African American Families

Maleeka Madison is a dark skinned African-American girl. She feels uncomfortable and wishes she had lighter skin. When her teacher, Miss Saunders, who suffers from a rare skin condition, shows that there is more to people than the color of their skin, Maleeka learns to appreciate and accept who she truly is.

Raymond Jaffe feels like he doesn’t belong. Not with his mother’s new family. Not as a weekend guest with his father and his father’s wife. Not at school, where he’s an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he’s tamed and to a blind ninety-two-year-old woman in his building who’s introduced herself with a curious question: Have you seen Luis Velez?

The Warmest December is the incredibly moving story of one Brooklyn family and the alcoholism that determined years of their lives. Narrated by Kenzie Lowe, a young woman reminiscent of Jamaica Kincaid's Annie John, as she visits her dying father and finds that choices she once thought beyond her control are very much hers to make.

It's 1876 and Dr. Viveca Lancaster is frustrated by the limits placed upon female physicians of color. When she is offered the chance to set up a practice in the small all-black community of Grayson Grove, Michigan, she leaves her California home and heads east. The very determined Viveca knows all about fighting for her rights. But she may need more than determination to face down the distractingly handsome Nate Grayson, the Grove's bull-headed mayor.

On a rainy day in May 1964, history professor Cecily Bridge-Davis begins to search for the sixty-five acres of land she inherited from her father’s family. The quest leads her to uncover a dark secret: In every generation, one offspring from each Bridge family unit vanishes—and is mysteriously whisked back in time. With only a family Bible and a map marked with the locations of mysterious containers to aid her, Cecily heads to the library, hoping to discover the truth of how this curse began, and how it might be ended.

New York Times best-selling author Carl Weber and award-winning novelist Eric Pete team up to deliver the first in a much-anticipated new trilogy. The Family Business features two times the heat, two times the fun, and two times the drama as the members of an unforgettable family (not to mention their lovers and hangers-on) find their way in and out of trouble. As their many fans will attest, Weber and Pete share a talent for penning juicy fiction that their audience can’t get enough of.

Momma drama takes over the Duncan clan, as there is still uncertainty about who has fathered the Duncan sisters' new babies. Meanwhile, Orlando Duncan, the family's new CEO and a man with his own baby momma problems, has just developed a new product that may make the millionaire Duncans into billionaires. Orlando only has one obstacle in front of him, and it's not law enforcement or one of his family's many rivals. It's his mother, because she's making the family take sides. Can a civil war within the Duncan family be averted before it tears them apart?

Joy Okafor is overwhelmed. The recently divorced life coach whose phone won’t stop ringing is also the dutiful Nigerian daughter who has planned every aspect of her mother’s seventieth birthday weekend on her own. As the Okafors slowly begin to arrive, Mama Mary goes to take a nap. But when the grandkids try to wake her, they find that she isn’t sleeping after all. Refusing to believe that her sister is gone-gone, Auntie Nancy declares that she has had a premonition: Mama Mary will rise again like Jesus Christ himself on Easter Sunday.

When she was twenty-six and broke, Skye didn’t think twice before selling her eggs and happily pocketing the cash. Now approaching forty, Skye still moves through life entirely—and unrepentantly—on her own terms, living out of a suitcase and avoiding all manner of serious relationships. Maybe her junior high classmates weren’t wrong when they voted her “Most Likely to Be Single” instead of “Most Ride-or-Die Homie,” but at least she’s always been free to do as she pleases.

When Tyson Trice finds himself tossed into the wealthy community of Pacific Hills, he expects not to belong. Not that he cares. After recovering from being shot and surviving the rough streets of Lindenwood, he doesn’t care about anyone or anything. Golden girl Nandy Smith has spent most of her life building the pristine image it takes to make it in Pacific Hills. After learning that her parents are taking in a troubled teen boy, Nandy fears her summer plans and her reputation will go up in flames.

A child's concept of race is quite different from that of an adult. Young children perceive skin color as magical - even changeable - and are incapable of understanding adult prejudices. Just as children learn to walk and talk, they likewise come to understand race in a series of predictable stages. Based on Marguerite A. Wright's research and clinical experience, I'm Chocolate, You're Vanilla teaches us that the color-blindness of early childhood can, and must, be taken advantage of in order to guide the positive development of a child's self-esteem.

Five-year-old Clara Bynum is dead, drowned in the Potomac River in the shadow of a seemingly haunted rock outcropping known locally as the Three Sisters. River, Cross My Heart weighs the effect of Clara's absence on the people she has left behind: her parents; the friends and relatives of the Bynum family; and, most especially, Clara's sister, 10-year-old Johnnie Mae, who must come to terms with the powerful and confused emotions stirred by her sister's death as she struggles to decide what kind of woman she will become.

For much of his life, Esau McCaulley was taught to see himself as an exception: someone who, through hard work, faith, and determination, overcame childhood poverty, anti-Black racism, and an absent father to earn a job as a university professor and a life in the middle class.

Since childhood, identical twins Leona and Fiona Dunbar have been getting in—and out—of trouble by pretending to be each other. Yet underneath, they couldn’t be more different. Outspoken Leona lives to break rules, have a good time, and scandalize their respectable hometown of Lexington. Fiona is a seemingly demure churchgoing girl who is the apple of her domineering, widowed mother Mavis’s eye. But together, the twins have fooled teachers, boyfriends, bosses, racist police—and most importantly, straitlaced Mavis.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Ever since running away at the age of fourteen, Paul-Edward, the son of a white landowner and a black slave, has had one dream: to own land every bit as good as his daddy's. While growing up, Paul-Edward loved, and feared, his father, but he loved the land unconditionally. Then, after a rash act of youthful rebellion, he leaves his family behind and vows to succeed on his own. However, for anyone black coming of age in 1880's Mississippi, this is no simple goal.

Sins from the past have left a lingering stench in the Mitchell family. Amid a tumultuous roller-coaster ride through financial ruin, professional humiliation, personal failure, and marital discord, Joel, the youngest son, who was once considered the most eligible bachelor, has finally come to terms with his shortcomings and self-centered decisions.

Reverend Sabre Winfrey, shepherd of the Seven Seals Baptist Church, believes in God, his own privilege, and enterprise. Besides the barbershop and radio station he owns, he has an iron hand on every aspect of Dominion, Mississippi, society. He and his wife, Priscilla, have five boys; the youngest, Emanuel, is called Wonderboy—no one sings prettier, runs as fast, or turns as many heads. After a surprising encounter with a stranger, Wonderboy finds himself confronted by questions he’d never imagined, and his response will send shockwaves through the entire community.

Why exactly Charley Bordelon's late father left her eight hundred sprawling acres of sugarcane land in rural Louisiana is as mysterious as it was generous. Recognizing this as a chance to start over, Charley and her 11-year-old daughter, Micah, say good-bye to Los Angeles. They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that's mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man's business.

As the 20th century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, "King and Queen of the Racially Nebulous Prom". Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation on the Jonestown massacre.