African American Family Fiction

Sicily Jordan’s worst nightmare has come true! She’s been enrolled in a new school, with zero of her friends and stuck wearing a fashion catastrophe of a uniform. But however bad Sicily thought sixth grade was going to be, it only gets worse when she does her class presentation.

Every holiday, aunties, uncles, cousins, grandparents, and neighbors come over to eat, sing, and celebrate life. But all our main character can think about is the sweet potato pie Granny makes just for her. As tables fill with baked macaroni and cheese, chitlins, and other sides a-steaming, she and Granny move the pie to keep it intact. The task becomes trickier as the room grows with dancing and card games and pie cravings. Just when all seems lost and there’s no more pie, Granny pulls out a sweet surprise.

Timbuktu, western Africa, 1706. Folashade, the fourteen-year-old daughter of a professor of linguistics, is sent south with her older sisters, Bibi and Adaeze, to endure the painful ceremony that a girl on the cusp of womanhood is expected to. In Djenné, on the banks of the Niger, the sisters’ fate and that of their fellow Bambara are changed forever when they’re kidnapped, marched toward grueling indignities on Gorée Island, and eventually hauled aboard an English slaver bound for the Americas.

Walking Gentry Home tells the story of Alora Young’s ancestors, from the unnamed women forgotten by the historical record but brought to life through Young’s imagination; to Amy, the first of Young’s foremothers to arrive in Tennessee, buried in an unmarked grave, unlike the white man who enslaved her and fathered her child; through Young’s great-grandmother Gentry, unhappily married at fourteen; to her own mother, the teenage beauty queen rejected by her white neighbors.

In Look For Me and I’ll Be Gone, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that - despite knowing better, despite its own laws, despite experiencing for hundreds of years the deadly perils and heartbreak of racial division - encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior.

Lina Henry is a wife and mother who likens herself to a pretty paper doll. She lives in a beautiful home in the Atlanta suburbs. Her husband, David, is a well-to-do investment banker. She’s raised two wonderful teenagers. To the outside world, the Henry family is perfect. What no one knows is that Lina’s paper doll life is being torn apart in a controlling and abusive marriage. Then Lina develops an unexpected friendship with another man, and reconnects with her former best friend. But as David senses his loss of control, he becomes more dangerous.

In the world of children's literature, Louise Fitzhugh's Harriet the Spy and The Long Secret are widely recognized as epoch-making. They have been received by young learners, year after year, with excitement and love. Nobody's Family Is Going to Change - the story of an African American family in New York in the 1970s - shares the vigorous sense of comedy and unflinching fidelity to the real world that has made Fitzhugh's other books into classics.

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