African American Families

Raised by a widowed mother, Jill Reed has come a long way from her difficult youth. But while she may not have had money, Jill never doubted she was rich in love. Her mother, Connie, made Jill the center of her world. Now, even though she has a young family of her own, it’s Jill’s turn to care for her ailing mother. When early dementia begins to set in, Connie starts talking about Jill’s “other life.” Jill assumes it’s just rambling confusion. Still, Connie’s stories about Jill’s childhood, and her father’s early death, never quite added up.

As the 20th century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. They are the perfect couple, "King and Queen of the Racially Nebulous Prom". Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation on the Jonestown massacre.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Awaiting the return of her husband and young son from a road trip, Obiajulu Ejiofor receives shattering news. There’s been a fatal car crash, and one of them is dead. In Where the Children Take Us, Obiajulu’s daughter, Zain E. Asher, tells the story of her mother’s harrowing fight to raise four children as a widowed immigrant in South London. There is tragedy in this tale, but it is not a tragedy. Drawing on tough-love parenting strategies, Obiajulu teaches her sons and daughters to overcome the daily pressures of poverty, crime and prejudice—and much more.

For much of his life, Esau McCaulley was taught to see himself as an exception: someone who, through hard work, faith, and determination, overcame childhood poverty, anti-Black racism, and an absent father to earn a job as a university professor and a life in the middle class.

The daughter of a Danish immigrant and a black G.I., Rachel survives a family tragedy only to face new challenges. Sent to live with her strict African-American grandmother in a racially divided Northwest city, she must suppress her grief and reinvent herself in a mostly black community. A beauty with light brown skin and blue eyes, she attracts much attention in her new home. The world wants to see her as either black or white, but that's not how she sees herself.

Rhea's neighborhood is fading away—the mom-and-pop shops of her childhood forced out to make space for an artisanal kombucha brewery here, a hot yoga studio there. And everywhere, the feeling that this place is no longer meant for her. Because while their little corner of South L.A. isn't perfect, to Rhea and her two best friends, it's something even more important—it's home. And it's worth protecting. But as more white people flock to their latest edgy, urban paradise, more of Rhea's friends and family are pushed out. Until Rhea decides it's time to push back.

Why exactly Charley Bordelon's late father left her eight hundred sprawling acres of sugarcane land in rural Louisiana is as mysterious as it was generous. Recognizing this as a chance to start over, Charley and her 11-year-old daughter, Micah, say good-bye to Los Angeles. They arrive just in time for growing season but no amount of planning can prepare Charley for a Louisiana that's mired in the past: as her judgmental but big-hearted grandmother tells her, cane farming is always going to be a white man's business.

According to the 2010 US census, more than 70 percent of Black women in America are unmarried. Black Women, Black Love reveals how four centuries of laws, policies, and customs have created that crisis. Dianne Stewart begins in the colonial era, when slave owners denied Blacks the right to marry, divided families, and, in many cases, raped enslaved women and girls. Later, during Reconstruction and the ensuing decades, violence split couples again as millions embarked on the Great Migration north.

Journalist Chris Tomlinson grew up hearing stories about his family's abandoned cotton plantation in Falls County, Texas. Most of the tales lionized his white ancestors for pioneering along the Brazos River. His grandfather often said the family's slaves loved them so much that they also took Tomlinson as their last name. LaDainian Tomlinson, football great and former running back for the San Diego Chargers, spent part of his childhood playing on the same land that his Black ancestors had worked as slaves.

On a Spring afternoon in London, Sam hops the stairs of his flat two at a time. There’s £1,300 missing from his and his wife, Efe’s, shared bank account and his calls are going straight to voicemail. When he finally reaches someone, he learns Efe is nearly 5,000 miles away as their toddler looks around and asks, “Where’s Mummy?”

Being more than a Daddy’s girl has always been the goal. Finding herself outside of being the baby proved itself to be the hardest thing. He seemed familiar. Something safe, someone she knew she could let her guard down around. A man that wasn’t just around because of what her last name could offer. The car she drove wasn’t the only thing that moved fast.

From number one New York Times best-selling author Nic Stone comes a middle-grade road-trip story through American race relations past and present, perfect for fans of Jacqueline Woodson and Jason Reynolds.

Many believe the child welfare system protects children from abuse. But as Torn Apart uncovers, this system is designed to punish Black families. Drawing on decades of research, legal scholar and sociologist Dorothy Roberts reveals that the child welfare system is better understood as a “family policing system” that collaborates with law enforcement and prisons to oppress Black communities. Child protection investigations ensnare a majority of Black children, putting their families under intense state surveillance and regulation.

Dark, lanky, and bald, New York-raised photographer Sabre Cumberbatch can’t tell if she’s highly talented or just highly Instagrammable. Up to here with art critics and their gaseous praise, Sabre returns to Barbados, her childhood island home, to water her roots. She needs to quell self-doubt by doing something—anything—profoundly important. Welcoming her with bejeweled open arms is her aunt Aggie, a fearsome high-society attorney eager to show off her famous American niece. When Sabre witnesses Aggie unleash her wrath on the household staff over a minor mistake, Sabre finds her cause.

It’s 2008, and the inauguration of President Barack Obama ushers in a new kind of hope. In Chicago, Ruth Tuttle, an Ivy-League educated Black engineer, is married to a kind and successful man. He’s eager to start a family, but Ruth is uncertain. She has never gotten over the baby she gave birth to—and was forced to leave behind—when she was a teenager. She had promised her family she’d never look back, but Ruth knows that she must make peace with the past. Returning home, Ruth discovers the Indiana factory town of her youth is plagued by unemployment, racism, and despair.

When the future of Grandeur nears the brink of collapse in the face of band rivalry, Tess finds to her chagrin that she must team up with Brandon in a desperate attempt to revive the company. As Tess and Brandon spend more time together, Tess begins to wonder if everything she thought she knew might not be so certain after all….

Lucas has been in the fight against the evil forces in his town since the beginning, but he is tired of feeling like an outsider. When the start of high school presents Lucas with options beyond D&D and being bullied, he wonders if he can be more than invisible. After connecting with one of the few other Black students at school, Lucas starts to learn more about himself apart from his friend group. And he begins to understand himself as a Black teen in Hawkins, which feels unlike anything—in this world or any other—he’s ever experienced.

Since childhood, identical twins Leona and Fiona Dunbar have been getting in—and out—of trouble by pretending to be each other. Yet underneath, they couldn’t be more different. Outspoken Leona lives to break rules, have a good time, and scandalize their respectable hometown of Lexington. Fiona is a seemingly demure churchgoing girl who is the apple of her domineering, widowed mother Mavis’s eye. But together, the twins have fooled teachers, boyfriends, bosses, racist police—and most importantly, straitlaced Mavis.

Ryan Speedo Green had a tough upbringing in Southeastern Virginia: His family lived in a trailer park and later a bullet-riddled house across the street from drug dealers. His father was absent; his mother was volatile and abusive. At the age of 12, Ryan was sent to Virginia's juvenile facility of last resort. He was placed in solitary confinement. He was uncontrollable, uncontainable, with little hope for the future. In 2011, at the age of 24, Ryan won a nationwide competition hosted by New York's Metropolitan Opera, beating out 1,200 other talented singers.