming of a loving future. When mother and daughter are separated, Ady is left hopeless and directionless until she stumbles into the Mockingbird Inn and meets Lenore, a free Black woman with whom she becomes fast friends. Lenore invites Ady to join a clandestine society of spies called the Daughters.

After facing his biggest sin, Ethic finds forgiveness within the love of his life. Alani is the woman he’s been searching for his entire existence, but loving her comes with a price: his soul. She wants his soul. When Alani tells Ethic she can’t be with a man who doesn’t believe in God, Ethic must face his only fear, trusting something he can’t see. With Alani’s heart in his hands and his soul in hers, they must try to piece together a life where love and forgiveness outweigh the burden of pain they have placed on one another.

Motherhood isn’t easy, especially when you’re a mother of a Black son. Ten years ago, Cheryl jumped at the chance to send her son, Javonte, to an exclusive boarding school in New England - far away from Atlanta and the violence of the city streets. It was the American dream, or was it? Now settled in Vermont, Javonte is married and well-employed, but Cheryl hardly ever sees him, and when she does, her own son seems like someone she only used to know.

Elias Omari exists in the darkness that clouds his mind. Cress Devereaux exists in the light that inspires her soul. Together, they create beautiful shades of gray. An arranged marriage forces two families to smooth the edges of their jagged past with the hopes of a new beginning. But can a union tainted with secrets and uncertainty promise an unbreakable alliance? The one thing that Elias and Cress share in common is family over everything, but should they continue to fight for family when that same family has never truly fought for them?

"Run away from the boy that gives you butterflies, he's going to break your heart." Morgan Atkins had been told that phrase ever since she was a little girl, and still she allowed herself to fall for the boy that made her heart flutter. After losing her first love, Morgan is terrified to love again. She's settled for a comfortable life with a respectable man. She has everything. She's living in the lap of luxury, and although she's comfortable, she's bored out of her mind. When a ghost from her past blows into town, she finds herself entangled in an illicit affair.

In his reflections on God, Jesus, suffering, and liberation, James H. Cone relates the gospel message to the experience of the Black community. But a wider theme of the book is the role that social and historical context plays in framing the questions we address to God as well as the mode of the answers provided.

Continuously available in print since 1968, this novel has become embedded in progressive anti-racist culture with wide circulation of the book and hotly debated film. A literary classic, The Spook Who Sat by the Door is a strong comment on entrenched racial inequities in the United States in the late 1960s. With its focus on the “militancy” that characterized the Black Power movement of the 1960s and 1970s, this is the story of one man’s reaction to ruling-class hypocrisy.