African American English

In her exciting debut A Good Excuse to Be Bad, rising star Miranda Parker offers a compelling tale of how quickly life can be turned on its head. To bail bond agent and single mom Evangeline “Angel” Crawford, life seems boring, and she’s beginning to get restless. But when a job goes terribly wrong at Club Night Candy, everything changes. Someone is murdered, and Angel’s twin stands accused. Now, Angel becomes her sister’s only chance for redemption. Fortunately, she’ll have some help—from the most unlikely of sources.

Rozalyn McGuay is a simple-minded 15-year-old who thinks life is easy. She quickly realizes that life is a force to be reckoned with once she is abandoned by her mother and forced to live with a father who doesn't want anything to do with her. Seeking love, Rozalyn is pushed into the arms of the baddest boy on the block, Tamar Andrews. He shows her there is a thin line between love and hate. Nothing appears to be strong enough to tear her away from Tamar.

In 1968, Bruce Tucker, a Black man, went into Virginia’s top research hospital with a head injury, only to have his heart taken out of his body and put into the chest of a White businessman. Now, in The Organ Thieves, Pulitzer Prize-nominated journalist Chip Jones exposes the horrifying inequality surrounding Tucker’s death and how he was used as a human guinea pig without his family’s permission or knowledge.

I was, in life, to be a gambler, a risk-taker, a swashbuckler, a knight. I accepted, then and there, my place in the world. I was a fighter of windmills. I was a chaser of whales. I was Not Sidney Poitier. Not Sidney Poitier is an amiable young man in an absurd country. The sudden death of his mother orphans him at age eleven, leaving him with an unfortunate name, an uncanny resemblance to the famous actor, and, perhaps more fortunate, a staggering number of shares in the Turner Broadcasting Corporation.

Twenty-five years after its original publication, Slave Religion remains a classic in the study of African American history and religion. Using a variety of first and secondhand sources - some objective, some personal, all riveting - Raboteau analyzes the transformation of the African religions into evangelical Christianity. He presents the narratives of the slaves themselves, as well as missionary reports, travel accounts, folklore, Black autobiographies, and the journals of White observers to describe the day-to-day religious life in the slave communities.

To live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to socio-politically sanctioned discrimination, abuse, condescension, and trauma.

Young Adam, who has been raised in Harlem by his white father, George, and Black mother, Thelma, goes back to his parents' home state of Alabama to participate in the voting rights campaign, only to be brutalized in the Bloody Sunday melee. He is still recovering from this when he is struck a heavy emotional blow, learning for the first time—and in the cruelest way imaginable—of a family secret that sends him spiraling and plunging further into danger. To save him, and any hope for their relationship, Thelma is drawn back, for the first time in twenty years, to the South.

In this anthology, Black Queer Feminist editors Cara Page and Erica Woodland guide listeners through the history, legacies, and liberatory practices of healing justice—a political strategy of collective care and safety that intervenes on generational trauma from systemic violence and oppression. They call forth the ancestral medicines and healing practices that have sustained communities who have survived genocide and oppression, while radically imagining what comes next.

Something's wrong with her perfect marriage, but Kiara Eason isn't sure what. Her ambitious husband, Rashad, is the last person who'd ever cheat - and she never imagined she'd stray. Still, why is she confiding so much in her handsome coworker, Eddison? And why is she wondering what would happen if she put her marriage to the ultimate test - secretly setting Rashad up with a younger woman to see if he's tempted?

Chyanne Johnson has finally gotten her act together. She's found a man to call her own and is raising a son. After all of the drama that ensued behind finding out that Aric McHale, former boss, lover, and father to her son, was married, Chyanne finally has it made in the shade...or so she thinks. Stephanie, Aric's ex-wife, may have been found guilty of attempted murder, but she hasn't been sentenced yet and is still free to walk to streets.

In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In Black Feminist Thought, originally published in 1990, Patricia Hill Collins set out to explore the words and ideas of Black feminist intellectuals and writers, both within the academy and without. Here Collins provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde.

In 1925, Josephine is the proud owner of a thriving farm. As a child, she channeled otherworldly power to free herself from slavery. Now, her new neighbor, a white woman named Charlotte, seeks her company, and an uneasy friendship grows between them. But Charlotte has also sought solace in the Ku Klux Klan, a relationship that jeopardizes Josephine's family. Nearly 100 years later, Josephine's descendant, Ava, is a single mother who has just lost her job. She moves in with her white grandmother, Martha, a wealthy but lonely woman who pays her grandchild to be her companion.

For decades after its founding, America was really two nations—one slave, one free. There were many reasons why this composite nation ultimately broke apart, but the fact that enslaved black people repeatedly risked their lives to flee their masters in the South in search of freedom in the North proved that the "united" states was actually a lie. Fugitive slaves exposed the contradiction between the myth that slavery was a benign institution and the reality that a nation based on the principle of human equality was in fact a prison-house in which millions of Americans had no rights.

Originally published in 1953, Go Tell It on the Mountain was James Baldwin's first major work, based in part on his own childhood in Harlem. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a Pentecostal storefront church in Harlem.

Wendell Berry has never been afraid to speak up for the dispossessed. The Need to Be Whole continues the work he began in The Hidden Wound (1970) and The Unsettling of America (1977), demanding a careful exploration of this hard, shared truth: The wealth of the mighty few governing this nation has been built on the unpaid labor of others.

Motherhood isn’t easy, especially when you’re a mother of a Black son. Ten years ago, Cheryl jumped at the chance to send her son, Javonte, to an exclusive boarding school in New England - far away from Atlanta and the violence of the city streets. It was the American dream, or was it? Now settled in Vermont, Javonte is married and well-employed, but Cheryl hardly ever sees him, and when she does, her own son seems like someone she only used to know.

Healing requires separation. When Ethic discovers malice in a woman he thought was perfect, he walks away from their love. Keeping his family safe is his main priority, and falling for Alani Lenika Hill is dangerous. The history of their love haunts him, however, and getting over her isn't easy. Alani has beguiled his two youngest children and they crave her presence as much as Ethic. They want a mother. He wants a woman, but with ghosts and lies between them, the couple is forced apart yet again.

Winter Santiaga hit time served. Still stunning, still pretty, still bold, still loves her father more than any man in the world, still got her hustle and high fashion flow. She’s eager to pay back her enemies, rebuild her father’s empire, reset his crown, and ultimately to snatch Midnight back into her life no matter which bitch had him while she was locked up. But Winter is not the only one with revenge on her mind.

In Swag II Jazmine enlists the help of Swag to ensure that her plan for revenge is executed with the precision of a sniper rifle. But with Matson, an overzealous detective determined to expose her, and every crime boss and street soldier on the hunt for Swag, things get deadlier with each day that passes. When demons from Jazmine's past start to resurface it seems as if they were sent from Satan himself.

There’s a story about Rich Paul that everyone knows: A twenty-one-year-old kid from Cleveland who sells sports jerseys out of his car meets a high school basketball phenom named LeBron James at an airport—the two become friends and forge a decades-long partnership that reinvents the business of sports. That random meeting might seem like the lucky break that changed Paul’s life. But a moment of good fortune means nothing without the struggle that gets you there. And the truth is, Paul had always been lucky.