African American Folklore

A mix of memoir, spiritual teachings, and practices from Afro American traditions, Jambalaya offers a fascinating introduction to the world of nature-based spirituality, goddess worship, and rituals from the African diaspora. More relevant today than it was 36 years ago, the wisdom of Jambalaya reconnects us to the natural and spiritual world, and the centuries-old traditions of African ancestors, whose voices echo through time, guiding us and blending with our own.

You should see this book as a celebration of the resilience, creativity, and wisdom of Black people and their ancestors, and a reminder of the importance of preserving and sharing these stories for generations to come. Whether you're looking for tales of adventure, humor, or wisdom, this has something for everyone. This book is a timeless and inspiring tribute to the enduring power of Black storytelling.

In this ingenious, sweeping novel, Phillip B. Williams introduces us to an enigmatic woman named Saint, a fearsome conjurer who, in the 1830s, annihilates plantations all over Arkansas to rescue the people enslaved there. She brings those she has freed to a haven of her own creation: a town just north of St. Louis, magically concealed from outsiders, named Ours. It is in this miraculous place that Saint’s grand experiment—a truly secluded community where her people may flourish—takes root.

Rediscover the "most important book on black-white relationships" in America in this special 50th anniversary edition.

Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African-American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s "lost" Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales.

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s. The bittersweet and often hilarious tale, which range from longer narratives about God, the Devil, white folk, and mistaken identity to witty one-liners, reveal attitudes about faith, love, family, slavery, race, and community.

“The People Could Fly,” the title story in Virginia Hamilton’s prize-winning American Black folktale collection, is a fantasy tale of the slaves who possessed the ancient magic words that enabled them to literally fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.

A northern white couple has relocated to the South to operate a vineyard on a North Carolina plantation. There, they pass their idle hours listening to the stories of one Uncle Julius, who has a deep knowledge of the land. These stories, however, are more than mere entertainments. They all have their time and place, and they offer not only a quiet commentary on the events of the day but also a deeper reckoning with the plantation’s disturbing past.