African American English

Liz Rocher is coming home . . . reluctantly. As a Black woman, Liz doesn’t exactly have fond memories of Johnstown, Pennsylvania, a predominantly white town. But her best friend is getting married, so she braces herself for a weekend of awkward, passive-aggressive reunions. Liz has grown, though; she can handle whatever awaits her. But on the night of the wedding, somewhere between dancing and dessert, the newlyweds’ daughter, Caroline, disappears—and the only thing left behind is a piece of white fabric covered in blood.

Said to cure almost any illness, the new street drug Glow has attained almost mythical status in America. The key ingredient in Glow is the Living Blood, which courses through the veins of 17-year-old Washington state resident Fana Wolde. Distrustful of her parents and eager to share her healing powers via an elaborate underground network, Fana sets out on her own. But what she doesn't know is she's being hunted by a mysterious and homicidal group with ties to the Vatican.

Award-winning poet Danez Smith is a groundbreaking force, celebrated for deft lyrics, urgent subjects, and performative power. Don't Call Us Dead opens with a heartrending sequence that imagines an afterlife for black men shot by police, a place where suspicion, violence, and grief are forgotten and replaced with the safety, love, and longevity they deserved here on earth. Smith turns then to desire, mortality - the dangers experienced in skin and body and blood - and a diagnosis of HIV positive. "Some of us are killed / in pieces", Smith writes, "some of us all at once."

The visionary writer and director of Get Out, Us, and Nope, and founder of Monkeypaw Productions, curates this groundbreaking anthology of all-new stories of Black horror, exploring not only the terrors of the supernatural but the chilling reality of injustice that haunts our nation. Featuring an introduction by Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a master class in horror, and—like his spine-chilling films—its stories prey on everything we think we know about our world . . . and redefine what it means to be afraid.

Sportswriter Nina Richardson had the perfect life away from her family's famous shadow. But a social media blowup and rejection by her boyfriend brought her back to their peaceful Charleston, South Carolina B&B to figure out what went wrong. So there's no way she's going to trust the crazy-hot sparks flying between her and handsome new employee Clinton Jefferson. It's just reckless, rip-his-clothes-off, one-night-and-forget-it lust - right?

Women warriors planned and led slave revolts on slave ships during the Middle Passage. They fought their enslavers throughout the Americas, and then they were erased from history. Wake tells the story of Dr. Rebecca Hall, a historian, granddaughter of slaves, and a woman haunted by the legacy of slavery. The accepted history of slave revolts has always said that enslaved women were not involved, but Rebecca decides to look deeper.

In this book, Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the 19th century, Hoodoo took on a national rather than regional profile.

To many in the age of Obama, America had succeeded in "going beyond race", putting the divisions of the past behind us. And then 17-year-old Trayvon Martin was shot by a wannabe cop in Florida; and then 18-year-old Michael Brown in Ferguson, Missouri; and then Baltimore blew up; and then gunfire shattered a prayer meeting at a church in Charleston, South Carolina. Suddenly the entire country awakened to a stark fact: Young Black men are an endangered species.

One of five children, Pat watched as her alcoholic mother struggled to get by on charity, cons, and petty crimes. At age seven, Pat was taught to roll drunks for money. At 12, she was targeted for sex by a man eight years her senior; by 13, she was pregnant. By 15, Pat was a mother of two. Alone at 16, Pat was determined to make a better life for her children. But with no job skills and an eighth-grade education, her options were limited. She learned quickly that hustling and humor were the only tools she had to survive.

Scholars of US and transatlantic slavery have largely ignored or dismissed accusations that Black Americans were cannibalized. Vincent Woodard takes the enslaved person's claims of human consumption seriously, focusing on both the starvation of the slave and the tropes of cannibalism on the part of the slaveholder, and further draws attention to the ways in which Blacks experienced their consumption as a fundamentally homoerotic occurrence.

Alicia has been out of grad school for six months. She has no career prospects and lives with her mom, who won’t stop texting her macabre news stories and reminders to pick up items from the grocery store.

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront, and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.”

A booksmart kid from Toronto, Eternity Martis was excited to move away to Western University for her undergraduate degree. But as one of the few Black students there, she soon discovered that the campus experiences she'd seen in movies were far more complex in reality. Over the next four years, Eternity learned more about what someone like her brought out in other people than she did about herself. She was confronted by White students in blackface at parties, dealt with being the only person of colour in class and was tokenized by her romantic partners.

In 1919, a high school teacher from Washington, D.C arrives in Harlem excited to realize her lifelong dream. Jessie Redmon Fauset has been named the literary editor of The Crisis. The first Black woman to hold this position at a preeminent Negro magazine, Jessie is poised to achieve literary greatness. But she holds a secret that jeopardizes it all. W. E. B. Du Bois, the founder of The Crisis, is not only Jessie’s boss, he’s her lover. And neither his wife, nor their fourteen-year-age difference can keep the two apart.

Kiese Laymon is a fearless writer. In his essays, personal stories combine with piercing intellect to reflect both on the state of American society and on his experiences with abuse, which conjure conflicted feelings of shame, joy, confusion, and humiliation. Laymon invites us to consider the consequences of growing up in a nation wholly obsessed with progress yet wholly disinterested in the messy work of reckoning with where we’ve been.

Celebrated for her courageous exploits as a conductor on the Underground Railroad, Harriet Tubman has entered history as one of 19th-century America's most enduring and important figures. But just who was this remarkable woman?

Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.” On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days.

In weekly phone calls to his daughter in Australia, widower Hubert Birdpaints a picture of the perfect retirement, packed with fun, friendship, and fulfillment. But it's a lie. In reality, Hubert's days are all the same, dragging on without him seeing a single soul. Until he receives some good news - good news that in one way turns out to be the worst news ever, news that will force him out again, into a world he has long since turned his back on.

Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE, or Criminal Action Penal Entertainment, a highly-popular, highly-controversial, profit-raising program in America’s increasingly dominant private prison industry. It’s the return of the gladiators and prisoners are competing for the ultimate prize: their freedom.

The Secret Lives of Church Ladies explores the raw and tender places where Black women and girls dare to follow their desires and pursue a momentary reprieve from being good. The nine stories in this collection feature four generations of characters grappling with who they want to be in the world, caught as they are between the church's double standards and their own needs and passions.