African American English

Healing requires separation. When Ethic discovers malice in a woman he thought was perfect, he walks away from their love. Keeping his family safe is his main priority, and falling for Alani Lenika Hill is dangerous. The history of their love haunts him, however, and getting over her isn't easy. Alani has beguiled his two youngest children and they crave her presence as much as Ethic. They want a mother. He wants a woman, but with ghosts and lies between them, the couple is forced apart yet again.

In 1930s Mississippi, Mary Johnson hates the oppressive heat, working on her family farm, and having to attend her minister father's church several times a week. But she loves Mason Carter, her musician boyfriend. Both fantasize about living the high life up north in the big city. When William Bevers, a wealthy old preacher, comes to court her, he promises a life of luxury along with money and status for her family. Mary wants nothing to do with him, but her parents decide for her. Determined to avoid a forced marriage, Mary elopes with Mason to the bright lights of Chicago.

Mary Monroe is a New York Times best-selling author who pens tales of life’s emotional tapestry. Lost Daughters follows Maureen Montgomery and her daughter, Loretta, as they strive to make a life after the death of Maureen’s domineering mother. Forever scarred by Mama Ruby’s tyrannical ways, Maureen longs for a quiet, simple life. But Loretta has something far different in mind. Dreaming of fame and fortune, she embarks on a modeling career. Mama Ruby, however, casts a shadow with the power to darken their lives.

After taking us through the rugged, thug-filled lives of Jaz, Kyra, and Angel, Wahida now takes us into the drama-filled life of their best friend, Roz, aka Tasha. She is sexy, beautiful, and torn between her desires to distance herself from the streets and the magnetic attraction to the irresistible and thuggish Trae Macklin, who acknowledges that mature women are a turn-on. Women come and go for a thug who is more about his business over everything else, yet Trae surprisingly falls head over heels for his business partner's woman, Tasha.

Chyanne Johnson has finally gotten her act together. She's found a man to call her own and is raising a son. After all of the drama that ensued behind finding out that Aric McHale, former boss, lover, and father to her son, was married, Chyanne finally has it made in the shade...or so she thinks. Stephanie, Aric's ex-wife, may have been found guilty of attempted murder, but she hasn't been sentenced yet and is still free to walk to streets.

Gifty is a sixth-year PhD candidate in neuroscience at the Stanford University School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after an ankle injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her.

After abandoning his once-promising career as a journalist in search of a new life in Paris, Mamush meets Hannah—a photographer whose way of seeing the world shows him the possibility of finding not only love but family. Now, five years later, with his marriage to Hannah on the verge of collapse, he returns to the close-knit immigrant Ethiopian community of Washington, DC, that defined his childhood. At its center is Mamush’s stoic, implacable mother, and Samuel, the larger-than-life father figure whose ceaseless charm and humor have always served as a cover for a harder, more troubling truth.

It was supposed to be the highlight of her career, the pinnacle for which she’d worked all her life. And as Hattie McDaniel took the stage in 1940 to claim an honor that would make her the first African-American woman to win an Academy Award, she tearfully took her place in history. Between personal triumphs and tragedies, heartbreaking losses, and severe setbacks, this historic night of winning best supporting actress for her role as the sassy Mammy in the controversial movie Gone With the Wind was going to be life-changing. Or so she thought.

In 1925, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now, her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine's family. Nearly 100 years later, Josephine's descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother, Martha, a wealthy but lonely woman who pays her grandchild to be her companion.

In Paradise - her first novel since she was awarded the Nobel Prize for Literature - Toni Morrison gives us a bravura performance. As the book begins deep in Oklahoma early one morning in 1976, nine men from Ruby (pop. 360), in defense of "the one all-black town worth the pain", assault the nearby Convent and the women in it. From the town's ancestral origins in 1890 to the fateful day of the assault, Paradise tells the story of a people ever mindful of the relationship between their spectacular history and a void.

In this luminous memoir, a true American icon looks back on his celebrated life and career. His body of work is arguably the most morally significant in cinematic history, and the power and influence of that work are indicative of the character of the man behind the many storied roles. Sidney Poitier here explores these elements of character and personal values to take his own measure: as a man, as a husband and a father, and as an actor.

Loretha Curry’s life is full. A little crowded sometimes, but full indeed. On the eve of her 68th birthday, she has a booming beauty-supply empire, a gaggle of lifelong friends, and a husband whose moves still surprise. True, she’s carrying a few more pounds than she should be, but Loretha is not one of those women who think her best days are behind her - and she’s determined to prove wrong her mother, her twin sister, and everyone else with that outdated view of aging wrong. It’s not all downhill from here.

The blood spilled between the Republic of Mareen and the armies of the Blood Emperor long ago. The blood gifts of Mareen’s deadliest enemies. The blood that runs through the elite War Houses of Mareen, the rulers of the Tribunal dedicated to keeping the republic alive.

For a hundred years after the end of the Civil War, a quarter of all Americans lived under a system of legalized segregation called Jim Crow. Together with its rigidly enforced canon of racial "etiquette", these rules governed nearly every aspect of life - and outlined draconian punishments for infractions. The purpose of Jim Crow was to keep African Americans subjugated at a level as close as possible to their former slave status. Jim Crow left scars on the American psyche that are still felt today.

Thrown into a web of lies, drugs, and deceit, Dysha has had money put on her head by the most powerful man in the city. Now, with the entire city gunning for her, she can trust only one man. Ashley and JaQuavis weave a sexy, suspenseful tale with an unpredictable ending that will have you in awe.

Tressie faithfully prays every night that God will send her a thug. It isn't long before her prayers are answered, and she meets a handsome ex-convict named Payce Boyd. He is a fine roughneck, everything Tressie imagined and more - that is until Tressie experiences firsthand the reality of being a thug's girl. Seeking solace and comfort in the sanctuary, Tressie soon learns valuable lessons and shocking truths about herself and others.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.

The day Christopher Johnson decided to kill me, I already knew what it was like to die. I had already experienced it once. Having the life leeched from my body, blood stolen from my veins, oxygen pulled from my lungs. When he decided to walk back into my life, I was in the middle of my third resurrection, healing from the loss of my brother when I was still raw from losing him.

For a thousand years, Doro has cultivated a small African village, carefully breeding its people in search of seemingly unattainable perfection. He survives through the centuries by stealing the bodies of others, a technique he has so thoroughly mastered that nothing on Earth can kill him. But when a gang of New World slavers destroys his village, ruining his grand experiment, Doro is forced to go west and begin anew. He meets Anyanwu, a centuries-old woman whose means of immortality are as kind as his are cruel. Now they begin a struggle that will last centuries.

At the same time that the Civil Rights Movement brought increasing opportunities for blacks, the United States liberalized its immigration policy. While the broadening of the United States's borders to non-European immigrants fits with a black political agenda of social justice, recent waves of immigration have presented a dilemma for blacks, prompting ambivalent or even negative attitudes toward migrants. What has an expanded immigration regime meant for how blacks express national attachment?