African American Families

The drama and dangerous secrets continue to build in the lives of the Georgetown house members. Gloria Towson is keeping her secret from David Carter. Melissa Charles does everything in her power to keep her secret, as well as simultaneously hold on to the love of her life, Alan Lightfoot. However, Alan knows he must let Melissa go to serve the tenets of his Indigenous American heritage.

Faithful and humble wife Kokei Keyu seemed to enjoy a near-perfect marriage until her husband, Dodeye, accepted a chieftaincy title from home. Kokei’s life is about to change forever. In a compelling and spellbinding drama, age-long secrets burst into a once-peaceful home, causing more damage than all anticipated, revealing the past and showing that what we sow is really what we are going to reap.

"Your daddy killed Chris!" When Nikki heard her little cousin utter these four words, she had no idea they would change the course of her young life forever. Had no idea that her beloved father would be ripped away from her, drawn into a protracted legal battle. Had no idea that she would be forced to flee her home and go into hiding with her mother and siblings.

Jonah Winters has it all. An Ivy Leaguer born to expatriate parents, he is never in want for money and calls both New York City and Paris his home. Aware that his fortunes are rare for a Black man like himself, he attempts to give back by teaching English at a New York City public school only to be profoundly disillusioned by his apathetic students. When a friend offers Jonah a chance to escape down to South America, he accepts, ready to leave the struggling African American community to solve their own problems.

In this Bank Street College of Education Best Children's Book of the Year, Paula Young Shelton, daughter of Civil Rights activist Andrew Young, brings a child’s unique perspective to an important chapter in America’s history. Paula grew up in the deep south, in a world where Whites had and Blacks did not. With an activist father and a community of leaders surrounding her, including Uncle Martin (Martin Luther King), Paula watched and listened to the struggles, eventually joining in the historic march from Selma to Montgomery.

Hearing the news that his mother is leaving their family home without explanation, the life of young Marcellous Thompson begins to unravel. As Marcellous progresses from adolescence into young adulthood, for each traumatic event he overcomes another is awaiting perilously around the corner. Betrayal, heartbreak, depression, and love are a handful of emotions Marcellous must master in order to grow into the man he has always envisioned within himself. Does he has the perseverance and fortitude to survive, or will he succumb to the pressures of his life?

In 1950, before Montgomery, Alabama, knew Martin Luther King Jr., before Rosa Parks refused to surrender her seat to a White passenger, before the city's famous bus boycott, a Negro man named Hilliard Brooks was shot and killed by a White police officer in a confrontation after he tried to board a city bus. Thomas Gray, who had played football with Hilliard when they were kids, was outraged by the unjustifiable shooting. Gray protested, eventually staging a major downtown march to register voters and standing up to police brutality.

This book is an examination of how my family's history is interwoven with that of the history of the United States, in general, and that of North Carolina in particular. Three major 20th century players and historical events are highlighted. These players are my late father, Rev. Dr. Whalen Samuel Jones, as a young participant of the Great Migration; Sergeant Louis Franklin and the Second World War in Europe; and Gastonia Mayor Thebaud Jeffers and the Modern Civil Rights Movement. The 19th century predecessors laid the groundwork, and their roles will be examined in detail.

Mixing business with pleasure leads to a passionate night. Harper Bennett’s motto is work hard, play hard. Lately, she’s forgotten the latter and has focused her time as part-owner, along with her brothers, of the hottest nightclub in Atlanta. When an intriguing client enters, Harper forgoes her promise to never date a man that doesn’t live in the same city and she finds herself playing hard to get with Hunter Arrington. The passion that has ignited between them can’t be extinguished, and she dreads the day he has to leave.

"Have to keep that smile", said Booker Wright in the 1966 NBC documentary Mississippi: A Self-Portrait. At the time Wright was a waiter in a Whites-only restaurant and a local business owner who would become an unwitting icon of the civil rights movement. For he did the unthinkable: Before a national audience, he described what life was truly like for the Black people of Greenwood, Mississippi.

No Justice is the harrowing story of Robbie Tolan, who early on one New Year's Eve morning, found himself being rushed to the hospital. A White police officer had shot him in the chest after mistakenly accusing him of stealing his own car...while in his own driveway.

Vanessa Reed had been at odds for years with Evelyn Underwood. Despite the woman's affair with her husband, Vanessa had moved on and forgiven Justice Reed. She's even accepted Jax Reed, the son born of the affair as if he were one of her own children. As Vanessa prepares to bring her family together for the holidays, she contemplates one of her greatest tests of faith and the consequences.

Countless Black Americans descended from slavery are related to the enslavers who bought and sold their ancestors. Among them is Dionne Ford, whose great grandmother was the last of six children born to a Louisiana cotton broker and the enslaved woman he received as a wedding gift. What shapes does this kind of intergenerational trauma take? In this book, which move between her inner life and deep research, Ford tells us.

Sicily Jordan’s worst nightmare has come true! She’s been enrolled in a new school, with zero of her friends and stuck wearing a fashion catastrophe of a uniform. But however bad Sicily thought sixth grade was going to be, it only gets worse when she does her class presentation.

Every holiday, aunties, uncles, cousins, grandparents, and neighbors come over to eat, sing, and celebrate life. But all our main character can think about is the sweet potato pie Granny makes just for her. As tables fill with baked macaroni and cheese, chitlins, and other sides a-steaming, she and Granny move the pie to keep it intact. The task becomes trickier as the room grows with dancing and card games and pie cravings. Just when all seems lost and there’s no more pie, Granny pulls out a sweet surprise.

Timbuktu, western Africa, 1706. Folashade, the fourteen-year-old daughter of a professor of linguistics, is sent south with her older sisters, Bibi and Adaeze, to endure the painful ceremony that a girl on the cusp of womanhood is expected to. In Djenné, on the banks of the Niger, the sisters’ fate and that of their fellow Bambara are changed forever when they’re kidnapped, marched toward grueling indignities on Gorée Island, and eventually hauled aboard an English slaver bound for the Americas.

Walking Gentry Home tells the story of Alora Young’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young’s imagination; to Amy, the first of Young’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.

In the world of children's literature, Louise Fitzhugh's Harriet the Spy and The Long Secret are widely recognized as epoch-making. They have been received by young learners, year after year, with excitement and love. Nobody's Family Is Going to Change - the story of an African American family in New York in the 1970s - shares the vigorous sense of comedy and unflinching fidelity to the real world that has made Fitzhugh's other books into classics.

A Black descendant of Thomas Jefferson and Sally Hemings’ family explores America’s racial reckoning through the prism of her ancestors - both the enslaver and the enslaved.