African American Family Fiction

Jacqueline Woodson's first middle-grade novel since National Book Award winner Brown Girl Dreaming celebrates the healing that can occur when a group of students share their stories. It all starts when six kids have to meet for a weekly chat—by themselves, with no adults to listen in. There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them—everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes.

When the seventh child of the Peace family, named Perfect, turns eight, her mother, Emma Jean, tells her bewildered daughter, "You was born a boy. I made you a girl. But that ain't what you was supposed to be. So from now on, you gon' be a boy. It'll be a little strange at first, but you'll get used to it, and this'll be over after while." From this point forward, his life becomes a bizarre kaleidoscope of events. Meanwhile, the Peace family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment.

When Tyson Trice finds himself tossed into the wealthy community of Pacific Hills, he expects not to belong. Not that he cares. After recovering from being shot and surviving the rough streets of Lindenwood, he doesn’t care about anyone or anything. Golden girl Nandy Smith has spent most of her life building the pristine image it takes to make it in Pacific Hills. After learning that her parents are taking in a troubled teen boy, Nandy fears her summer plans and her reputation will go up in flames.

She's smart, gorgeous, and mysterious. For business executive Nathan Carver, a man with everything, Jessica Bolton is the first woman he can't simply charm, buy, or seduce. And even before Jessica gets a taste of his luxurious lifestyle and irresistible moves, she's determined to eliminate the competition and become this handsome bachelor's one and only. But Jessica's deceptive allure is just the beginning.

At 40, Lena Baker is at a steady and stable moment in life—between wine nights with her two best friends and her wedding just weeks away, she’s happy in love and in friendship—until a confession on her wedding day shifts her world.

When she was twenty-six and broke, Skye didn’t think twice before selling her eggs and happily pocketing the cash. Now approaching forty, Skye still moves through life entirely—and unrepentantly—on her own terms, living out of a suitcase and avoiding all manner of serious relationships. Maybe her junior high classmates weren’t wrong when they voted her “Most Likely to Be Single” instead of “Most Ride-or-Die Homie,” but at least she’s always been free to do as she pleases.

I knew he had the power to make me feel, but he also had the power to break me. To pull my heart outside of my chest and stomp on it. I knew falling for a man like Capone came with more than I was ready for. He wasn't feared for no reason. Timmy never meant Jaiden any good, and I knew it from the first time I met him. I've never wanted someone dead as much as I wanted him dead. Timmy needed to go, and I didn't care how he went as long as he wasn't breathing. Capone put it on his life that he would always protect me and mine.

For the five Reeves women, nothing is more important than keeping their family bond tight and their communication flowing. But honesty isn't so clear cut when it could blow up everything they've fought to build. Already reeling from betrayal, middle sister Coco is fed up with lies - including her own. If she has her way, someone else's neck needs to be on the line for a change. But soon, Coco's in deep trouble with the law, her future hanging in the balance....

To keep their family ties strong, the five Reeves sisters meet regularly to give each other a reality check. But explosive family secrets begin to pour out like molten lava and forever change all they treasure most.

From the time he was a boy in Georgia, LC Duncan, patriarch and leader of the Duncan clan, has battled racism. Even now that he and his family are truly successful, the racism can still be in-your-face. Maybe it's the political climate or perhaps it's just bad timing, but LC and the rest of the Duncans are being challenged by the ultimate power-hungry racist, Sheriff KD Shrugs.

When summoned to Georgetown, South Carolina, sisters Mariah Clark and Sabrina Holland both assume their ailing grandfather's health has gotten worse. Neither expects their grandmother's undeniable request—save the family restaurant. Mariah is at a crossroad in her life. After being dumped by her husband and forced to walk away from their diner that she helped rescue from bankruptcy, bitter feelings consume her. Even though the restaurant has been in the family for eighty-six years, giving her all to another struggling business isn't something she wants to do.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

New York Times best-selling author Mary Monroe’s God Don’t Like Ugly hit audiences like a thunderbolt, appealing to multiple generations of readers. God Don’t Make No Mistakes concludes the saga begun in that groundbreaking novel. Here, Annette Goode Davis is attempting to reconcile with her estranged husband. However, her appetite for food - and other men - has her world spiraling dangerously out of control.

On a Spring afternoon in London, Sam hops the stairs of his flat two at a time. There’s £1,300 missing from his and his wife, Efe’s, shared bank account and his calls are going straight to voicemail. When he finally reaches someone, he learns Efe is nearly 5,000 miles away as their toddler looks around and asks, “Where’s Mummy?”

Almost a decade ago, Willie Revel gave up her burgeoning journalism career in New York to help run her father’s struggling construction company in Philadelphia. An ambitious single mother, Willie has reluctantly put family first without being able to forget who she might have become. Now, as the president of the United States prepares to pass the Forgiveness Act, a bill that would allow Black families to claim reparations if they can prove they are the descendants of slaves, Willie delves deeper into her family’s history, while also trying to keep the family from going into bankruptcy.

Dark, lanky, and bald, New York-raised photographer Sabre Cumberbatch can’t tell if she’s highly talented or just highly Instagrammable. Up to here with art critics and their gaseous praise, Sabre returns to Barbados, her childhood island home, to water her roots. She needs to quell self-doubt by doing something—anything—profoundly important. Welcoming her with bejeweled open arms is her aunt Aggie, a fearsome high-society attorney eager to show off her famous American niece. When Sabre witnesses Aggie unleash her wrath on the household staff over a minor mistake, Sabre finds her cause.

Lucas has been in the fight against the evil forces in his town since the beginning, but he is tired of feeling like an outsider. When the start of high school presents Lucas with options beyond D&D and being bullied, he wonders if he can be more than invisible. After connecting with one of the few other Black students at school, Lucas starts to learn more about himself apart from his friend group. And he begins to understand himself as a Black teen in Hawkins, which feels unlike anything—in this world or any other—he’s ever experienced.

A collection of Christmas stories written by African American journalists, activists, and writers from the late 19th century to the modern civil rights movement. This landmark collection features writings from well-known black writers, activists, and visionaries such as Pauline Hopkins, Langston Hughes, and John Henrik Clark along with literary gems from rediscovered writers. Originally published in African American newspapers, periodicals, and journals between 1880 and 1953, these enchanting Christmas tales are part of the black literary tradition that flourished after the Civil War.

The daughter of a Danish immigrant and a black G.I., Rachel survives a family tragedy only to face new challenges. Sent to live with her strict African-American grandmother in a racially divided Northwest city, she must suppress her grief and reinvent herself in a mostly black community. A beauty with light brown skin and blue eyes, she attracts much attention in her new home. The world wants to see her as either black or white, but that's not how she sees herself.

New York Times best-selling author Carl Weber and award-winning novelist Eric Pete team up to deliver the first in a much-anticipated new trilogy. The Family Business features two times the heat, two times the fun, and two times the drama as the members of an unforgettable family (not to mention their lovers and hangers-on) find their way in and out of trouble. As their many fans will attest, Weber and Pete share a talent for penning juicy fiction that their audience can’t get enough of.