African American Families

When summoned to Georgetown, South Carolina, sisters Mariah Clark and Sabrina Holland both assume their ailing grandfather's health has gotten worse. Neither expects their grandmother's undeniable request—save the family restaurant. Mariah is at a crossroad in her life. After being dumped by her husband and forced to walk away from their diner that she helped rescue from bankruptcy, bitter feelings consume her. Even though the restaurant has been in the family for eighty-six years, giving her all to another struggling business isn't something she wants to do.

Lucas has been in the fight against the evil forces in his town since the beginning, but he is tired of feeling like an outsider. When the start of high school presents Lucas with options beyond D&D and being bullied, he wonders if he can be more than invisible. After connecting with one of the few other Black students at school, Lucas starts to learn more about himself apart from his friend group. And he begins to understand himself as a Black teen in Hawkins, which feels unlike anything—in this world or any other—he’s ever experienced.

The daughter of a Danish immigrant and a black G.I., Rachel survives a family tragedy only to face new challenges. Sent to live with her strict African-American grandmother in a racially divided Northwest city, she must suppress her grief and reinvent herself in a mostly black community. A beauty with light brown skin and blue eyes, she attracts much attention in her new home. The world wants to see her as either black or white, but that's not how she sees herself.

Rebecca Carroll grew up the only Black person in her rural New Hampshire town. Adopted at birth by artistic parents who believed in peace, love, and zero population growth, her early childhood was loving and idyllic - and yet she couldn’t articulate the deep sense of isolation she increasingly felt as she grew older. Everything changed when she met her birth mother, a young White woman, who consistently undermined Carroll’s sense of her blackness and self-esteem.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Ever since running away at the age of fourteen, Paul-Edward, the son of a white landowner and a black slave, has had one dream: to own land every bit as good as his daddy's. While growing up, Paul-Edward loved, and feared, his father, but he loved the land unconditionally. Then, after a rash act of youthful rebellion, he leaves his family behind and vows to succeed on his own. However, for anyone black coming of age in 1880's Mississippi, this is no simple goal.

Almost a decade ago, Willie Revel gave up her burgeoning journalism career in New York to help run her father’s struggling construction company in Philadelphia. An ambitious single mother, Willie has reluctantly put family first without being able to forget who she might have become. Now, as the president of the United States prepares to pass the Forgiveness Act, a bill that would allow Black families to claim reparations if they can prove they are the descendants of slaves, Willie delves deeper into her family’s history, while also trying to keep the family from going into bankruptcy.

For the five Reeves women, nothing is more important than keeping their family bond tight and their communication flowing. But honesty isn't so clear cut when it could blow up everything they've fought to build. Already reeling from betrayal, middle sister Coco is fed up with lies - including her own. If she has her way, someone else's neck needs to be on the line for a change. But soon, Coco's in deep trouble with the law, her future hanging in the balance....

To keep their family ties strong, the five Reeves sisters meet regularly to give each other a reality check. But explosive family secrets begin to pour out like molten lava and forever change all they treasure most.

It’s 2008, and the inauguration of President Barack Obama ushers in a new kind of hope. In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that she must make peace with the past. Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair.

Stanford Solomon’s shocking, 30-year-old secret is about to change the lives of everyone around him. Stanford has done something no one could ever imagine. He is a man who faked his own death and stole the identity of his best friend. Stanford Solomon is actually Abel Paisley. And now, nearing the end of his life, Stanford is about to meet his firstborn daughter, Irene Paisley, a home health aide who has unwittingly shown up for her first day of work to tend to the father she thought was dead.

New York Times best-selling author Mary Monroe’s God Don’t Like Ugly hit audiences like a thunderbolt, appealing to multiple generations of readers. God Don’t Make No Mistakes concludes the saga begun in that groundbreaking novel. Here, Annette Goode Davis is attempting to reconcile with her estranged husband. However, her appetite for food - and other men - has her world spiraling dangerously out of control.

After her very public divorce from Dillon, Raven Black is recovering nicely. Dillon has done everything he can to discredit her, but Raven has learned from her mistakes and him. In fact she's intent on using every bit of Dillon's revenge and betrayal as she prepares to take what is hers - and more. Her ambitions have never been so great, and Raven always knows how to get what she wants. She also won't allow anything or anyone to get in her way.

When Nate suggests that they attempt to be the first Black American men to summit Mount Everest, his younger brother Dixon can’t refuse. The two are determined to prove something—to themselves and to each other. Dixon interrupts his orderly life as a school psychologist, leaving behind disapproving friends, family, and one particularly fragile student. Once on the mountain, Nate and Dixon are met with extreme weather conditions, oxygen deprivation, and precarious terrain. But as much as they’ve prepared for this, Mt. Everest is always fickle.

A child's concept of race is quite different from that of an adult. Young children perceive skin color as magical - even changeable - and are incapable of understanding adult prejudices. Just as children learn to walk and talk, they likewise come to understand race in a series of predictable stages. Based on Marguerite A. Wright's research and clinical experience, I'm Chocolate, You're Vanilla teaches us that the color-blindness of early childhood can, and must, be taken advantage of in order to guide the positive development of a child's self-esteem.

The year is 1978. The Duncan brothers and their tough-as-nails women have vanquished their rivals and taken their place as the leaders of Waycross, Georgia's criminal enterprises. However, their rise to power has not gone unnoticed, and the family is rocked when their mother, Miss Bettie, is kidnapped and her body is found in a swamp. No one knows who the killers are, but instead of drawing closer, the family is split when their grief-stricken leader, LC, is offered membership in the South's most powerful black organization, the Council.

Vegas Duncan's release from prison is right on time for his older brother Junior's engagement to the voluptuous Sonya Brown. Unfortunately Junior's attempt at happiness comes to a screeching halt when Sonya's husband, the mysterious Brother X, and his army of Muslim hit men declare war on the Duncan clan. Duncan family patriarch LC Duncan has gone up against many foes in his time.

New York Times best-selling author Carl Weber and award-winning novelist Eric Pete team up to deliver the first in a much-anticipated new trilogy. The Family Business features two times the heat, two times the fun, and two times the drama as the members of an unforgettable family (not to mention their lovers and hangers-on) find their way in and out of trouble. As their many fans will attest, Weber and Pete share a talent for penning juicy fiction that their audience can’t get enough of.

Ripped from the pages of Carl Weber's New York Times best-selling Family Business series comes a solo story about his most popular character to date - the bright, sexy, and deadly Paris Duncan. Join Carl Weber and Eric Pete as they go back in time and take Paris Duncan to Europe, to the finishing school where she meets her first true love, makes her first real enemy, and commits her first crime. Listeners will get a thrilling inside view into the events that made Paris the lovely but lethal woman she is today.

Maleeka Madison is a dark skinned African-American girl. She feels uncomfortable and wishes she had lighter skin. When her teacher, Miss Saunders, who suffers from a rare skin condition, shows that there is more to people than the color of their skin, Maleeka learns to appreciate and accept who she truly is.