African American English

Knox Baker has been missing for weeks. When his cell phone is discovered in Farah Cotton’s possession, his family wants to know how she obtained it. Always deceitful, Farah quickly devises a clever lie to buy time. The problem is that there is one living person who knows the truth - Eleanor McClendon. Della Baker, Knox’s mother, senses that Farah is lying. To help discern her son’s whereabouts, she calls upon two deadly family members from Mississippi. They waste no time converging on Platinum Lofts to find their lost family member, no matter who they must kill in the process.

Philippe Girard shows how Toussaint Louverture transformed himself from lowly freedman into revolutionary hero as the mastermind of the bloody slave revolt of 1791. By 1801, Louverture was governor of the colony where he had once been a slave. But his lifelong quest to be accepted as a member of the colonial elite ended in despair: he spent the last year of his life in a French prison cell. His example nevertheless inspired anticolonial and Black nationalist movements well into the 20th century.

In this book, Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.

Between Freedom and Equality begins with the life of Capt. George Pointer, an enslaved African who purchased his freedom in 1793 while working for George Washington's Potomac Company. It follows the lives of six generations of his descendants as they lived and worked on the banks of the Potomac, in the port of Georgetown, and in a rural corner of the nation's capital. Between Freedom and Equality offers a moving and inspiring look at the challenges that free African Americans have faced in Washington, DC, since the district's founding.

The Autobiography of Miss Jane Pittman has sold over a million copies nationwide since its publication in 1971, making the fictional character of Miss Jane so real many people don’t know she exists only in the imagination of Louisiana-born author Ernest J. Gaines. Miss Jane is 100 years old when she is interviewed by an area high school teacher looking to teach his students more about plantation society in the Deep South. Her story is not only a vivid picture of the South before the dawn of the civil rights era, but also a story of one woman’s survival against overwhelming odds.

Naughty is as naughty always does, and Jaylin Jerome Rogers never disappoints. The aftermath to the Naughty Series picks up nearly three years later, and the tables have clearly turned. Brenda Hampton delivers another pause-resister full of the dramatic antics of bad-boy Jaylin and the women who can't resist him.

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence.

In this impressive anthology, Natalie Baszile brings together essays, poems, quotes, conversations, and first-person stories to examine Black people’s connection to the American land from Emancipation to today. We Are Each Other’s Harvest elevates the voices and stories of Black farmers and people of color, celebrating their perseverance and resilience, while spotlighting the challenges they continue to face. Luminous and eye-opening, this eclectic collection helps people and communities of color today reimagine what it means to be dedicated to the soil.

New York Times best-selling authors Ashley and JaQuavis have returned with the much-anticipated final installment in the epic Murderville series. Taking up where the previous book left off, we're thrown back into the international street chronicle. Lives and money are on the line, and tough choices will have to be made between love and loyalty. In the final installment of this breath-taking trilogy, the characters will have to learn that, in this game of power, sometimes you have to give up the glory to survive.

Several years have passed, but Sylvia McMillan still can’t run and hide from the truth that continues to tear at her soul. Her love for Jonathan Taylor, her ex-friend’s husband, remains. Jonathan has moved on, though. In less than six months, he plans to watch his new bride cascade down the aisle as they join hands in holy matrimony. He’s not about to let Sylvia’s slickness derail him again - but then again, how can he resist the one woman who is willing to honor every single one of his wishes?

In his reflections on God, Jesus, suffering, and liberation, James H. Cone relates the gospel message to the experience of the Black community. But a wider theme of the book is the role that social and historical context plays in framing the questions we address to God as well as the mode of the answers provided.

After her high school sweetheart joined the military, Mona Lisa Ellington thought she'd never love again. So she settled for a man who cherished her - and made his living hurting others. Yet she prayed her fiancé would one day return. Mona Lisa's classmate, Katherine Clinton, knew she'd marry her high school sweetheart and live happily ever after. But when he left for the military, she had to make new plans for her and their son. Still, Katherine dreamed of the day her fiancé would return.

A child's concept of race is quite different from that of an adult. Young children perceive skin color as magical - even changeable - and are incapable of understanding adult prejudices. Just as children learn to walk and talk, they likewise come to understand race in a series of predictable stages. Based on Marguerite A. Wright's research and clinical experience, I'm Chocolate, You're Vanilla teaches us that the color-blindness of early childhood can, and must, be taken advantage of in order to guide the positive development of a child's self-esteem.

Joan Morgan offers a provocative and powerful look into the life of the modern Black woman: a complex world in which feminists often have not-so-clandestine affairs with the most sexist of men, where women who treasure their independence frequently prefer men who pick up the tab, and where the deluge of babymothers and babyfathers reminds Black women who long for marriage that traditional nuclear families are a reality for less than 40 percent of the population.

Ifemelu—beautiful, self-assured—left Nigeria 15 years ago, and now studies in Princeton as a Graduate Fellow. She seems to have fulfilled every immigrant's dream: Ivy League education; success as a writer of a wildly popular political blog; money for the things she needs. But what came before is more like a nightmare: wrenching departure from family; humiliating jobs under a false name. She feels for the first time the weight of something she didn't think about back home: race.

Celie has grown up poor in rural Georgia, despised by society and abused by her own family. She strives to protect her sister, Nettie, from a similar fate, and while Nettie escapes to a new life as a missionary in Africa, Celie is left behind without her best friend and confidante, married off to an older suitor, and sentenced to a life alone with a harsh and brutal husband. In an attempt to transcend a life that often seems too much to bear, Celie begins writing letters to God. The letters, spanning 20 years, record a journey of self-discovery and empowerment guided by the light of a few strong women.

What up, doe! Welcome back to the mean streets of Detroit. With all the drama going down in Motown, I knew your nosy self couldn't stay away. Don't worry, you haven't missed a thing. We pick up the story right where we left off in The Real Hoodwives of Detroit, part one. If you thought your first visit to the Motor City was crazy, you ain't seen nothing yet. Nikki, Gucci, and Chloe have been waiting for you, and boy, do they have some fire!

As a child, Sheila Wise Rowe was bused across town to a majority white school, and she experienced the racist lie that one group is superior to all others. We experience ongoing racial trauma as this lie is perpetuated by the action or inaction of the government, media, viral videos, churches, and within families of origin. In contrast, scripture declares that we are all fearfully and wonderfully made.

You just can't plan for this kind of thing. Diane Tate certainly hasn't. She never expected to slowly lose her talented husband to the debilitating effects of early-onset Alzheimer's disease. As a respected family court judge, she's spent her life making tough calls, but when her 68-year-old husband's health worsens and Diane is forced to move him into an assisted living facility, it seems her world is spinning out of control. As Gregory's memory wavers and fades, Diane and her children must reexamine their connection to the man he once was - and learn to love the man he has become.

Evelyn is a Creole woman who comes of age in New Orleans at the height of World War II. Her family inhabits the upper echelon of black society, and when she falls for no-name Renard, she is forced to choose between her life of privilege and the man she loves. In 1982, Evelyn's daughter Jackie is a frazzled single mother grappling with her absent husband's drug addiction. Just as she comes to terms with his abandoning the family, he returns, ready to resume their old life.